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Introducing the concept of state-sponsored platformization, this volume shows the complexity behind the central role the party-state plays in shaping social media platforms. The party-state increasingly penetrates commercial social media while aspiring to turn its own media agencies into platforms. Yet state-sponsored platformization does not necessarily produce the Chinese Communist Party’s desired outcomes. Citizens continue to appropriate social media for creative public engagement at the same time that more people are managing their online settings to reduce or refuse connection, inducing new forms of crafted resistance to hyper-social media connectivity. The wide-ranging essays presented here explore the mobile radio service Ximalaya.FM, Alibaba’s evolution into a multi-platform ecosystem, livestreaming platforms in the United States and China, the role of Twitter in Trump’s North Korea diplomacy, user-generated content in the news media, the emergence of new social agents mediating between state and society, social media art projects, Chinese and US scientists’ use of social media, and reluctance to engage with WeChat. Ultimately, readers will find that the ten chapters in this volume contribute significant new research and insights to the fast-growing scholarship on social media in China at a time when online communication is increasingly constrained by international struggles over political control and privacy issues.

Wang Wei  was one of the most celebrated poets of China's Tang Dynasty (618-907). An influential painter and practitioner of Chan (Zen) Buddhism, many of his poems contain concise and evocative descriptions of nature whose elegant minimalism offers subtle expression of a transcendence from everyday life. While this purity of poetic expression is what Wang Wei's reputation is built upon, he lived a courtly life of highs and lows in a tumultuous era, suffering demotions and exile, imprisonment and rehabilitation, all of which are evidenced in his verse. Wang Wei's poems grapple with the trappings of worldly life and the quest for enlightenment, painting a complex picture of both his psyche and his Chan discipline. Laughing Lost in the Mountains includes translations of poems running the spectrum of Wang Wei's subjects, as well as an extensive introduction that sheds light on Wang Wei's craft, spirituality, and historical context.