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12 books match the query 'Web'

cover of A Different Kind of Web: New Connections Between Archives and Our Users

A Different Kind of Web

New Connections Between Archives and Our Users

Kate Theimer

American Library Association, 2011

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cover of Interwoven: Junipers and the Web of Being

Interwoven

Junipers and the Web of Being

Kristen Rogers-Iversen

University of Utah Press, 2017

Copublished with the Utah State Historical Society. Affiliated with the Utah Division of State History, Utah Department of Heritage & Arts.

Throughout prehistory and history, junipers have influenced ecosystems, cultures, mythologies, economics, politics, and environmental controversies. In terms of their effects on human lives the juniper may be the most significant tree in the interior West. Interwoven explores these interconnecting aspects of junipers. Ghost beads, biotic communities, gin, tree masticators, Puebloan diapers, charcoal, folklore, historic explorers, spiral grain, tree life cycles, spirituality, packrat middens, climate changes, wildfire, ranching, wilderness, and land management policies are among the many different threads the book follows. These and other topics shed light on a fascinating organism, but the book is more than a compilation of facts. At once a scientific, experiential, historical, and metaphorical walk among junipers and their interrelationships, Interwoven may change readers’ experiences with these trees and the natural world. 

Finalist for the Utah State Historical Society Best Book Award.
Finalist for the 2019 ASLE Book Award for excellence in ecocriticism and environmental creative writing.
Named a “notable book” by the prize committee of the 2018 Sigurd F. Olson Nature Writing Award.
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cover of Linked Data Tools: Connecting on the Web

Linked Data Tools

Connecting on the Web

Karen American Library Association

American Library Association, 0

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cover of Morphology and the Web of Grammar: Essays in Memory of Steven G. Lapointe

Morphology and the Web of Grammar

Essays in Memory of Steven G. Lapointe

Edited by C. Orhan Orgun and Peter Sells

CSLI, 2003

This collection presents papers in memory of Steven G. Lapointe, a distinguished professor of linguistics at the University of California, Davis, at the time of his death in 1999. Lapointe's work on morphology and its connection to other linguistic subfields was the basis of a workshop held at UC Davis in 2000. This selection of papers from that workshop discusses the relationship of morphology to phonology, syntax, and semantics, as well as the details of modern morphological theory—forming a natural continuation of the intellectual developments in Lapointe et al.'s Morphology and Its Relation to Phonology and Syntax.
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cover of The Internet and the Madonna: Religious Visionary Experience on the Web

The Internet and the Madonna

Religious Visionary Experience on the Web

Paolo Apolito

University of Chicago Press, 2005

In 1994, a devout Catholic woman from Vermont began having religious visions and hearing the voice of the Virgin Mary. To spread word about her mystical experiences, she turned to the Internet. As Paolo Apolito records here, she is only one of many people who use the Web as a tool of religious devotion. Every day, thousands of Catholics—from Italy and Latin America to the United States and Bosnia—use the Internet to describe and celebrate apparitions of Mary, to exchange relics and advice in chat rooms, to make pilgrimages to religious Web sites, and to practice the rites of their faith online.

But how has this potent new mix of technology and religiosity changed the way Catholics view their faith? And what challenges do the autonomous qualities of the Internet pose to the broader authority of Catholicism? Does the democratic nature of access to digital technologies constitute a return to a more archaic and mystical form of Catholicism that predates the modernizing reforms of the Second Vatican Council?

In working through these questions, Apolito considers visions of Mary on the Web over the past two decades, revealing a great deal about religion as it is now experienced through new information technologies. The Internet, he explains, has made possible a decentralized community of the devoted, even as it has absorbed God into the shifts and complexities of electronic circuitry. And this profound development in religious life will only accelerate as use of the Internet spreads around the world.

An indispensable guide to the future of Catholicism, The Internet and the Madonna offers a compelling glimpse into the spiritual life of the connected soul.
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cover of The Web of Differing Versions: Where Africa Ends and America Begins

The Web of Differing Versions

Where Africa Ends and America Begins

Reid Gómez

University of Minnesota Press, 2026

A visionary reckoning with prophecy, possession, and the grammar of liberation

A bold, experimental intervention in literary and theoretical discourse of colonialism and diaspora, The Web of Differing Versions engages with Leslie Marmon Silko’s 1991 Almanac of the Dead as literature, prophecy, and philosophy. Reid Gómez makes “The Indian Connection” that Silko prophesizes—Land Back!—and offers a prescient response to Silko’s enduring question: who has spiritual possession of the Américas?

Realizing the great capacity of Black and Native studies, Gómez crafts a visionary mode of scholarship that resists acknowledging conceptual, political, spiritual, formal, or linguistic borders. Rather than comparing or separating, she demonstrates how to stop telling things apart: Black|Indian, slavery|colonization, and writing|translation. Gómez shifts focus from racialized identities to the prophesied world itself, working with music, literature, and language to elaborate the connections that exist between racialized bodies, land, and sea as she emphasizes the ubiquity of escape, revolt, and beauty/hózhǫ́.

A theoretical composition, this book enacts a practice of re-visioning that uses Silko’s Almanac to challenge the limits of thought, language, and the very idea of scholarship. Attending the multiplicity of time into times, past into pasts, future into futures, The Web of Differing Versions offers a new grammar for a shared and violent world.

Retail e-book files for this title are screen-reader friendly.

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cover of The Web of Iniquity: Early Detective Fiction by American Women

The Web of Iniquity

Early Detective Fiction by American Women

Catherine Ross Nickerson

Duke University Press, 1998

The Web of Iniquity is a study of detective fiction written by American women between the Civil War and World War II. Refuting the idea that no American detective fiction of substance was produced between the times of Edgar Allan Poe and Dashiell Hammett, Catherine Ross Nickerson shows how these women writers blended Gothic elements into domestic fiction to create a unique and all-but-ignored subgenre that she labels “domestic detective fiction.”
This subgenre allowed women writers to participate in postbellum culture and to critique other aspects of a rapidly changing society. Domestic detective fiction combined elements of sensationalist papers, popular nonfiction crime stories, and the domestic novel. Nickerson shows how it also incorporated the gothic tropes found in the work of Harriet Beecher Stowe, Louisa May Alcott, and Charlotte Brontë and influenced the work of Pauline Hopkins. Mid-nineteenth-century writer Metta Fuller Victor, who represented such important areas of cultural conflict as the role of professions in the formation of class identity and the possibility of women's independence and self-determination, paved the way for the appearance of women detectives in the late-nineteenth-century fiction of Anna Katharine Green. Nickerson credits Mary Roberts Rinehart, in particular, for bringing sophistication to the subgenre by amplifying the humorous, terrifying, and feminist elements inherent in earlier detective novels by women. Throughout the volume, Nickerson focuses on the narrative qualities of the domestic novel tradition and the ways in which it reflected ideologies of domesticity and gender. Also included are a discussion of various rewritings of the Lizzie Borden scandal in this tradition and an afterword on the relation of domestic detective fiction to the hard-boiled style.
The Web of Iniquity places the detective fiction written by women between 1850 and 1940 into ongoing discussions regarding women, culture, and literature and will appeal to scholars and students of women's studies, American studies, and literary history.
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cover of The Web of Violence: From Interpersonal to Global

The Web of Violence

From Interpersonal to Global

Edited by Jennifer Turpin and Lester Kurtz

University of Illinois Press, 1996

Violence is a topic of concern everywhere--in the media, in churches, in the halls of governments. In every land and in every culture violence is considered by most to be taboo, a last resort. Yet under certain conditions, from the level of the family to the level of nations, violence is used as a mechanism of social control. Various rationalizations thus emerge to distinguish between legitimate and illegitimate violence.

The Web of Violence explores the interrelationship among personal, collective, national, and global levels of violence. This unique collection brings together a number of internationally known contributors to address the genesis and manifestations of violence in the search for a remedy for this confounding social problem.

As the global community becomes more intimate, we must better understand the nature of violence. The Web of Violence supports this aim by examining the dangerous human phenomenon from many perspectives, at different levels, and using multiple methodologies.

Contributors: Robert Jay Lifton, Christopher G. Ellison, John P. Bartkowski, Yuan-Horng Chu, Philip Smith, Robert Elias, Birgit Brock-Utne, Riane Eisler, Johan Galtung

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cover of Threads from the Web of Life & The Shark and the Jellyfish: Stories in Natural History

Threads from the Web of Life & The Shark and the Jellyfish

Stories in Natural History

Stephen Daubert

Vanderbilt University Press, 2019

Ecology, like all literary narrative, has the potential for turnabout, surprise, lessons learned, and tragedy. The stories in Threads from the Web of Life and The Shark and the Jellyfish describe protagonists, their competitors, and the habitats that provide the setting for their interaction—habitats that have become surprisingly complex with the passage of evolutionary time.

One niche moves across a world of flowers that reaches its earliest peak bloom in the low valleys and then peaks later among the slopes of the foothills—a rolling habitat. Another hop-scotches across the ocean floor, compelling its occupants to migrate from the fallen body of one dead whale to the next. Yet another appears in the aftermath of typhoons, requiring its inhabitants to search the tropical coastline for the latest storm landfall.

These tales are filled with no less intrigue than other literary works, but they transpire out of the sight of most readers. Once known only to ecologists, in Threads from the Web of Life and The Shark and the Jellyfish, available for the first time in a single deluxe paperback, these stories become accessible to everyone with an interest in natural history.
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cover of Threads from the Web of Life: Stories in Natural History

Threads from the Web of Life

Stories in Natural History

Stephen Daubert

Vanderbilt University Press, 2006

A Selection of the Discovery Channel Book Club

In sixteen stories Steve Daubert pulls the reader into the mystery and immediacy of ecological processes spanning a range from microscopic to tectonic, from microscopic to cosmic forces. Each tale brings the reader into the moment to witness an episode of survival in the wild first-hand. The material is presented on a level of intimacy and detail not usually encountered in other styles of natural history writing.

These creative non-fiction stories provide not just a bird's eye view (though that's true for the owls, warblers, condors, and hummingbirds in the book), but a wasp's eye view, a mouse's, a sea turtle's, a squid's. Sometimes the focus is as small as the detritus on the forest floor, or a single beat of the wing of a gull. Other stories range across evolutionary time. From whales and dinosaurs to creatures invisible to the naked eye, author and illustrator bring to life the dynamic interplay of living, evolving creatures and the natural forces that have shaped their worlds.

The book includes chapter notes that document the scientific basis for each story and describe the controversies still surrounding some of them -- a splendid resource for families to read and share.
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cover of WEB OF FANTASIES: Gaze, Image, & Gender in Ovid’s Metamorphoses

WEB OF FANTASIES

Gaze, Image, & Gender in Ovid’s Metamorphoses

Patricia B Salzman-Mitchell

The Ohio State University Press, 2005

Drawing on recent scholarship in art, film, literary theory, and gender studies, A Web of Fantasies examines the complexities, symbolism and interactions between gaze and image in Ovid’s Metamorphoses and forms a gender-sensitive perspective. It is a feminist study of Ovid’s epic, which includes many stories about change, in which discussions of viewers, viewing, and imagery strive to illuminate Ovid’s constructions of male and female. Patricia Salzman-Mitchell discusses the text from the perspective of three types of gazes: of characters looking, of the poet who narrates visually charged stories, and of the reader who “sees” the woven images in the text. Arguing against certain theorists who deny the possibility of any feminine vision in a male-authored poem, the author maintains that the female point of view can be released through the traditional feminine occupation of weaving, featuring the woven images of Arachne (involved in a weaving contest in which she tried to best the goddess Athena, who turned her into a spider) and Philomela (who had her tongue cut out, so had to weave a tapestry depicting her rape and mutilation).
     The book observes that while feminist models of the gaze can create productive readings of the poem, these models are too limited and reductive for such a protean and complex text as Metamorphoses. This work brings forth the pervasive importance of the act of looking in the poem which will affect future readings of Ovid’s epic.
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cover of Web as History: Using Web Archives to Understand the Past and the Present

Web as History

Using Web Archives to Understand the Past and the Present

Edited by Niels Brügger and Ralph Schroeder

University College London, 2017

The World Wide Web has now been in use for more than 20 years. From early browsers to today’s principal source of information, entertainment and much else, the Web is an integral part of our daily lives, to the extent that some people believe ‘if it’s not online, it doesn’t exist.’ While this statement is not entirely true, it is becoming increasingly accurate, and reflects the Web’s role as an indispensable treasure trove. It is curious, therefore, that historians and social scientists have thus far made little use of the Web to investigate historical patterns of culture and society, despite making good use of letters, novels, newspapers, radio and television programmes, and other pre-digital artefacts. This volume argues that now is the time to question what we have learnt from the Web so far. The 12 chapters explore this topic from a number of interdisciplinary angles – through histories of national web spaces and case studies of different government and media domains – as well as an introduction that provides an overview of this exciting new area of research.
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