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3 books match the query 'Werner, Craig'
A Change Is Gonna Come
Music, Race & the Soul of AmericaCraig Werner
University of Michigan Press, 2006
—Notes
"No one has written this way about music in a long, long time. Lucid, insightful, with real spiritual, political, intellectual, and emotional grasp of the whole picture. A book about why music matters, and how, and to whom."
—Dave Marsh, author of Louie, Louie and Born to Run: The Bruce Springsteen Story
"This book is urgently needed: a comprehensive look at the various forms of black popular music, both as music and as seen in a larger social context. No one can do this better than Craig Werner."
—Henry Louis Gates, Jr., W.E.B. Du Bois Professor of the Humanities, Harvard University
"[Werner has] mastered the extremely difficult art of writing about music as both an aesthetic and social force that conveys, implies, symbolizes, and represents ideas as well as emotion, but without reducing its complexities and ambiguities to merely didactic categories."
—African American Review
A Change Is Gonna Come is the story of more than four decades of enormously influential black music, from the hopeful, angry refrains of the Freedom movement, to the slick pop of Motown; from the disco inferno to the Million Man March; from Woodstock's "Summer of Love" to the war in Vietnam and the race riots that inspired Marvin Gaye to write "What's Going On."
Originally published in 1998, A Change Is Gonna Come drew the attention of scholars and general readers alike. This new edition, featuring four new and updated chapters, will reintroduce Werner's seminal study of black music to a new generation of readers.
Craig Werner is Professor of Afro-American Studies at the University of Wisconsin, and author of many books, including Playing the Changes: From Afro-Modernism to the Jazz Impulse and Up Around the Bend: An Oral History of Creedence Clearwater Revival. His most recent book is Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul.
Everyday People and the Stories of Freedom in the Sixties
Craig Werner
University of Massachusetts Press, 2027
Showing that the most important figures of the 1960s were not always the most famous ones
Just weeks back from Vietnam, guitarist Larry Lee stood on stage at Woodstock alongside Jimi Hendrix, but he isn’t given more than a glance in the festival’s documentary. In Selma, Alabama, in March 1965, an eight-year-old girl named Sheyann Webb wrote her own obituary before joining the march across the Edmund Pettus Bridge. She survived Bloody Sunday, swept off the bridge in the arms of Hosea Williams as state troopers on horseback swung bullwhips and clubs. These are just a couple of the regular people at the heart of Craig Werner’s sweeping, mosaic history of the 1960s; it is their stories, not those of the icons, that give the era its deeper meaning.
In Everyday People and the Stories of Freedom in the Sixties, Werner assembles a rich and kaleidoscopic portrait of a decade in which Americans across the entire political spectrum claimed freedom as their cause. Moving beyond familiar myths and simplified narratives, he reveals a period defined by three interlocking realities: everything was open to change, everything seemed to happen at once, and everyone believed their vision of freedom was the one worth fighting for.
Bringing together stories too often told in isolation—the Civil Rights Movement, Vietnam, the global Cold War, the women’s movement, and the intertwined worlds of sex, drugs, and rock 'n' roll—Werner integrates the experiences of African Americans, women, Native Americans, Latinx communities, LGBTQ people, and immigrants into a single, propulsive narrative. Music, film, art, and fashion are not treated as colorful backdrops but as central forces in the making of political and social change. This book illuminates the economic, political, technological, and cultural forces that shaped the 1960s and continue to influence the present. It is a history of a decade told not from the top down, but from the ground up, by the people who lived it.
Supplemental materials for readers, students, and instructors are available on the publisher’s website, including full citations, playlists, images, and thematic sections on the Global Sixties, science and technology, religion, literature, music, film, visual art, and major figures and events.
We Gotta Get Out of This Place
The Soundtrack of the Vietnam WarDoug Bradley
University of Massachusetts Press, 2015
Rolling Stone's #1 Music Book of 2015
For a Kentucky rifleman who spent his tour trudging through Vietnam's Central Highlands, it was Nancy Sinatra's “These Boots Are Made for Walkin'.” For a “tunnel rat” who blew smoke into the Viet Cong's underground tunnels, it was Jimi Hendrix's “Purple Haze.” For a Black Marine distraught over the assassination of Martin Luther King Jr., it was Aretha Franklin's “Chain of Fools.” And for countless other Vietnam vets, it was “I Feel Like I'm Fixin' to Die,” “Who'll Stop the Rain,” or the song that gives this book its title.
In We Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans—black and white, Latino and Native American, men and women, officers and “grunts”—whose personal reflections drive the book's narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also “solo” pieces by veterans whose writings have shaped our understanding of the war—Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers—as well as songwriters and performers whose music influenced soldiers' lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories—individual and cultural—that capture a central if often overlooked component of the American war in Vietnam.