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Assesses past and future generations of poets and examines the standards by which they should be measured

The book begins with deaths: chiefly the poet’s mother’s, but also those of cherished mentors and friends. Poems explore living beyond those deaths and approaching old age, and then do some traveling. Williamson takes a pilgrimage to Japan and India, inspired by his practice of Zen meditation, and placed under the aegis of a saying from the great Rinzai Zen monastery at Daitoku-ji: “If you cannot endure this moment, what can you endure?” A theme then becomes enduring the public moment, with all its griefs and opportunities for growth. The reader is then transported with the poet to Italy. In 2000, Williamson began visiting Tuscany regularly, and eventually became a property owner there. The poems set in Italy dwell on an encounter with old culture, and its potential to encourage both resignation and mysticism, with moods that persist from the tutelary geniuses of two great Italian poets: the nihilistic Leopardi and the tentatively mystical Montale. Gathering around those experiences multiple lore from music, philosophy and science, it becomes an extended meditation on mental suffering, glimpses of the ecstatic, and the double nature of our life, “skull / and beatific face,” with “the immortal recombinants of fire and water.”

In Love and the Soul's title poem, a male speaker asks "not to believe/that what lights up the world from within is always the wrong thing" and is answered by a female speaker midway through the book who says "I don't think men and women/are meant to have relationships any more." Between these poles, Williamson's powerful collection explores the enormous burden of expectation that our culture has placed on love and its gifts to the soul.

Res Publica faithfully moves from the private to the public, from individual experience to civic responsibility through an elegy for the 1960s and the world that has become our own.

Alan Williamson artfully joins social and literary history with personal experience in The Pattern More Complicated, a collection of his very best poems over the last twenty years. A powerful section of new poems draws the whole work together in a kind of autobiographical novel, as—in Eliot's phrase, from which the title is taken—"the pattern of dead and living" grows "more complicated" with the years.  Williamson's verse is a refreshing examples of how delicately the personal can intersect with the public in a love for the considered life.

The Pattern More Complicated assembles Williamson's most important, representative poems, marking the trajectory of poetic development and the recurrence of themes across the span of four previous collections to present a survey of a major American poet in a single volume.