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11 books match the query 'Wittgenstein'

cover of Aquinas, Wittgenstein, and the Riddle of Spiritual Pedagogy

Aquinas, Wittgenstein, and the Riddle of Spiritual Pedagogy

Matthew Dunch

Catholic University of America Press, 2027

How can Paul, or you and I for that matter, speak with authority about mystery? Using the language of sacred riddles, Aquinas, Wittgenstein, and the Riddle of Spiritual Pedagogy argues that spiritual authority arises within the creative tension between the mystery of God’s will and our concrete human circumstances. Since at least the Enlightenment and increasingly in times of scandal, spiritual authority is suspect. Speaking authoritatively about mystery seems like a contradiction. Critics accuse such authorities of being at best vapid or at worst manipulative. Using a philosophical approach, Matt Dunch, SJ, defends the tradition of Christian spiritual teaching from St. Paul, through St. John Cassian and St. Ignatius Loyola, to contemporaries such as Dorothy Day. He supplements St. Thomas Aquinas’s account of prudence and counsel with Ludwig Wittgenstein’s sensitivity to the context and limits of sensible speech. Taken together, they all give us their accounts of how spiritual teaching can emerge from sacred riddles. Spiritual authority is unlike other forms of authority because the mystery or riddle of God is outside human understanding. At the same time, spiritual authority must address our concrete needs. Dunch considers how such riddles might be lived with and through, though not solved. This book will be of interest to readers who love the nature and practice of religious language, including philosophers of religion, systematic theologians, and spiritual directors. It will speak to anyone contemplating sacred mysteries.
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cover of Incapacity: Wittgenstein, Anxiety, and Performance Behavior

Incapacity

Wittgenstein, Anxiety, and Performance Behavior

Spencer Golub

Northwestern University Press, 2014

In this highly original study of the nature of performance, Spencer Golub uses the insights of Ludwig Wittgenstein into the way language works to analyze the relationship between the linguistic and the visual in the work of a broad range of dramatists, novelists, and filmmakers, among them Richard Foreman, Mac Wellman, Peter Handke, David Mamet, and Alfred Hitchcock. Like Wittgenstein, these artists are concerned with the limits of language’s representational capacity. For Golub, it is these limits that give Wittgenstein’s thought a further, very personal significance—its therapeutic quality with respect to the Obsessive Compulsive Disorder from which he suffers.

Underlying what Golub calls “performance behavior” is Wittgenstein’s notion of “pain behavior”—that which gives public expression to private experience. Golub charts new directions for exploring the relationship between theater and philosophy, and even for scholarly criticism itself.

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cover of Kafka and Wittgenstein: The Case for an Analytic Modernism

Kafka and Wittgenstein

The Case for an Analytic Modernism

Rebecca Schuman

Northwestern University Press, 2015

In Kafka and Wittgenstein, Rebecca Schuman undertakes the first ever book-length scholarly examination of Ludwig Wittgenstein’s philosophy of language alongside Franz Kafka’s prose fiction. In groundbreaking readings, she argues that although many readers of Kafka are searching for what his texts mean, in this search we are sorely mistaken. Instead, the problems and illusions we portend to uncover, the im-portant questions we attempt to answer—Is Josef K. guilty? If so, of what? What does Gregor Samsa’s transformed body mean? Is Land-Surveyor K. a real land surveyor?— themselves presuppose a bigger delusion: that such questions can be asked in the first place. Drawing deeply on the entire range of Wittgenstein’s writings, Schuman can-nily sheds new light on the enigmatic Kafka.

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cover of Leading a Human Life: Wittgenstein, Intentionality, and Romanticism

Leading a Human Life

Wittgenstein, Intentionality, and Romanticism

Richard Eldridge

University of Chicago Press, 1997

In this provocative new study, Richard Eldridge presents a highly original and compelling account of Wittgenstein's Philosophical Investigations, one of the most enduring yet enigmatic works of the twentieth century. He does so by reading the text as a dramatization of what is perhaps life's central motivating struggle—the inescapable human need to pursue an ideal of expressive freedom within the difficult terms set by culture.

Eldridge sees Wittgenstein as a Romantic protagonist, engaged in an ongoing internal dialogue over the nature of intentional consciousness, ranging over ethics, aesthetics, and philosophy of mind. The picture of the human mind that emerges through this dialogue unsettles behaviorism, cognitivism, and all other scientifically oriented orthodoxies. Leading a human life becomes a creative act, akin to writing a poem, of continuously seeking to overcome both complacency and skepticism. Eldridge's careful reconstruction of the central motive of Wittgenstein's work will influence all subsequent scholarship on it.
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cover of Nature as Guide: Wittgenstein and the Renewal of Moral Theology

Nature as Guide

Wittgenstein and the Renewal of Moral Theology

David Goodill, OP

Catholic University of America Press, 2022

Wittgenstein influenced a generation of philosophers and theologians, with works such as Fergus Kerr’s Theology After Wittgenstein showing the relevance of Wittgenstein’s philosophy for contemporary questions in theology. Nature as Guide follows many of the insights of this earlier generation of Wittgenstein influenced scholars, to bring Wittgenstein into conversation with contemporary Catholic moral theology. The first four chapters of the book provides a reading of key themes in Wittgenstein’s philosophy, and draw among others on G.E.M. Anscombe to situate Wittgenstein in relation to the Platonic tradition. Understanding the relationship between grammar, metaphysics and nature is central to this tradition and these themes are examined through an account of Wittgenstein’s philosophical development. These four chapters also provides a critical perspective on Wittgenstein’s thought, engaging with the criticisms of Wittgenstein offered by philosophers such as Rhees Rush and William Charlton. Chapter five lays the groundwork for a dialogue between Wittgenstein and moral theology. Firstly, by examining how open Wittgenstein’s philosophy is to dialogue with theology, and secondly through proposing the use of Servais Pinckaers’ definition of moral theology to structure the conversation developed in subsequent chapters. Pinckaers’ definition is based upon St Thomas Aquinas’ presentation of the principles of human acts in the Prima Secundae of the Summa Theologiae and the final three chapters focus on the question of human acts and their basis in human nature. The reading of Wittgenstein developed in the first part of the book is brought into dialogue with the tradition of Catholic moral theology represented by Pinckaers and other students of St Thomas, such as Anscombe, Josef Pieper, Herbert McCabe, Jean Porter and Alasdair MacIntyre. The book finishes with McCabe’s account of the transformation of human nature through God’s Word, showing how Wittgenstein’s understanding of human practices can shed light on the life of grace.
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cover of Slow Cures and Bad Philosophers: Essays on Wittgenstein, Medicine, and Bioethics

Slow Cures and Bad Philosophers

Essays on Wittgenstein, Medicine, and Bioethics

Carl Elliott, ed.

Duke University Press, 2001

Slow Cures and Bad Philosophers uses insights from the philosophy of Ludwig Wittgenstein to rethink bioethics. Although Wittgenstein produced little formal writing on ethics, this volume shows that, in fact, ethical issues permeate the entirety of his work. The scholars whom Carl Elliott has assembled in this volume pay particular attention to Wittgenstein’s concern with the thick context of moral problems, his suspicion of theory, and his belief in description as the real aim of philosophy. Their aim is not to examine Wittgenstein’s personal moral convictions but rather to explore how a deep engagement with his work can illuminate some of the problems that medicine and biological science present.
As Elliott explains in his introduction, Wittgenstein’s philosophy runs against the grain of most contemporary bioethics scholarship, which all too often ignores the context in which moral problems are situated and pays little attention to narrative, ethnography, and clinical case studies in rendering bioethical judgments. Such anonymous, impersonal, rule-writing directives in which health care workers are advised how to behave is what this volume intends to counteract. Instead, contributors stress the value of focusing on the concrete particulars of moral problems and write in the spirit of Wittgenstein’s belief that philosophy should be useful. Specific topics include the concept of “good dying,” the nature of clinical decision making, the treatment of neurologically damaged patients, the moral treatment of animals, and the challenges of moral particularism.
Inspired by a philosopher who deplored “professional philosophy,” this work brings some startling insights and clarifications to contemporary ethical problems posed by the realities of modern medicine.

Contributors. Larry Churchill, David DeGrazia, Cora Diamond, James Edwards, Carl Elliott, Grant Gillett, Paul Johnston, Margaret Olivia Little, James Lindemann Nelson, Knut Erik Tranoy

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cover of Thinking in the Ruins: Wittgenstein and Santayana on Contingency

Thinking in the Ruins

Wittgenstein and Santayana on Contingency

Michael P. Hodges

Vanderbilt University Press, 2000

While Ludwig Wittgenstein (1889-1951) and George Santayana (1863-1952) may never have met or even have studied one another's work, they experienced similar cultural conditions and their thinking took similar shapes. Yet, until now, their respective bodies of work have been examined separately and in isolation from one another.

Santayana is often regarded as an aesthetician and metaphysician, but Wittgenstein's work is usually seen as antithetical to the philosophical approaches favored by Santayana. In this insightful new study, Michael Hodges and John Lachs argue that behind the striking differences in philosophical style and vocabulary there is a surprising agreement in position. The similarities have largely gone unnoticed because of their divergent styles, different metaphilosophies, and separate spheres of influence. Hodges and Lachs show that Santayana's and Wittgenstein's works express their philosophical responses to contingency. Surprisingly, both thinkers turn to the integrity of human practices to establish a viable philosophical understanding of the human condition.

Both of these important twentieth-century philosophers formed their mature views at a time when the comfortable certainties of Western civilization were crumbling all around them. What they say is similar at least in part because they wished to resist the spread of ruin by relying on the calm sanity of our linguistic and other practices. According to both, it is not living human knowledge but a mistaken philosophical tradition that demands foundations and thus creates intellectual homelessness and displacement. Both thought that, to get our house in order, we have to rethink our social, religious, philosophical, and moral practices outside the context of the search for certainty. This insight and the projects that flowed from it define their philosophical kinship.

Thinking in the Ruins will enhance our understanding of these monumental thinkers' intellectual accomplishments and show how each influenced subsequent American philosophers. The book also serves as a call to philosophers to look beyond traditional classifications to the substance of philosophical thought.
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cover of Thinking with Tolstoy and Wittgenstein: Expression, Emotion, and Art

Thinking with Tolstoy and Wittgenstein

Expression, Emotion, and Art

Henry W. Pickford

Northwestern University Press, 2015

In this highly original interdisciplinary study incorporating close readings of literary texts and philosophical argumentation, Henry W. Pickford develops a theory of meaning and expression in art intended to counter the meaning skepticism most commonly associated with the theories of Jacques Derrida.

Pickford arrives at his theory by drawing on the writings of Wittgenstein to develop and modify the insights of Tolstoy’s philosophy of art. Pickford shows how Tolstoy’s encounter with Schopenhauer’s thought on the one hand provided support for his ethical views but on the other hand presented a problem, exemplified in the case of music, for his aesthetic theory, a problem that Tolstoy did not successfully resolve. Wittgenstein’s critical appreciation of Tolstoy’s thinking, however, not only recovers its viability but also constructs a formidable position within contemporary debates concerning theories of emotion, ethics, and aesthetic expression.

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cover of Wittgenstein & Critical Theory: Beyond Postmodern Criticism and Toward Descriptive Investigations

Wittgenstein & Critical Theory

Beyond Postmodern Criticism and Toward Descriptive Investigations

Susan B. Brill

Ohio University Press, 1994

The crucial point of Brill’s study is that of fit: which critical methods prove most useful towards opening up which texts? Close investigations into the parameters of the language games of texts, critics, and methods enable us to determine which paths to take towards more complete descriptive analyses and critique. Such an emphasis on the philosophical method of Ludwig Wittgenstein reorients literary criticism to involve a conjoint responsibility to both reader and text as the literary critic assumes the humbler role of a guide who assists a reader in/to diverse literary texts. Wittgenstein’s philosophical approach provides us with a strong means of developing such a method for literary criticism—a method that points the way forward beyond postmodern criticisms and to a categorically new approach to literary texts.

Brill’s work discusses at length the implications of Wittgenstein for literary criticism and theory. The volume specifically investigates the implications of Wittgenstein’s work for a number of contemporary critical orientations (notably poststructualism, feminism, and psychology). In addition, the research includes actual applications of Wittgenstein for literary criticism: diverse literary texts (including a number of poems and stories by Native American authors) are approached via a Wittgensteinian method as a means of discerning which critical approaches might be more or less efficacious. Not only does the book provide a solid introduction to Wittgensteinian philosophy for the critical scholars, but it also provides a clear methodology useful to critics seeking a means to navigate through the entanglement of contemporary criticism and theory.

Brill argues that a reliance upon the philosophy of Ludwig Wittgenstein can enable literary critics to escape the seemingly endless dialectic between modern and postmodern theory. Instead of debating which theory is theoretically best, we need to describe when theories work—and when they do not.
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cover of Wittgenstein and Modernism

Wittgenstein and Modernism

Edited by Michael LeMahieu and Karen Zumhagen-Yekplé

University of Chicago Press, 2016

Ludwig Wittgenstein famously declared that philosophy “ought really to be written only as a form of poetry,” and he even described the Tractatus as “philosophical and, at the same time, literary.” But few books have really followed up on these claims, and fewer still have focused on their relation to the special literary and artistic period in which Wittgenstein worked. This book offers the first collection to address the rich, vexed, and often contradictory relationship between modernism—the twentieth century’s predominant cultural and artistic movement—and Wittgenstein, one of its preeminent and most enduring philosophers. In doing so it offers rich new understandings of both.
           
Michael LeMahieu Karen Zumhagen-Yekplé bring together scholars in both twentieth-century philosophy and modern literary studies to put Wittgenstein into dialogue with some of modernism’s most iconic figures, including Samuel Beckett, Saul Bellow, Walter Benjamin, Henry James, James Joyce, Franz Kafka, Adolf Loos, Robert Musil, Wallace Stevens, and Virginia Woolf. The contributors touch on two important aspects of Wittgenstein’s work and modernism itself: form and medium. They discuss issues ranging from Wittgenstein and poetics to his use of numbered propositions in the Tractatus as a virtuoso performance of modernist form; from Wittgenstein’s persistence metaphoric use of religion, music, and photography to an exploration of how he and Henry James both negotiated the relationship between the aesthetic and the ethical.

Covering many other fascinating intersections of the philosopher and the arts, this book offers an important bridge across the disciplinary divides that have kept us from a fuller picture of both Wittgenstein and the larger intellectual and cultural movement of which he was a part. 
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cover of Wittgenstein: The Senses of Use

Wittgenstein

The Senses of Use

Sandra Laugier

University of Chicago Press, 2025

A holistic introduction to Wittgenstein’s philosophy that approaches him as a philosopher of ordinary life.

One of philosopher Ludwig Wittgenstein’s most consequential claims was that the meaning of the word, its sense, is its use in language. This deceptively simple claim, the foundation of what became known as ordinary language philosophy, has animated thinkers across disciplinary bounds from metaphysics to ethics and more. In The Senses of Use, Sandra Laugier embarks on a fresh journey through Wittgenstein’s corpus that emphasizes the place of ordinary life and language in its thought. Through his Tractatus Logico-Philosophicus, Philosophical Investigations, and rich posthumously published works, Laugier offers a compelling new look at Wittgenstein as a philosopher of mind.
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