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Intrepid young curator-turned-private eye Jenna Murphy—whom readers first met in A Head in Cambodia—goes to the tourist town of Ubud to study early twentieth-century Balinese painting. But her first discovery when she arrives in Indonesia is the speared body of expat artist Flip Hendricks. She soon is working with an old friend, a detective for the Ubud police force, to seek the killer. Jenna suspects the motive for the killing has to do with Flip’s paintings. Detective Wayan Tyo is not so sure.

Is Jenna right, or are there other forces at work in this paradise overrun with tourists? The threats to Jenna’s safety pile up, until she can no longer deny that her life is in danger. Her entanglement with various men only clouds her judgment and complicates the situation.

As she did in the first Jenna Murphy book, in A Death in Bali, Nancy Tingley draws on her extensive experience as a scholar of Asian art to bring the armchair traveler an immersive, inside view of the art world.

When the alluring, eleventh-century Cambodian stone head of Radha, consort to Krishna, shows up at the Searles Museum, young curator Jenna Murphy doesn’t suspect that it will lead her to a murder. Asian art is her bailiwick, not criminal investigation, and her immediate concern is simply figuring out whether the head is one famously stolen from its body, or a fake.

When a second decapitation happens—this time of an art collector, not a statue—Jenna finds herself drawn into a different kind of mystery, and the stakes are life or death. It turns out that the same talents for research and for unraveling puzzles—the bread and butter of an art historian—have perfectly equipped her to solve crimes. She’s certain the sculpture provides clues to help her solve the case, which takes her to Thailand and Cambodia. But the collectors, dealers, and con artists of the Bangkok art world only compound her questions.

A Head in Cambodia is the fiction debut of noted Asian art expert Nancy Tingley. Readers will delight in the rarified world of collecting, as well as getting to know Jenna, an intrepid and shrewd observer who will easily find her place among V.I. Warshawski, Kinsey Milhone, and other great female sleuths.

When Sadie Walela learns that her new neighbor in Cherokee Country, Angus Clyborn’s Buffalo Ranch, offers rich customers a chance to kill buffalo for fun, she is horrified. No good can surely come from this. It doesn’t, and murder soon follows.

Even though Deputy Sheriff Lance Smith, Sadie’s love interest, suspects a link to the Buffalo Ranch, he can find little evidence to make an arrest. And when a rare white buffalo calf is born on the ranch and immediately disappears, Sadie’s instincts tell her something is wrong—and she sets out to prove it. Her suspicions—and fears of more violence—escalate when a former schoolmate returns to Oklahoma to visit her ailing father and finds employment at the ranch. Will she be the next victim?

Drawn deeper and deeper into danger, Sadie uncovers an unparalleled web of greed and corruption. It will take all of her investigative skill to set things straight—assuming she and her wolfdog can stay alive long enough to succeed.
 

When Hopi/White Mountain Apache anthropologist Tony M. Smokerise is found murdered in his office at Central Highlands University, the task of solving the crime falls to jaded Choctaw detective Monique Blue Hawk and her partner Charles T. Clarke. A seemingly tolerant and amicable office of higher education, the university, Monique soon learns, harbors parties determined to destroy the careers of Tony and his best friend, the volatile Oglala anthropologist Roxanne Badger. In the course of her investigation, Monique discovers that the scholars who control Tony’s department are also overseeing the excavation of a centuries-old tribal burial site that was uncovered during the construction of a freeway. Tony’s role in the project, she realizes, might be the key to identifying his murderer. This virtuosic mystery novel explores, in engrossing detail, the complex motives for a killing within the sometimes furtive and hermetic setting of academia.

On the surface a murder mystery—a detective’s search for the killer of five people in Denver—Expectation is also, among other things, a meditation on the relationship between language and music.

In his newest novel, Jeffrey DeShell draws on the musical innovations of Arnold Schoenberg—by turns traditional, serial, and atonal—to inform his grammar and language. Moving progressively through specific Schoenberg compositions, DeShell complicates the surface of his text into lyrical derivatives, all the while drawing us into a murder mystery like no other as Detective Francisca Fruscella pursues both the killer and her own complicated personal history.

By turns rapturous, rigorous, and gripping, Expectation is a thriller of another kind—and a bold venture to the limits of the mystery genre and language itself.

Suspicions run high when murder mixes with identity theft in the latest installment of the popular Sadie Walela mystery series set in Cherokee Country. No sooner does Sadie embark on an unexpected business trip to the beautiful island of Maui, when her long-time neighbor, Buck Skinner, a full-blood Cherokee and World War II veteran, goes missing and becomes the prime suspect in the murder of a petty identity thief.

Iconic lawman Lance Smith joins a community-wide search, but Buck is nowhere to be found. As evidence mounts against her old friend, Sadie rushes to return home to help—only to be delayed by an island-wide earthquake and her own sinking suspicions.

A diverse cast of characters weave together a breathless story of murder, thievery, and the toll of war on the human spirit. In her effort to restore balance to her neighbor’s life, Sadie not only uncovers the truth, but unravels much more than a murder.