51 books match the query 'Women immigrants' and 7 start with a

cover of A Home in the West: Or, Emigration and Its Consequences

A Home in the West

Or, Emigration and Its Consequences

Rockwell, M. Emilia

University of Iowa Press, 2005

This is the first novel published in Iowa. Printed in Dubuque in 1858, it was written to recruit emigrants to Iowa; what makes it unique among emigration literature is the fact that it was directed at women, using the form of a domestic novel loaded with gentle mothers and stalwart fathers, flower-gemmed prairies and vine-draped cottages, and lots of tender words and humble weddings to encourage women to settle in the new state.
Mary Emilia Rockwell tells the story of Walter and Annie Judson, who one desperate March night decide to move to the West in search of a better life. Walter is an exploited, debt-ridden carpenter who knows that “if we could go to the West, to one of those new States where work is plenty, wages high and land cheap, we could make a more comfortable living, and besides soon have a home of our own.” Annie has “all a woman’s devotion and self-denial”; loving and supportive, she takes the path of duty and moves her little family to “a pleasant little village in Iowa.” In Newburg, everyone is newly arrived, hard-working, and self-sacrificing, facing difficulties with the certainty of prosperity and independence to come. In spite of dramatic setbacks, Walter prospers, and he and Annie build a “beautiful and commodious” house in the growing community of Hastings. The book ends with a return visit to Connecticut, where the Judsons and a series of surprising events persuade Annie’s parents to move to Iowa too, and everyone is reunited in their home in the West.
Teacher, administrator, and writer Emilia Rockwell (born about 1835, died about 1915) writes a conventionally sentimental story. However, she actually divorced her first husband, became the administrator of a juvenile reformatory in Milwaukee, and married a second time; she lived in Lansing, Iowa, for only a few years. Her writing is romantic, but she accurately portrays the economic challenges and transformations of this pioneer period and, historically, touches upon the Panic of 1857, the Mormon Handcart Expedition, and Native Americans in Iowa. Sharon Wood’s illuminating introduction presents Rockwell's biography and places the novel in its historical and literary contexts, including such events as the Spirit Lake massacre and the Dred Scott decision. A Home in the West is a satisfying read and an intriguing combination of boosterism and literature
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cover of A Patchwork Shawl: Chronicles of South Asian Women in America

A Patchwork Shawl

Chronicles of South Asian Women in America

Das Dasgupta, Shamita

Rutgers University Press, 1998

A Patchwork Shawl sheds light on the lives of a segment of the U.S. immigrant population that has long been relegated to the margins. It focuses on women's lives that span different worlds: Bangladesh, India, Pakistan, and the United States. This collection of essays by and about South Asian women in America challenges stereotypes by allowing women to speak in their own words. Together they provide discerning insights into the reconstruction of immigrant patriarchy in a new world, and the development of women's resistance to that reconstruction. Shamita Das DasGupta's introduction also acquaints readers with the psychological topography of the South Asian community.

A Patchwork Shawl considers topics from re-negotiation of identity to sexuality, violence to intimacy, occupations to organizing within the community. The essays bear witness to women's negotiations for independent identities, their claim to their own bodies, and the right to choose relationships based on their own histories and truths. They bring new understanding to the intersection of gender, ethnicity, race, sexuality, and class.


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cover of Accidental Immigrants and the Search for Home: Women, Cultural Identity, and Community

Accidental Immigrants and the Search for Home

Women, Cultural Identity, and Community

Carol E. Kelley

Temple University Press, 2013

The effect of immigration on individual lives is not short lived. Those who stay in an adopted country permanently go through a continual process of adjustment and learning both about their new country-and about themselves. The four women profiled in Carol Kelley's poignant Accidental Immigrants and the Search for Home challenge immigrant stereotypes as their lives are transformed by moving to new countries for reasons of marriage, education, or career--not economics or politics.

The intimate stories of these "accidental" immigrants broaden conventional notions of home. From a Maori woman who moves to Norway to the daughter of an Iranian diplomat now living in France, Kelley weaves together these stories of the personal and emotional effects of immigration with interdisciplinary discussions drawn from anthropology and psychology. Ultimately, she reveals how the lifelong process of immigration affects each woman's sense of identity and belonging and contributes to better understanding today's globalized society.
 
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cover of American Born: An Immigrant's Story, a Daughter's Memoir

American Born

An Immigrant's Story, a Daughter's Memoir

Rachel M. Brownstein

University of Chicago Press, 2023

An incisive memoir of Rachel M. Brownstein’s seemingly quintessential Jewish mother, a resilient and courageous immigrant in New York.

When she arrived alone in New York in 1924, eighteen-year-old Reisel Thaler resembled the other Yiddish-speaking immigrants from Eastern Europe who accompanied her. Yet she already had an American passport tucked in her scant luggage. Reisel had drawn her first breath on the Lower East Side of Manhattan in 1905, then was taken back to Galicia (in what is now Poland) by her father before she turned two. She was, as she would boast to the end of her days, “American born.” 

The distinguished biographer and critic Rachel M. Brownstein began writing about her mother Reisel during the Trump years, dwelling on the tales she told about her life and the questions they raised about nationalism, immigration, and storytelling. For most of the twentieth century, Brownstein’s mother gracefully balanced her identities as an American and a Jew. Her values, her language, and her sense of timing inform the imagination of the daughter who recalls her in her own old age. The memorializing daughter interrupts, interprets, and glosses, sifting through alternate versions of the same stories using scenes, songs, and books from their time together.
 
But the central character of this book is Reisel, who eventually becomes Grandma Rose—always watching and judging, singing, baking, and bustling. Living life as the heroine of her own story, she reminds us how to laugh despite tragedy, find our courage, and be our most unapologetically authentic selves.
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cover of An Alliance Of Women: Immigration And The Politics Of Race

An Alliance Of Women

Immigration And The Politics Of Race

Heather Merrill

University of Minnesota Press, 2006

In the 1980s, Italy transformed from a country of emigration to one of immigration. Italians are now faced daily with the presence of migrants from all over Africa, parts of South and Central America, the Middle East, Asia, and Eastern Europe. While much attention has been paid to the impact on Italians, few studies have focused on the agency of migrants themselves. In An Alliance of Women, Heather Merrill investigates how migrants and Italians struggle over meanings and negotiate social and cultural identities.

Taking as a starting point the Italian crisis over immigration in the early 1990s, Merrill examines grassroots interethnic spatial politics among female migrants and Turin feminists in Northern Italy. Using rich ethnographic material, she traces the emergence of Alma Mater—an anti-racist organization formed to address problems encountered by migrant women. Through this analysis, Merrill reveals the dynamics of an alliance consisting of women from many countries of origin and religious and class backgrounds.

Highlighting an interdisciplinary approach to migration and the instability of group identities in contemporary Italy, An Alliance of Women presents migrants grappling with spatialized boundaries amid growing nativist and anti-immigrant sentiment in Western Europe.

Heather Merrill is assistant professor of geography and anthropology at Dickinson College.
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cover of Archive of Tongues: An Intimate History of Brownness

Archive of Tongues

An Intimate History of Brownness

Moon Charania

Duke University Press, 2023

In Archive of Tongues Moon Charania explores feminine dispossession and the brown diaspora through a reflection on the life of her mother. Drawing on her mother’s memories and stories of migration, violence, sexuality, queerness, domesticity, and the intimate economies of everyday life, Charania conceptualizes her mother’s tongue as an object of theory and an archive of brown intimate life. By presenting a mode of storytelling that is sensual and melancholic, piercing and sharp, Charania recovers otherwise silenced modes of brown mothers’ survival, disobedience, and meaning making that are often only lived out in invisible, intimate spaces, and too often disappear into them. In narrating her mother’s tongue as both metaphor for and material reservoir of other ways of knowing, Charania gestures to the afflictions, limits, and failures of feminist, queer, and postcolonial scholarly interrogations and the consequences of closing the archive of the brown mother.
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cover of Arrogant Beggar

Arrogant Beggar

Anzia Yezierska

Duke University Press, 1996

The target of intense critical comment when it was first published in 1927, Arrogant Beggar’s scathing attack on charity-run boardinghouses remains one of Anzia Yezierska’s most devastating works of social criticism. The novel follows the fortunes of its young Jewish narrator, Adele Lindner, as she leaves the impoverished conditions of New York’s Lower East Side and tries to rise in the world. Portraying Adele’s experiences at the Hellman Home for Working Girls, the first half of the novel exposes the “sickening farce” of institutionalized charity while portraying the class tensions that divided affluent German American Jews from more recently arrived Russian American Jews.
The second half of the novel takes Adele back to her ghetto origins as she explores an alternative model of philanthropy by opening a restaurant that combines the communitarian ideals of Old World shtetl tradition with the contingencies of New World capitalism. Within the context of this radical message, Yezierska revisits the themes that have made her work famous, confronting complex questions of ethnic identity, assimilation, and female self-realization.
Katherine Stubbs’s introduction provides a comprehensive and compelling historical, social, and literary context for this extraordinary novel and discusses the critical reaction to its publication in light of Yezierska’s biography and the once much-publicized and mythologized version of her life story. Unavailable for over sixty years, Arrogant Beggar will be enjoyed by general readers of fiction and be of crucial importance for feminist critics, students of ethnic literature. It will also prove an exciting and richly rewarding text for students and scholars of Jewish studies, immigrant literature, women’s writing, American history, and working-class fiction.
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