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8 books match the query 'Women soldiers'

cover of Choosing Revolution: Chinese Women Soldiers on the Long March

Choosing Revolution

Chinese Women Soldiers on the Long March

Helen Praeger Young

University of Illinois Press, 2001

Some two thousand women participated in the Long March, but their experience of this seminal event in the history of Communist China is rarely represented. In Choosing Revolution, Helen Praeger Young presents her interviews with twenty-two veterans of the Red Army's legendary 6,000-mile "retreat to victory" before the advancing Nationalist Army.
 
Enormously rich in detail, Young's Choosing Revolution reveals the complex interplay between women's experiences and the official, almost mythic version of the Long March. In addition to their riveting stories of the march itself, Young's subjects reveal much about what it meant in China to grow up female and, in many cases, poor during the first decades of the twentieth century. In speaking about the work they did and how they adapted to the demands of being a soldier, these women--both educated individuals who were well-known leaders and illiterate peasants--reveal the Long March as only one of many segments of the revolutionary paths they chose.
 
Against a background of diverse perspectives on the Long March, Young presents the experiences of four women in detail: one who brought her infant daughter with her on the Long March, one who gave birth during the march, one who was a child participant, and one who attended medical school during the march. Young also includes the stories of three women who did not finish the Long March. Her unique record of ordinary women in revolutionary circumstances reveals the tenacity and resilience that led these individuals far beyond the limits of most Chinese women's lives.
 
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cover of Gender Is a Weapon: Liberalism, Difference, and US Counterinsurgency

Gender Is a Weapon

Liberalism, Difference, and US Counterinsurgency

Elizabeth Mesok

University of Michigan Press, 2026

Following the end of the draft in 1973, the US military increasingly offered women the opportunity to transform their lives—to obtain an education, receive healthcare, provide for their families, and prove their worth to the nation. By the time the US invaded Iraq and Afghanistan at the turn of the twenty-first century, the labor of women—and Black women in particular—was critical to the military’s ability to simultaneously wage two wars. Within the context of counterinsurgencies fought amid civilian populations, the US military discovered the value of women’s gender difference as a weapon of war.

Through ethnographic and archival research with women soldiers and Marines, as well as military and government officials, Gender Is a Weapon contextualizes women’s service in Iraq and Afghanistan against the promises of liberal inclusion unfolding throughout the late twentieth and early twenty-first century. Centered on narratives of Black and Indigenous women, women of color, immigrant women, and queer women, the book analyzes the transformations of martial citizenship; the racialized language of cultural difference in the US’s revitalized counterinsurgency doctrine; the gendered performances of women in combat and civilian engagement missions; and ultimately, the irreparable injuries of body and mind with which these women returned home. The epilogue discusses the recent dismantling of DEI in the military and US government more broadly, reflecting on what we can learn from the violent history of military liberal inclusion to help us better understand our contemporary moment. By carefully attending to both the discursive construction and performative enactment of gender in militarized and securitized contexts, the book advances theoretical frames for studying gender in state militaries, militarism, and late liberalism.
 

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cover of Glory in Their Spirit: How Four Black Women Took On the Army during World War II

Glory in Their Spirit

How Four Black Women Took On the Army during World War II

Sandra M Bolzenius

University of Illinois Press, 2018

Before Rosa Parks and the March on Washington, four African American women risked their careers and freedom to defy the United States Army over segregation. Women Army Corps (WAC) privates Mary Green, Anna Morrison, Johnnie Murphy, and Alice Young enlisted to serve their country, improve their lives, and claim the privileges of citizenship long denied them. Promised a chance at training and skilled positions, they saw white WACs assigned to those better jobs and found themselves relegated to work as orderlies. In 1945, their strike alongside fifty other WACs captured the nation's attention and ignited passionate debates on racism, women in the military, and patriotism. Glory in Their Spirit presents the powerful story of their persistence and the public uproar that ensued. Newspapers chose sides. Civil rights activists coalesced to wield a new power. The military, meanwhile, found itself increasingly unable to justify its policies. In the end, Green, Morrison, Murphy, and Young chose court-martial over a return to menial duties. But their courage pushed the segregated military to the breaking point ”and helped steer one of American's most powerful institutions onto a new road toward progress and justice.
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cover of Inventing Loreta Velasquez: Confederate Soldier Impersonator, Media Celebrity, and Con Artist

Inventing Loreta Velasquez

Confederate Soldier Impersonator, Media Celebrity, and Con Artist

William C. Davis

Southern Illinois University Press, 2016

She went by many names—Mary Ann Keith, Ann Williams, Lauretta Williams, and more—but history knows her best as Loreta Janeta Velasquez, a woman who claimed to have posed as a man to fight for the Confederacy. In Inventing Loreta Velasquez, acclaimed historian William C. Davis delves into the life of one of America’s early celebrities, peeling back the myths she herself created to reveal a startling and even more implausible reality.

This groundbreaking biography reveals a woman quite different from the public persona she promoted. In her bestselling memoir, The Woman in Battle, Velasquez claimed she was an emphatic Confederate patriot, but in fact she never saw combat. Instead, during the war she manufactured bullets for the Union and persuaded her Confederate husband to desert the Army.

After the Civil War ended, she wore many masks, masterminding ambitious confidence schemes worth millions, such as creating a phony mining company, conning North Carolina residents to back her financially in a fake immigration scheme, and attracting investors to build a railroad across western Mexico. With various husbands, Velasquez sought her fortune both in the American West and in the Klondike, though her endeavors cost one husband his life. She also became a social reformer advocating on behalf of better prison conditions, the Cuban revolt against Spain, and the plight of Cuban refugees. Further, Velasquez was one of the first women to venture into journalism and presidential politics. Always a sensational press favorite, she displayed throughout her life an uncanny ability to manipulate popular media and to benefit from her fame in a way that prefigured celebrities of our own time, including using her testimony in a Congressional inquiry about Civil War counterfeiting as a means of promoting her latest business ventures.

So little has been known of Velasquez’s real life that some postmodern scholars have glorified her as a “woman warrior” and used her as an example in cross-gender issues and arguments concerning Hispanic nationalism. Davis firmly refutes these notions by bringing the historical Velasquez to the surface. The genuine story of Velasquez’s life is far more interesting than misguided interpretations and her own fanciful inventions.
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cover of Postfeminist War: Women in the Media-Military-Industrial Complex

Postfeminist War

Women in the Media-Military-Industrial Complex

Mary Douglas Vavrus

Rutgers University Press, 2019

Media representations and practices that have emerged out of contemporary wars have been well documented by a wide array of books and articles. These treatments, however, have been less attentive to how cultural constructions of military personnel and war itself figure in the depiction of the incursions in Iraq and Afghanistan. In Post-Feminist War, Mary Douglas Vavrus argues that all of these identity categories are integral to our understanding of those fighting, saved, or victimized by war. She considers two important questions: how the construction of gender, race, and class in media are productive of régimes of truth regarding war and military life, and how such constructions may also intensify militarism. By examining news and documentary media produced since September 11, 2001, Vavrus demonstrates that news narratives that include women use feminism selectively in gender equality narratives, which tend to reinforce historically resonant gender, race, and class identity constructions. She ultimately asserts that such reporting advances post-feminism, which, in tandem with banal militarism, subtly pushes military solutions for an array of problems women and girls face. 
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cover of Riding into History: The Surprising Story of Sarah Keys Evans and the Fight to Desegregate Bus Travel

Riding into History

The Surprising Story of Sarah Keys Evans and the Fight to Desegregate Bus Travel

Amy Nathan with Sarah Keys Evans

Duke University Press, 2026

As a member of the integrated Women’s Army Corps, Private First Class Sarah Keys served her country as a receptionist at Fort Dix, New Jersey. When she boarded a bus home to North Carolina in 1952, she never expected to be arrested and charged with disorderly conduct for refusing to move to the rear so a white Marine could take her seat. Her landmark 1955 Civil Rights victory, “Sarah Keys v. Carolina Coach Company” not only desegregated interstate bus travel, it also provided the legal precedent needed during the 1961 Freedom Rides to pressure the Interstate Commerce Commission to properly enforce its Sarah Keys ruling. Often overlooked in many accounts of the Civil Rights era, her arrest and victory are crucial milestones in the fight against segregation. Riding into History draws on years of personal conversations with Sarah Keys Evans as well as extensive research to present a biography of this hero and her role in the struggle for civil rights alongside the long history of many other Black Americans, especially women, who protested racial segregation in interstate travel.
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cover of Sandino's Daughters: Testimonies of Nicaraguan Women in Struggle

Sandino's Daughters

Testimonies of Nicaraguan Women in Struggle

Randall, Margaret

Rutgers University Press, 1995

"A collection of varied and amazing lives, all bent on shaping history. Together, these experienced, undeterred Nicaraguan women offer powerful clues about a truly revolutionary and democratizing feminism."––Adrienne Rich

"If it were not for writers like Margaret, how would women around the world find each other when there is such an institutional effort to keep us apart and silent? Here Margaret brings us the voice of Sandino's daughters, honoring his hat and wearing their own, wiser now, having been part of political and personal revolution."––Holly Near

"Powerful, moving, and challenging. Everyone interested in decency and justice will want to read Sandino's Daughters Revisited."––Blanche Wiesen Cook

Sandino's Daughters, Margaret Randall's conversations with Nicaraguan women in their struggle against the dictator Somoza in 1979, brought the lives of a group of extraordinary female revolutionaries to the American and world public. The book remains a landmark. Now, a decade later, Randall returns to interview many of the same women and others. In Sandino's Daughters Revisited, they speak of their lives during and since the Sandinista administration, the ways in which the revolution made them strong––and also held them back. Ironically, the 1990 defeat of the Sandinistas at the ballot box has given Sandinista women greater freedom to express their feelings and ideas.

Randall interviewed these outspoken women from all walks of life: working-class Diana Espinoza, head bookkeeper of a employee-owned factory; Daisy Zamora, a vice minister of culture under the Sandinistas; and Vidaluz Meneses, daughter of a Somozan official, who ties her revolutionary ideals to her Catholicism. The voices of these women, along with nine others, lead us to recognize both the failed promises and continuing attraction of the Sandinista movement for women. This is a moving account of the relationship between feminism and revolution as it is expressed in the daily lives of Nicaraguan women.

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cover of The Woman in Battle: The Civil War Narrative of Loreta Janeta Velazquez, Cuban Woman and Confederate Soldier

The Woman in Battle

The Civil War Narrative of Loreta Janeta Velazquez, Cuban Woman and Confederate Soldier

Loreta Janeta Velazquez

University of Wisconsin Press, 2003

A Cuban woman who moved to New Orleans in the 1850s and eloped with her American lover, Loreta Janeta Velazquez fought in the Civil War for the Confederacy as the cross-dressing Harry T. Buford. As Buford, she single-handedly organized an Arkansas regiment; participated in the historic battles of Bull Run, Balls Bluff, Fort Donelson, and Shiloh; romanced men and women; and eventually decided that spying as a woman better suited her Confederate cause than fighting as a man. In the North, she posed as a double agent and worked to traffic information, drugs, and counterfeit bills to support the Confederate cause. She was even hired by the Yankee secret service to find "the woman . . . traveling and figuring as a Confederate agent"—Velazquez herself.

Originally published in 1876 as The Woman in Battle, this Civil War narrative offers Velazquez’s seemingly impossible autobiographical account, as well as a new critical introduction and glossary by Jesse Alemán. Scholars are divided between those who read the book as a generally honest autobiography and those who read it as mostly fiction. According to Alemán’s critical introduction, the book also reads as pulp fiction, spy memoir, seduction narrative, travel literature, and historical account, while it mirrors the literary conventions of other first-person female accounts of cross-dressing published in the United States during wartime, dating back to the Revolutionary War. Whatever the facts are, this is an authentic Civil War narrative, Alemán concludes, that recounts how war disrupts normal gender roles, redefines national borders, and challenges the definition of identity.
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