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3 books match the query 'Wood-carving'

cover of Chainsaw Love: Field Notes on the World's Most Dynamic Power Tool

Chainsaw Love

Field Notes on the World's Most Dynamic Power Tool

James Card

Wisconsin Historical Society Press, 2025

Behold the mighty chainsaw and discover its history, its influence, and its people 

Considered the most powerful of all hand tools, the chainsaw has been vital to contemporary life in ways large, small, and sometimes surprising since it first came on the market in the 1940s. In Chainsaw Love, author James Card celebrates this formidable implement in unflinching style, sharing stories and reflections about the world of chainsaws and the people who use and appreciate them. 

Card describes the personal freedom that comes from harvesting your own trees for firewood and introduces readers to lumberjack competitors, hot-saw builders, and the sculpture carvers who take sawing to new heights. Chainsaw Love asserts the key role chainsaws play in clearing the right-of-way for powerlines to keep the electrical grid humming; in forestry and conservation efforts to maintain desirable ecosystems; and in the sciences, where ecologists and astronomers use chainsaws to age trees for scientific research. Card also considers the chainsaw’s place in pop culture, from movies to rock songs to presidential photo ops. 

Readers of Chainsaw Love will discover the lore and terminology of forests and wood cutting— widow makers and windthrows, witness trees and barber chairs, pumpkin pine, devil’s forks, cat faces, and schoolmarms. Additionally, the book offers insights into chainsaw variations and parts, guidelines for saw care and maintenance, safety recommendations, and other hard-won tips and tricks. Dozens of photos from the field, as well as helpful diagrams, add to readers’ understanding of the saw’s evolution and modern use.  

Part homage, part social history, and part field guide, Chainsaw Love is the perfect book for chainsaw users of all stripes—from loggers to conservationists, woodworkers to weekend cabin-dwellers—and anyone curious about this magnificent and underappreciated machine. 

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cover of Kachina Dolls: The Art of Hopi Carvers

Kachina Dolls

The Art of Hopi Carvers

Helga Teiwes

University of Arizona Press, 1991

Much has been written about the popular kachina dolls carved by the Hopi Indians of northern Arizona, but little has been revealed about the artistry behind them. Now Helga Teiwes describes the development of this art form from early traditional styles to the action-style kachina dolls made popular in galleries throughout the world, and on to the kachina sculptures that have evolved in the last half of the 1980s.

Teiwes explains the role of the Katsina spirit in Hopi religion and that of the kachina doll—the carved representation of a Katsina—in the ritual and economic life of the Hopis. In tracing the history of the kachina doll in Hopi culture, she shows how these wooden figures have changed since carvers came to be influenced by their marketability among Anglos and how their carving has been characterized by increasingly refined techniques. Unique to this book are Teiwes's description of the most recent trends in kachina doll carving and her profiles of twenty-seven modern carvers, including such nationally known artists as Alvin James Makya and Cecil Calnimptewa. Enhancing the text are more than one hundred photographs, including twenty-five breathtaking color plates that bring to life the latest examples of this popular art form.
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cover of The Art of I. Denton

The Art of I. Denton

Ivan Denton

University of Arkansas Press, 1988

The remarkable detail and subtly stylized lines characterizing the artistry of celebrated woodcarver Ivan Denton are in abundant evidence in this beautifully illustrated volume of The Art of I. Denton. Behind each carving presented here, is its story from a piece of wood to a work of art, told in the words of Mr. Denton himself.

This is, in fact, a tour guided by Ivan Denton covering the best of his efforts, his love for the wood, and the process which turns a craftsman into an artist. As he says in describing his work: “Art exists only when you share it. When a tree falls in the woods, in school they said, ‘This tree doesn’t make a noise if someone doesn’t hear it.’ Because, you know, the sound waves don’t bump against the eardrum . . . The idea of not being able to get rid of a piece is basically the concept of an amateur. Not only does a professional need the money, and not only does he need his ego flattered, it’s just that the art doesn’t really exist until it’s shared. That’s an even deeper joy than the ego.”

Chosen from collections across the country, these pieces represent the masterworks from one of a disappearing breed of artisans. But The Art of I. Denton is more than a document of our cultural heritage, it is a tribute to the man and his art.

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