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Bealport, Maine is one of the forgotten towns of America, a place that all too often seems to have its best days behind it. And perhaps nothing symbolizes that more than the old shoe factory—“NORUMBEGA Makers of Fine Footwear Since 1903”—that has been perpetually on the brink of failure, and is now up for sale. But maybe there’s hope? A private equity savant with a fondness for the factory’s shoes buys it—and thus sets in motion a story with profound implications for the town, and for the larger question of how we live today. The factory is a hobby for him, but it represents infinitely more for the residents of Bealport: not only their livelihoods but their self-respect, their connectedness, their sense of self-sufficiency are all bound up in it. Can this high-flying outsider understand that? How will he negotiate the complicated long-term relationships that define the town and its families?

In Bealport, Jeffrey Lewis takes us inside the town, revealing its secrets, acknowledging its problems, and honoring its ambitions. Brilliantly deploying a large cast from all walks of life, this novel reveals small town America in the early twenty-first century through the interwoven secrets and desires of its residents, and through them delivers a striking portrait of America at a moment of national uncertainty.

Bealport, called “a hugely satisfying read” by the Evening Standard and “deeply appealing” by the Times Literary Supplement, is now available in paperback.
 

Goshen Road is an elegiac, unvarnished, and empathetic portrait of one working-class family over two decades in rural West Virginia, with sisters Dessie and Billie Price as its urgently beating heart. Bonnie Proudfoot captures them, their husbands, and their children as they balance on the divide between Appalachia old and new, struggling for survival and reconciling themselves with past hurts and future uncertainties as the economy and culture shift around them.

The story opens in 1967 with a logging accident and the teenaged Lux Cranfield’s headlong plunge into the courtship of Dessie—a leap he takes not only in the wake of his near-death experience but to exchange his bitter home life for a future with the Prices, a family that appears to have the stability and peace that his own lacks. Within the year Lux and Dessie marry. Meanwhile, Dessie’s rebellious younger sister, Billie, fights her way through adolescence with an eye toward an escape of her own, only to land with Lux’s friend Alan Ray Munn and settle into a life of hardship. Ultimately, the voices and passions of Dessie, Billie, Lux, Alan Ray, and the Cranfield children build on one another to create an unforgettable chorus about the promises and betrayals of love—and what it takes to preserve a family when everything else is uncertain.

Two generations ago, young men and women with only a high-school degree would have entered the plentiful industrial occupations which then sustained the middle-class ideal of a male-breadwinner family. Such jobs have all but vanished over the past forty years, and in their absence ever-growing numbers of young adults now hold precarious, low-paid jobs with few fringe benefits. Facing such insecure economic prospects, less-educated young adults are increasingly forgoing marriage and are having children within unstable cohabiting relationships. This has created a large marriage gap between them and their more affluent, college-educated peers. In Labor’s Love Lost, noted sociologist Andrew Cherlin offers a new historical assessment of the rise and fall of working-class families in America, demonstrating how momentous social and economic transformations have contributed to the collapse of this once-stable social class and what this seismic cultural shift means for the nation’s future. Drawing from more than a hundred years of census data, Cherlin documents how today’s marriage gap mirrors that of the Gilded Age of the late-nineteenth century, a time of high inequality much like our own. Cherlin demonstrates that the widespread prosperity of working-class families in the mid-twentieth century, when both income inequality and the marriage gap were low, is the true outlier in the history of the American family. In fact, changes in the economy, culture, and family formation in recent decades have been so great that Cherlin suggests that the working-class family pattern has largely disappeared. Labor's Love Lost shows that the primary problem of the fall of the working-class family from its mid-twentieth century peak is not that the male-breadwinner family has declined, but that nothing stable has replaced it. The breakdown of a stable family structure has serious consequences for low-income families, particularly for children, many of whom underperform in school, thereby reducing their future employment prospects and perpetuating an intergenerational cycle of economic disadvantage. To address this disparity, Cherlin recommends policies to foster educational opportunities for children and adolescents from disadvantaged families. He also stresses the need for labor market interventions, such as subsidizing low wages through tax credits and raising the minimum wage. Labor's Love Lost provides a compelling analysis of the historical dynamics and ramifications of the growing number of young adults disconnected from steady, decent-paying jobs and from marriage. Cherlin’s investigation of today’s “would-be working class” shines a much-needed spotlight on the struggling middle of our society in today’s new Gilded Age.

Riding on Comets is the true story of an only child growing up in a working-class family during the 1950s and ‘60s. 

As the family storyteller, Cat Pleska whispers and shouts about her life growing up around savvy, strong women and hard-working, hard-drinking men. Unlike many family stories set within Appalachia, this story provides an uncommon glimpse into this region: not coal, but an aluminum plant; not hollers, but small-town America; not hillbillies, but a hard-working family with traditional values. 

From the dinner table, to the back porch, to the sprawling countryside, Cat Pleska reveals the sometimes tender, sometimes frightening education of a child who listens at the knees of these giants. She mimics and learns every nuance, every rhythm—how they laugh, smoke, cuss, fight, love, and tell stories—as she unwittingly prepares to carry their tales forward, their words and actions forever etched in her mind. And finally, she discovers a life story of her own. 

What Night Brings focuses on a Chicano working-class family living in California during the 1960s. Marci—smart, feisty and funny—tells the story with the wisdom of someone twice her age as she determines to defy her family and God in order to find her identity, sexuality and freedom.