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Although the Breslau arts scene was one of the most vibrant in all of Weimar-era Germany, it has largely disappeared from memory. Studies of the influence of Weimar culture on modernism have focused almost exclusively on Berlin and the Dessau Bauhaus, yet the advances that occurred in Breslau affected nearly every intellectual field, forming the basis for aesthetic modernism internationally and having an enduring impact on visual art and architecture. Breslau boasted a thriving modern arts scene and one of the premier German arts academies of the day until the Nazis began their assault on so-called degenerate art. This book charts the cultural production of Breslau-based artists, architects, art collectors, urban designers, and arts educators who operated in the margins of Weimar-era cultural debates. Rather than accepting the radical position of the German avant-garde or the reactionary position of German conservatives, many Breslauers sought a middle ground.

This richly illustrated volume is the first book in English to address this history, constituting an invaluable addition to the literature on the Weimar period. Its readership includes scholars of German history, art, architecture, urban design, planning, collecting, and exhibition history; of the avant-garde, and of the development of arts academies and arts pedagogy.

Jews and Other Germans is the first social and cultural history to probe the parameters of Jewish integration in the half century between the founding of the German Empire in 1871 and the early Weimar Republic. Questioning received wisdom about German-Jewish assimilation and the pervasiveness of anti-Semitism in Imperial Germany, van Rahden’s prize-winning book restores some of the complexity and openness of relations between Protestants, Catholics, and Jews before World War I.

Closely analyzing the political, social, and cultural life in a major German city, van Rahden shows that Jews were a part of a broad urban community that encompassed diversity within unity, at once offering them a large measure of equality while permitting them to remain meaningfully Jewish. Jews and Other Germans also substantially revises the chronology of anti-Semitism in Germany, showing that Jews only began to experience exclusion from Breslau’s social world during World War I.

Yet van Rahden not only illuminates Breslau’s multicultural fabric; he also tells the story of this remarkable city as one of cultural and religious conflict and coexistence. Recounting the experiences of Jews, Protestants, and Catholics within a single narrative, he offers a critical intervention into scholarship on liberalism and civil society in nineteenth- and early twentieth-century Europe.