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Placing Bruno—both advanced philosopher and magician burned at the stake—in the Hermetic tradition, Yates's acclaimed study gives an overview not only of Renaissance humanism but of its interplay—and conflict—with magic and occult practices.

"Among those who have explored the intellectual world of the sixteenth century no one in England can rival Miss Yates. Wherever she looks, she illuminates. Now she has looked on Bruno. This brilliant book takes time to digest, but it is an intellectual adventure to read it. Historians of ideas, of religion, and of science will study it. Some of them, after reading it, will have to think again. . . . For Miss Yates has put Bruno, for the first time, in his tradition, and has shown what that tradition was."—Hugh Trevor-Roper, New Statesman

"A decisive contribution to the understanding of Giordano Bruno, this book will probably remove a great number of misrepresentations that still plague the tormented figure of the Nolan prophet."—Giorgio de Santillana, American Historical Review

"Yates's book is an important addition to our knowledge of Giordano Bruno. But it is even more important, I think, as a step toward understanding the unity of the sixteenth century."—J. Bronowski, New York Review of Books

One of Modern Library's 100 Best Nonfiction Books of the Twentieth Century!
 

How did people remember essential information before the invention of the printed page? In 1966 Frances Yates revealed the answer, which, ironically had been forgotten for centuries: A system of mnemonics that has become known as the memory palace. In this system, people deliberately associated details they wanted to remember with specific locations in a landscape or building in their mind, thus making them easier to recall. As people even today have discovered, this technique, which at first may seem complicated, turns out to be astonishingly effective, enabling practitioners to recall vast amounts of information without external aids.

In The Art of Memory Yates traces this technique of memorization from its treatment by Greek orators through its Gothic transformations in the Middle Ages to the occult forms it took in the Renaissance, and finally to its use in the seventeenth century. This book, the first to relate the art of memory to the history of culture as a whole, was revolutionary when it first appeared and continues to mesmerize readers with its lucid and revelatory insights.

 

A work of profound, groundbreaking scholarship, The Art of Memory is also remarkably engaging and readable, full of fascinating details and useful information for anyone, scholar or not, who is interested in how our memory works, how we made it work in the past, and how we might still use those insights today.