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A wide-ranging anthology of experimental writing—prose, poetry, and hybrid—from its most significant practitioners and innovators

A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century.

Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature’s future.

Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live.

The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can’t be presented in print. Visit www.conceptualisms.info to read more.
 

A new edition of Frangello’s explosive retelling of Freud’s infamous “Dora” case study

Kirby is a young woman attempting to come to terms with a failed bout of therapy and the truth about her identical twin, Kendra. Since girlhood, Kirby both idolized and envied Kendra, a fearless and charismatic ballet dancer who commanded the attention of everyone in their orbit. In the aftermath of tragedy, Kirby is sent a case study by a former psychiatrist intent on publishing a distorted version of her family’s secrets. She responds by using Kendra’s private and revealing journals to reconstruct their final months together, as well as her own “disastrous” time in therapy, to voice her own truth. 
 
Freud’s “Dora,” a young woman whose mysterious symptoms he contentiously chalked up to “hysteria,” appears at turns in the faces of each twin as they navigate a world of sexuality, familial dysfunction, and possibly-psychosomatic ailments. Reissued with a new foreword by Lidia Yuknavitch, Frangello’s groundbreaking early novel brings “Dora” into a new era.