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Written between 1954 and 1957 and treating events from the Stalinist era of Czechoslovakia’s postwar Communist regime, Midway Upon the Journeyof Our Life flew in the face of the reigning aesthetic of socialist realism, an anti-heroic novel informed by the literary theory of Viktor Shklovsky and constructed from episodes and lyrical sketches of the author and his neighbors’ everyday life in industrial north Bohemia, set against a backdrop of historical and cultural upheaval.
 
Meditative and speculative reflections here alternate and overlap with fragmentary accounts of Jedlicka’s own biography and slices of the lives of people around him, typically rendered as overheard conversations. The narrative passages range in chronology from May 1945 to the early 1950s, with sporadic leaps through time as the characters go about the business of “building a new society” and the mythology that goes with it. Due to its critical view of socialist society, Midway remained unpublished until 1966, amid the easing of cultural control, but a complete version of this darkly comic novel did not appear in Czech until 1994.

Compassion, levity, and laughter can be found in the darkest of places—and even in the smallest of creatures. Set in 1943 Nazi-occupied Czechoslovakia, J. R. Pick’s novella Society for the Prevention of Cruelty to Animals tells the story of Tony, a thirteen-year-old boy who is deported from Prague to the infamous Terezín ghetto for Jews—the horrific, overcrowded concentration camp where one in four prisoners died of starvation or disease, and a way station on the way to Auschwitz. But it is not the atrocities Tony experiences that make his tale remarkable. It is his ability to find comedy in the incomprehensible.

Tony suffers from tuberculosis, and, lying in his hospital bed one day, he decides to set up an animal welfare organization. Even though no animals are permitted in the camp, he is determined to find just one creature he can care for and protect—and his determination is contagious. A group of older boys, including Tony’s best friend, Ernie, aid him in his quest. Soon they’re joined by Tony’s mother—and her coterie of boyfriends. Eventually, they find Tony his pet: a mouse, which he names and carefully guards in a box hidden beneath his bed. But in the fall of 1944, the transports to Auschwitz begin.

As moving as it is irreverent, Pick’s novella draws on the two years he spent imprisoned in Terezín in his late teens. With cutting black humor, he shines a light on both the absurdities and injustices of the Nazi-run Jewish ghetto, using his literary artistry to portray in stunning shorthand an experience of the Holocaust that pure histories could never convey.