A SCHOLARLY BOOK REPOSITORY
Drawing on the artist’s own correspondence as well as interviews, Paris-based curator and art critic Caroline Cros explores the creative processes behind Duchamp’s works—including his famous anti-sculptures, the "Readymades"; the enigmatic Grand Verre; and the seductive, disturbing Etant Donnés—as well as the often hostile reception he encountered in Paris and around the world.
Cros also examines Duchamp’s work after he abandoned his art at the age of thirty-six. Notoriously, Duchamp claimed that he would dedicate the remainder of his life to chess, but here we learn of his ongoing contributions to the art world, including his intense involvement in museums, foundations, and surrealist publications.
With two major Dada exhibitions planned for 2006, at the National Gallery of Art in Washington, D.C., and the Museum of Modern Art in New York, MarcelDuchamp will be this year’s ultimate guide to the master of the movment.
The years 1913-1920 were the most critical years of the Mexican revolution. This study of the period, a sequel to Cumberland's Mexican Revolution: Genesis under Madero (University of Texas Press, 1952), traces Mexico's course through the anguish of civil war to the establishment of a tenuous new government, the codification of revolutionary aspirations in a remarkable constitution, and the emergence of an activist leadership determined to propel Mexico into the select company of developed nations.
The narrative begins with Huerta's overthrow of Madero in 1913 and the rise of Carranza's Constitutionalist counterchallenge. It concludes with a summary of Carranza's stormy term as constitutional president climaxed by his ouster and overthrow in a revolt spearheaded by Alvaro Obregón. Professor Cumberland has based his study on a wide range of Mexican and U.S. primary sources as well as pertinent secondary studies. He has utilized much new material and has brought to it a mature and sophisticated analysis; the result is a major contribution to the understanding of one of the twentieth century's most significant revolutionary movements.
The Mexican Revolution is one of the most important and ambitious sociopolitical experiments in modem times. The Revolution developed in three distinct stages: the overthrow of the Díaz dictatorship, the subsequent era of bloodshed and devastation during which radical ideas were written into the constitution, and the much longer span during which the ideas have been put into practice.
The present volume covers the first stage of this development. Idealistic, patriotic hacendado Francisco I. Madero became the catalyst of the Revolution. All peaceful means having failed to secure democratic elections, Madero reluctantly undertook to mold the discontented factions into an effective force for insurrection. But victory brought disunity. Opposition to the Díaz regime, not a positive desire for reform, had held the revolutionaries together. Díaz deposed, Madero could not muster sufficient support to realize more than a fraction of his objectives, and he himself fell victim to counterrevolution.
In his two previous books, Dr. Curtis illustrated the leadership role he played in changing how medicine is practiced for the better. His first book, Blacks, Medical Schools and Society (University of Michigan Press, 1971), was written when he was an associate dean of the Cornell University Medical College. As dean in the beginning years of Affirmative Action in Medicine, Dr. Curtis took action in this movement by desegregating medical school admissions not only at Cornell, but also in all US medical schools. After his retirement, his second book, Affirmative Action in Medicine: Improving Health Care for All (University of Michigan Press, 2003), was published: a twenty-five-year progress report on the social benefit of these programs in the American practice of medicine.
Dr. Curtis retired in 2000 as Clinical Professor of Psychiatry of Columbia University College of Physicians and Surgeons, having been a faculty member for eighteen years. During his tenure at Columbia he was also Director of Psychiatry at Harlem Hospital Center, serving one of the most economically deprived neighborhoods of New York City. Since 2003, he has lived in his hometown of Albion, Michigan, one of the formerly vibrant and prosperous cities devastated by the collapse of the automobile industry. With a small group of others, he is developing new social service programs to benefit Albion.
Katarzyna J. Cwiertka demonstrates that key shifts in the Japanese diet were, in many cases, a consequence of modern imperialism. Exploring reforms in military catering and home cooking, wartime food management and the rise of urban gastronomy, Cwiertka shows how Japan’s numerous regional cuisines were eventually replaced by a set of foods and practices with which the majority of Japanese today ardently identify.
The result of over a decade of research, Modern Japanese Cuisine is a fascinating look at the historical roots of some of the world’s best cooking and will provide appetizing reading for scholars of Japanese culture and foodies alike.
Using a framework that was both scientific and philosophical, Shehata convinced his audience that conventional views of virtue and vice were a deceptive simplification and that social and religious reform was necessary. A humble man at heart, he was reluctant to publish his talk in his lifetime, but thanks to Malik R. Dahlan’s expert translation and insightful discussion of the larger historical and geographical context for the speech, readers are now able to appreciate a fascinating snapshot of Arabian history that would otherwise be lost.
Dainotto traces the development of the mafia from its rural beginnings in Western Sicily to its growth into a global crime organization alongside a parallel examination of its evolution in music, print, and on the big screen. He probes the tension between the real mafia—its violent, often brutal reality—and how we imagine it to be: a mythical potpourri of codes of honor, family values, and chivalry. But rather than dismiss our collective imagining of the mafia as a complete fiction, Dainotto instead sets out to understand what needs and desires or material and psychic longing our fantasies about the mafia—the best kind of the bad life—are meant to satisfy.
Exploring the rich array of films, books, television programs, music, and even video games portraying and inspired by the mafia, this book offers not only a social, economic, and political history of one of the most iconic underground cultures, but a new way of understanding our enduring fascination with the complex society that lurks behind the sinister Omertà of the family business.
All too often, this great body of poetry is represented in anthologies by a scattering of all-too-well-known poems, or by one or two unfamiliar ones for which there are often inadequate linguistic and critical notes. R.T. Davis, Lecturer in English Literature at the University of Liverpool, has incorporated extensive linguistic and critical notes on the lyrics in this collection, and even the student without experience with Middle English will be able to read and appreciate the works. In addition to being the first critical anthology of medieval English lyrics ever published, it is a revealing portrait of a people far removed from us in time, but very much like ourselves.
Mexico’s streams give forth cool green jade and rich gold; its shores provide coral and dainty pearls. Its brown hills yield silver and copper and gems whose colors form a dazzling palette for the jeweler. And Mexico has never lacked the artists to mold its abundant jewels into finished pieces of beauty.
In this enjoyable volume, Mary L. Davis and Greta Pack show us the splendors of Mexican jewelry. After briefly tracing the history of the jewelry of Mexico, they describe the various types and explain the basic techniques used in handling the metals of Mexican jewelry and in displaying the gems. Finally, they examine the creative accomplishments of some influential twentieth-century jewelry makers.
A favorite among travelers, coilectors, and jewelry makers, Mexican Jewelry has become a classic introduction to the richness and variety of this Mexican folk art.
In the face of declining newspaper sales, challenges from online competitors, and flagging ratings for broadcast news programs, media companies have struggled to maintain their relevance. Media between Culture and Commerce brings together a group of European media experts to address the consequences of a system that is increasingly powered by global media conglomerates that set the pace of news and information. As national borders blur and the corporations behind journalism and broadcasting continue to merge, this timely volume will prove a necessary resource to those interested in European media studies and globalization.
Like its predecessor, this book is grounded in research and is designed to be an accessible and practical resource for teachers, staff, and administrators who work with students with limited or interrupted formal education. Chapters 3-5 focus on classroom instruction, but others address issues of concern to administrators and staff too. For example, Chapter 6 explores different program models for SLIFE instruction, but the planning and commitment to creating a successful program require the involvement of many across the school community, not just teachers.
This edition features case studies, model programs, and teaching techniques and tips; also included is a new chapter focused on the Mutually Adaptive Learning Paradigm (MALP (R)). A major theme of this new edition is moving school personnel away from a deficit perspective, when it comes to teaching SLIFE, and toward one of difference. The goal is to help all stakeholders in the school community create and foster inclusion of, and equity for, a population that is all too often marginalized, ignored, and underserved.
Merchants of Style explores the accelerating convergence of art and fashion, looking at the interplay of artists and designers, and the role of institutions—both public and commercial—that have brought about this marriage of aesthetic industries. The book argues that one figure more than any other anticipated this moment: Andy Warhol. Beginning with an overview of art and fashion’s deeply entwined histories, and then picking up where Warhol left off, Merchants of Style tells the story of art’s emboldened forays into commerce and fashion’s growing embrace of art. As the two industries draw closer together than ever before, this book addresses urgent questions about what this union means and what the future holds.
Veronica della Dora explores the ways mountains have functioned spiritually as a boundary between life and death, a bridge between the earth and the heavens. Interlacing science, culture, and religion, she sketches the mountain as a geological phenomenon that has profoundly influenced and been influenced by the human imagination, shaping our environmental consciousness and helping us understand our—quite small indeed—place in the world. She also explores their significance as objects of human feats, as prizes of adventure and sport, and as places of serene beauty for vacationers. Magnificently illustrated and showcasing famous peaks from all around the world, Mountain offers a fascinating dual portrait of these giants in nature and culture.
Experience a lifetime of adventure
This autobiography of prominent American archaeologist William G. Dever is unabashedly his story, in which he offers candid, often brutally honest, reflections on his life and sixty-five-year career. Dever places himself in the midst of a remarkable generation of giants in archaeology in Israel during a period when the fields of biblical and Israeli archaeology were evolving. With technical expertise developed over a lifetime of working alongside four generations of Israeli and foreign excavators, he recalls their exploits and shares numerous personal stories that few others would know. His memoir concludes with a postscript on the likely future of biblical archaeology and an annotated bibliography for serious readers who wish to explore some of the scholarly literature to flesh out Dever’s narrative.
An influential star of British pop for more than three decades, Morrissey is known for his outspoken and often controversial views on class, ethnicity, and sexuality. Among critics and his many fans, he has long been seen as an anti-establishment figure who continues to provoke devotion, argument, and spirited debate.
This is the first collection of academic essays to focus exclusively on Morrissey’s solo career, and this important book offers a nuanced and rich reading of his highly influential creative and cultural output. Covering a broad range of academic disciplines and approaches, including musicology, ethnography, sociology, and cultural studies, these essays will be a must for fans of Morrissey or the Smiths, or those seeking to make sense of the many fascinating complexities of this global icon and controversial figure.
Mirror of the Darkest Night is almost an aberration in Mahasweta Devi’s oeuvre. Known for her activism and hard-hitting indictment of social inequalities, she pays close attention to detail in this sparkling novel. It offers a rare glimpse of Devi’s talent for telling the sort of story she normally eschewed—and it’s a cracker of a tale.
The Murderer’s Mother takes readers to the late 1970s in the Indian state of West Bengal, where the Communist Party–led Left Front has just been voted into power. It tells the story of Tapan, who has been installed as a gang leader by the most powerful man in the locality in order to kill “unwanted obstacles,” which he does, one after another. Tapan knows there is no other way he can earn a living, but at the same time, he is desperate to protect his family. He tries to stop petty crime and assaults on women, even as he protects his patron’s interests. Through the dissonance, he becomes both a feared and revered figure, but his patron’s game becomes clear: now the murderer, too, must be eliminated.
Through these stories, written with a mix of poignant nostalgia and sharp criticism, Vimala Devi recreates the colonial Goa of her childhood. First published in 1963, two years after the Portuguese colony became part of India, Monsoon is a cycle of twelve stories that vary in tone. By turns satirical, desolate, tender, humorous, and dramatic, they come together through a subtle interplay of echoes, parallels and cross-references to form a composite picture of a world gone by. They delve into divisions of caste, religion, language, and material privilege, setting them off against a common historical experience and deeply felt attachment to the land.
Including a critical and contextualizing introduction by Jason Keith Fernandes, this rendition of Monsoon allows contemporary readers a rare peep into a colonial society that was significantly different from the British Indian mainstream.
Thisfifth volume of the Middle Works contains Ethics by John Dewey and his former colleague at the University of Michigan, James H. Tufts, which appeared as one of the last in the Holt American Science series of textbooks. Within some six months after publication, Ethics was adopted as a textbook by thirty colleges. The book continued to be extremely popular and widely used, and was reprinted twenty-five times before both authors completely revised their respective parts for the new 1932edition.
Up to the time Ethics was published, Dewey’s approach to ethics was known primarily from two short publications that were developed for use by his classes at the University of Michigan: Outlines of a Critical Theory of Ethics (1891)and The Study of Ethics: A Syllabus (1894). Charles Stevenson notes in his Introduction to the present edition that Ethics afforded Dewey an opportunity to preserve and enrich the content of those earlier works and at the same time to expound his position in a more systematic manner.
Featuring more than one hundred and fifty photographs and images, Movements of Air reprints the breathtaking pictures of Étienne-Jules Marey—images captured between 1899 and 1901 during his scientific experiments with moving air and smoke—and complements them with essays by Georges Didi-Huberman and Laurent Mannoni.
Mannoni begins by reflecting on Marey’s experimental approach. As the founder of the “graphic method,” Marey was also the developer of an aerodynamic wind tunnel. His experiments’ photographs of fluid motion introduced a whole world of movements and turbulences, and fluids, and influenced generations of scientists and artists alike. Didi-Huberman expands on the philosophical debates surrounding these aesthetically and technically instructive images. Even though Marey’s main interest was graphic information, Didi-Huberman shows us how the flow of all things drew this ingenious experimenter to a photographic practice that creates drags, streaks, expansions, and visual dances. Marey’s wind tunnel photographs were also themselves causes of turbulence in the history of images. The artists Dombois and Oeschger explore these “graphical” vortices of the last 120 years, providing at the end of the book a collage from historical and contemporary material interlaced with their own image-making in Dombois’s wind tunnel at the Zurich University of the Arts.
It is designed to assist instructors, book study leaders, career counselors, human resources professionals, and individual readers who seek to delve deeper into the book, Make Your Job a Calling. In each chapter of the guide, the reader is given (1) a chapter summary, (2) general themes, (3) discussion questions, and (4) suggested activities. The suggested activities often involve a free write where you are encouraged to write your thoughts down without editing yourself. In a free-write you are not concerned with proper grammar or punctuation. Rather, you write your immediate thoughts down in a free-flowing manner. This allows for deep exploration and can inform rich discussion of ideas in a productive learning environment.
The elements in this guide are designed to facilitate the reflection and discussion process, providing readers with useful starting points. Of course, not all group leaders will find every question or activity useful for their particular group, which is why we encourage flexible use of the material. By all means, pick, choose, add to, and adapt according to your sense of what will be most helpful for the group you are leading.
Whether you feel stuck or overwhelmed, hopeful or uncertain, or energized and ready to go, this guide can assist you in that journey.
Commercial television deserves praise for its many achievements, but since its earliest days, almost everyone has agreed that it is also open to many criticisms. The Texas-Stanford Seminars, made possible by a grant from TV Guide magazine, were intended "to help bring about the general improvement of television," and to provide "a place and a climate for significant discussion." The vigorous and enthusiastic participation in the seminars by executives from the three major networks, from a number of group stations and independent producers, and from advertising agencies and some of the larger advertisers demonstrated the desire of the industry itself to recognize its own faults and to understand the complaints of its critics.
The Meaning of Commercial Television collects the speeches presented at the second of these seminars, in April 1966. Contributors include Harry S. Ashmore, George Schaefer, August Priemer, Leonard S. Matthews, Thomas Moore, David M. Potter, Paul Goodman, Marshall McLuhan, and John R. Silber. Also in the book are summaries of the discussions which followed each of the speeches, and an examination of the overall impact of the meeting and the conclusions which might be drawn from it. Some of the topics discussed are "numbers" rating method of evaluating television programs; the position in the television industry of the independent producer, of the advertiser, and of the television network, and television itself with respect to its history, social perspective, and other aspects of American life to which it is related.
This book is for students and practitioners of archaeology. It offers an introductory survey of all the applications of mathematical and statistical techniques to their work. These applications are increasingly concerned with computerized data classification and quantification, and their effect is to reduce the level of uncertainty in the interpretation of the evidence that time and chance have left. Any archaeologist wanting to find out what these new methods have to offer has hitherto been forced to search for information in the specialist handbooks, conference proceedings, and review articles of his own, and very often of other, disciplines. This book brings the information conveniently together, so far as it pertains to archaeology, and permits an assessment of its relevance and quality.
Those who have been daunted by the specialist knowledge apparently demanded will now be able to acquire a thorough grasp of principles and practices. Only an elementary knowledge of mathematics is presumed throughout. Part 1 provides a brief introduction to basic concepts in archaeology and mathematics. Part 2 relates the standard archaeological techniques and procedures to mathematics; it concentrates on numerical approaches best suited to archaeological practices. Part 3 examines various automatic seriation techniques and discusses further work that is coming to play an essential part in the development of archaeology.
“Maladies of Empire has a captivating writing style, is exhaustively researched, and is persuasive in argumentation. Jim Downs has written a game-changing book.”—Deirdre Cooper Owens, author of Medical Bondage: Race, Gender, and the Origins of American Gynecology
“An eye-popping study of the history of infectious diseases, how they spread, and especially how they have been thwarted by experimentation on the bodies of soldiers, slaves, and colonial subjects…a timely, brilliant book about some of the brutal ironies in the story of medical progress.”—David W. Blight, author of Frederick Douglass
“Brilliant…Jim Downs uncovers the origins of epidemiology in slavery, colonialism, and war. A most original global history, this book is required reading for historians, medical researchers, and really anyone interested in the origins of modern medicine.”—Sven Beckert, author of Empire of Cotton
“[Sheds] light on the violent foundations of disease control interventions and public health initiatives [and] implores us to address their inequities in the present.”—Ragav Kishore, The Lancet
Most stories of medical progress come with ready-made heroes. John Snow traced the origins of London’s 1854 cholera outbreak to a water pump, leading to the birth of epidemiology. Florence Nightingale’s care of soldiers in the Crimean War revolutionized medical hygiene. Yet focusing on individual innovators ignores many of the darker, unacknowledged sources of medical knowledge.
Reexamining the foundations of modern medicine, Jim Downs shows that the study of infectious disease depended crucially on the unrecognized contributions of conscripted soldiers, enslaved people, and subjects of empire. From Africa and India to the Americas, plantations, slave ships, and battlefields were the laboratories where physicians came to understand the spread of disease. Boldly argued and urgently relevant, Maladies of Empire gives a long overdue account of the true price of medical progress.
How did the process of the circulation re-examine, inform, and unsettle common assumptions about the way museum collections have evolved over time and space? Mobile Museums presents an argument for the importance of circulation in the study of museum collections, both past and present. It brings together a diverse array of international scholars and curators from a variety of disciplines to consider the mobility of collections, especially in the context of Indigenous community engagement. By foregrounding the question of circulation, the book represents a paradigm shift in the understanding of the history and future uses of museum collections. Taking on a global perspective and addressing a variety of types of collection, including the botanical, ethnographic, economic, and archaeological, the book helps us to understand why the mobility of museum collections was a fundamental aspect of their history—and why it continues to matter today.
Contributors. Sabina Cruz de la Cruz, Rebecca Dufendach, Servando Hinojosa, Timothy W. Knowlton, Gabrielle Vail, Edber Dzidz Yam
A miscellany of mostly imperial verse.
This two-volume anthology covers a period of four and a half centuries, beginning with the work of the mime-writer Publilius Syrus who flourished ca. 45 BC and ending with the graphic and charming poem of Rutilius Namatianus recording a sea voyage from Rome to Gaul in AD 416. A wide variety of theme gives interest to the poems: hunting in a poem of Grattius; an inquiry into the causes of volcanic activity by the author of Aetna; pastoral poems by Calpurnius Siculus and by Nemesianus; fables by Avianus; a collection of Dicta, moral sayings, as if by the elder Cato; eulogy in Laus Pisonis; and the legend of the Phoenix, a poem of the fourth century. Other poets complete the work.
A miscellany of mostly imperial verse.
This two-volume anthology covers a period of four and a half centuries, beginning with the work of the mime-writer Publilius Syrus who flourished ca. 45 BC and ending with the graphic and charming poem of Rutilius Namatianus recording a sea voyage from Rome to Gaul in AD 416. A wide variety of theme gives interest to the poems: hunting in a poem of Grattius; an inquiry into the causes of volcanic activity by the author of Aetna; pastoral poems by Calpurnius Siculus and by Nemesianus; fables by Avianus; a collection of Dicta, moral sayings, as if by the elder Cato; eulogy in Laus Pisonis; and the legend of the Phoenix, a poem of the fourth century. Other poets complete the work.
This volume is not a collection of artifacts from past decades of philosophy. Instead, it is a collection of essays that each make a significant contribution to contemporary work in philosophy. This reflects the fact that Gibbard’s work has not only had a massive influence on past discussion in philosophy but also continues to influence new directions of philosophical research.
With contributions from:
Sara Aronowitz, Simon Blackburn, Paul Boghossian, David Braddon-Mitchell, Nate Charlow, Stephen Darwall, Jamie Dreier, Billy Dunaway, Melissa Fusco, Sona Ghosh, Allan Gibbard, Bill Harper, Paul Horwich, Zoë Johnson King, Tristram McPherson, Howard Nye, Lauren Olin, Caleb Perl, David Plunkett, Peter Railton, Connie Rosati, Mark Schroeder, Alex Silk, Daniel J. Singer, Brian Skyrms, and Seth Yalcin.
Milton's Earthly Paradise was first published in 1972. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This study provides a history of the changing interpretations of the first earthly paradise—the garden of Eden—in Western thought and relates Paradise Lost and other literary works to this paradise tradition. The author traces the beginnings of the tradition as they appear in the Bible and in classical literature and shows how these two strains were joined in early Christian and medieval literature. His emphasis, however, is on the relation of Paradise Lost to Renaissance commentary and to other literary works of the period dealing with the paradise story.
Professor Duncan views Paradise Lost as one of many Renaissance works that reveal an untiring effort to understand and explain the first chapters of Genesis. In the rational and humanistic commentary of the Renaissance, he explains, the aim was to provide an interpretation of the literal sense of the Scriptural account that was credible, detailed, and historically valid. He finds that the cumulative influence of the commentary is reflected in Milton's attention to the location of paradise, the emphasis on the natural and the rational in his description of paradise, and in the importance of the typological relationship between the terrestrial and celestial paradises. This illuminating discussion makes it clear that Milton's re-creation of paradise is not only superb poetry but also a penetrating account of the origins of man, involving highly complex and controversial issues.
With the rise of projects to create global histories and art histories, the Mongol Empire is now widely taken as a fundamental watershed. In the later thirteenth century, the Mongol states reconfigured the basic zones of Eurasian trade and contact. For those they conquered, and for those who later overthrew them, new histories and narratives were needed to account for the Mongol rise. And as people, ideas, and commodities circulated in these vast and interconnected spaces, new types of objects and new visual languages were created, shifting older patterns of artistic production. The Mongol rise is now routinely cast as the first glimmering of an early modernity, defined as an ever-increasing acceleration in systems of contact, exchange, and cultural collision.
Yet what is at stake in framing the so-called Pax Mongolica in this way? What was changed by the Mongol rise, and what were its lasting legacies? It is the goal of essays in this book to address these and other questions about the Mongol impact and their modern role, and to make these debates more widely available. Contributors include specialists of Mongol history and historiography as well as Islamic, East Asian, and European art, writing on topics from historical chronicles to contemporary historiography, and case studies from textile production to mapmaking and historical linguistics.
The Saturniid, or Giant Silk moths, are well named. Their large size—up to 6.5 inches for the cecropia moth—and the soft silky browns, greens, and oranges of their wings are unforgettable when they appear at a lighted window at night. Equally well named are the Sphinx or Hawk moths, important pollinators that hover like hummingbirds when nectar-feeding at dusk and even in daylight. The caterpillars of both families can be just as distinctive as the adults, as anyone who has ever come upon a tobacco or a tomato hornworm can attest.
For each species the authors have included common and scientific names, wingspan, and time of flight for the adults at this final stage in their life cycle. Striking photographs of the adult moths and of their larval stages make this guide as beautiful as it is useful.
For all naturalists captivated by the clear window eyespots of a Swallow-tailed Luna moth, the dark eyespots and bright yellow “pupils” of an Io moth, or the extendable proboscis of a White-lined Sphinx moth flitting from one moss rose to another, the photographs and descriptions in Moths in Your Pocket will be an invaluable reference.
In the transition to a media landscape increasingly dominated by broadband internet distribution and the dominance of US-centric new media behemoths Google, Facebook, Apple, Amazon, and Netflix, Media Pluralism and Online News investigates measures that can be taken to reduce this ongoing march of concentration and the attenuation of media voices. The authors argue that there is an urgent need for revitalized thinking for a media policy agenda to deal with the trend of concentrated media power, which is an ongoing global risk to public interest journalism. Securing the public interest in a vibrant and sustainable news media sector will require that merger decisions assess whether there is a reduction in diversity, calling for a new public interest test and a more expansive policy focus than in the past.
Working alone behind the Iron Curtain, Bartuszová was one of a number of female artists who not only experimented formally and embarked intuitively on new themes, but who, because they were at odds with mainstream modernist trends, remained in isolation or in a marginalized position. Revealing her dynamic treatment of plaster—a material that, from a sculptor’s point of view, is both primitive and common—the book deftly reveals how Bartuszová experimented with materials, never hesitating to treat tradition, accepted norms, and trusted techniques as simply transitory and provisional. Offering a much-needed history of a vibrant body of work, Maria Bartuszová: Provisional Forms is an important contribution to the literature on great female artists.
Miriam Cahn: I as Human examines different facets of the artist’s prolific and troubling oeuvre, featuring contributions from art historians, critics, and philosophers including Kathleen Bühler, Paul B. Preciado, Elisabeth Lebovici, Adam Szymczyk, Natalia Sielewicz and .
The grim truth: over six million prime-age men were neither working nor looking for work. Conventional unemployment measures ignored these labor force dropouts, but their ranks had been rising relentlessly for half a century. Eberstadt’s unflinching analysis was, in the words of The New York Times, “an unsettling portrait not just of male unemployment, but also of lives deeply alienated from civil society.”
The famed American work ethic was once near universal: men of sound mind and body took pride in contributing to their communities and families. No longer, warned Eberstadt. And now—six years and one catastrophic pandemic later—the problem has not only worsened: it has seemingly been spreading among prime-age women and workers over fifty-five.
In a brand new introduction, Eberstadt explains how the government’s response to Covid-19 inadvertently exacerbated the flight from work in America. From indiscriminate pandemic shutdowns to almost unconditional “unemployment” benefits, Americans were essentially paid not to work.
Thus today, despite the vaccine rollouts, inexplicable numbers of working age men and women are sitting on the sidelines while over 11 million jobs go unfilled. Current low rates of unemployment, touted by pundits and politicians, are grievously misleading. The truth is that fewer prime-age American men are looking for readily available work than at any previous juncture in our history. And others may be catching the “Men Without Work” virus too.
Given the devastating economic impact of the Covid calamity and the unforeseen aftershocks yet to come, this reissue of Eberstadt’s groundbreaking work is timelier than ever.
"As the ancients themselves knew, Stoicism was not a uniform doctrine. Throughout the centuries there existed factions; the Stoics treasured their independence of judgment and quarreled among themselves." Yet, "despite their individual differences, the Stoic dissenters remained Stoics. That which they had in common, that which made them Stoics, is what I understand as the meaning of Stoicism."
Thus delimiting his framework, Ludwig Edelstein attempts to define Stoicism by grasping the elusive common element that bound together the various factions within the ethical system. He begins this exemplary essay with a description of the Stoic sage—the ideal aimed at by Zeno and his followers—which establishes the basic characteristics of the philosophy. Mr. Edelstein then proceeds to a more detailed examination, discussing the Stoic concepts of nature and living in accord with nature; the internal criticism of the second and first centuries B.C., which indicates the limitations and possibilities inherent in the doctrine; the Stoic's way of life and his attitude toward practical affairs, revealing the values cherished by the adherents of the Stoa; and, finally, the place of Stoicism in the history of philosophy.
The chapters in the present volume provide a comprehensive survey of current understandings of Malaysia’s Orang Asli communities, covering their origins and history, cultural similarities and differences, and they ways they are responding to the challenges posed by a rapidly changing world. The authors, a distinguished group of Malaysian (including Orang Asli) and international scholars with expertise in anthropology, archaeology, biology, education, therapy, geography and law, also show the importance of Orang Asli studies for the anthropological understanding of small-scale indigenous societies in general.
Contributors provide critical and disparate snapshots—some more theoretical and abstract, some more experiential and concrete—of debates on, and investments in, Wittig’s theoretical legacy. Judith Butler analyzes Wittig’s “particular” universalism and offers a careful exposition of her worldview. Diane Griffin Crowder studies Wittig within a context of materialist inquiry that has often been ignored or misunderstood. Robyn Wiegman examines the complex nature of memorialization and inquires into Wittig’s place in contemporary queer theory. Seth Clark Silberman, calling attention to Wittig’s fiction, reverses the usual ascendancy of critique over narrative fiction and produces a formally innovative, if willfully “parasitic,” account of Wittig’s claim on the contributor’s imagination as he watches his mother slowly die of cancer. Alice Jardine, who situates Wittig as a disruptive and disorienting force in a mother-centered feminism, provides an autobiographically charged review of the recent history of feminism, queer studies, and the still uneasy relations between them. The issue also includes a detailed introduction by Brad Epps and Jonathan Katz; a brief personal reflection by Sandra K. Soto, a close friend and colleague of Wittig’s; and two texts by Wittig, one critical (with a foreword by Sande Zeig) and the other creative, both previously unavailable in English.
Contributors. Judith Butler, Diane Griffin Crowder, Brad Epps, Alice Jardine, Jonathan Katz, Seth Clark Silberman, Sandra K. Soto, Robyn Wiegman, Monique Wittig, Sande Zeig
In Martin Heidegger Saved My Life, Grant Farred combines autobiography with philosophical rumination to offer this unusual meditation on American racism. In the fall of 2013 while raking leaves outside his home, Farred experienced a racist encounter: a white woman stopped to ask him, “Would you like another job?” Farred responded, “Only if you can match my Cornell faculty salary.” The moment, however, stuck with him. The black man had gravitated to, of all people, Martin Heidegger, specifically Heidegger’s pronouncement, “Only when man speaks, does he think—and not the other way around,” in order to unpack this encounter.
In this essay, Farred grapples with why it is that Heidegger—well known as a Nazi—resonates so deeply with him during this encounter instead of other, more predictable figures such as Malcolm X, W. E. B. DuBois, or Frantz Fanon.
Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
A Manual of Aquatic Plants can be said to be a classic; it made the identification of aquatic plants in sterile as well as in flowering or fruiting condition as simple as possible, and covers a region from Minnesota to Missouri and eastward to the Gulf of St. Lawrence and Virgina.
Februari contemplates the many questions that sexual transitions entail: the clinical effects of testosterone, the alteration of sexual organs, and its effects on sexual intimacy; how transsexuality figures in the law; and how it challenges the way we talk about sex and gender, such as the seemingly minor—but crucially important—difference between the terms “transsexual” and “transgender.” He analyzes our impressions of effeminate men and butch women, separating apparent acceptance from actual prejudice, and critically examines the curious requirement in many countries that one must demonstrate a psychological disturbance—a “gender identity disorder”—in order to be granted sex change therapies. From there he explores the seemingly endless minutiae changing genders or sex effect, from the little box with an M or an F on passports to the shockingly sudden way testosterone can adjust physical features.
With his characteristically clear voice combined with intimate—sometimes moving, sometimes funny—ruminations, Februari wakes readers up to all the ways, big and small, our world is structured by sex and gender.
In Most of the Stars the linguistic power of the Italian literary tradition and the contemporary vernacular combine to articulate an idiosyncratic understanding of the New World—the breadth of its cities, its towns, its frontiers and interiors. Federico’s deeply spiritual understanding of our own American personalities and histories offers us a gift of beautiful objectivity. Students of poetry, linguistics, and cultural anthropology will be grateful to Federico and Poch for the wonder offered in this bilingual collection.
The Mental and the Physical was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Professor Feigl's essay "The 'Mental' and the 'Physical'" has provoked a great deal of comment, criticism, and discussion since it first appeared as a part of the content of Volume II of the Minnesota Studies in the Philosophy of Science about ten years ago. Now Professor Feigl takes account of the critical discussions and presents his own comments with respect to the most important points raised in the criticisms. The essay itself is presented here in full, along with the postscript. The British Journal for the Philosophy of Science has called the essay "a 'super-colossal' survey of the mind-body problem." In its review of the earlier book containing the essay, Thought said: "This essay deserves careful reading by every philosopher concerned with genuine philosophical dialogue."
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