In Martin Heidegger Saved My Life, Grant Farred combines autobiography with philosophical rumination to offer this unusual meditation on American racism. In the fall of 2013 while raking leaves outside his home, Farred experienced a racist encounter: a white woman stopped to ask him, “Would you like another job?” Farred responded, “Only if you can match my Cornell faculty salary.” The moment, however, stuck with him. The black man had gravitated to, of all people, Martin Heidegger, specifically Heidegger’s pronouncement, “Only when man speaks, does he think—and not the other way around,” in order to unpack this encounter.
In this essay, Farred grapples with why it is that Heidegger—well known as a Nazi—resonates so deeply with him during this encounter instead of other, more predictable figures such as Malcolm X, W. E. B. DuBois, or Frantz Fanon.
Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
A Manual of Aquatic Plants can be said to be a classic; it made the identification of aquatic plants in sterile as well as in flowering or fruiting condition as simple as possible, and covers a region from Minnesota to Missouri and eastward to the Gulf of St. Lawrence and Virgina.
The Mental and the Physical was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Professor Feigl's essay "The 'Mental' and the 'Physical'" has provoked a great deal of comment, criticism, and discussion since it first appeared as a part of the content of Volume II of the Minnesota Studies in the Philosophy of Science about ten years ago. Now Professor Feigl takes account of the critical discussions and presents his own comments with respect to the most important points raised in the criticisms. The essay itself is presented here in full, along with the postscript. The British Journal for the Philosophy of Science has called the essay "a 'super-colossal' survey of the mind-body problem." In its review of the earlier book containing the essay, Thought said: "This essay deserves careful reading by every philosopher concerned with genuine philosophical dialogue."
Masterworks of the Orchestral Repertoire was first published in 1968. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The fullest enjoyment of an orchestral performance or a record concert comes with a background of knowledge about the music itself. This handbook is designed to help music lovers get the ultimate pleasure from their listening by providing them with that background about a large portion of the orchestral repertoire.
Professor Ferguson analyzes and interprets the most important classical symphonies, overtures, and concertos, as well as selected orchestral works of modern composers. He goes beyond a conventional analysis of structure since he believes (with a majority of the music-loving public) that great music is actually a communication -- that it expresses significant emotions. The great composers, on their own testimony, have striven not merely to create perfect forms but to interpret human experience. Mingled with the analyses, then, the reader will find comments on the expressive purport of the music.
For twenty-five years Professor Ferguson has supplied the program notes for the subscription concerts of the Minneapolis Symphony Orchestra, and this volume is an outgrowth of that activity. In preparing the material for book publication, however, he studied the musical compositions anew, and the resulting chapters provide a much deeper exploration of the musical subjects than did the program notes. The themes of important works are illustrated by musical notations, and a brief glossary explains technical terms.
Music as Metaphor was first published in 1960. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
A professor of music for many years, Mr. Ferguson here sets forth his theories on how music conveys meaning to its listeners. He identifies and discusses the elements of musical expression - tonal stress and rhythm - and correlates them with the nervous tensions and motor impulses which characterize human emotion. Through this correlation, he shows how music portrays universally understood emotional states and ideas. He relates these principles to music criticism, proposing a new system for such criticism.
For half a century Mother Jones took up the workingman’s cause without question and fought his battles without compromise. Dale Fetherling’s biography for the first time gives her full story, with eloquence and sympathetic understanding.
Mind, Matter, and Method was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This volume of twenty-six essays by as many contributors is published in honor of Herbert Feigl, professor of philosophy at the University of Minnesota and director of the Minnesota Center for the Philosophy of Science. Though the majority of the contributors are philosophers, there are also -- as benefits Mr. Feigl's varied intellectual interests -- representatives of psychology, psychoanalysis, and physics.
The first group of ten essays deals with the philosophy of mind, particularly with the mind-body problem, to which Mr. Feigl has devoted much attention. The eleven essays in the second part are concerned with problems of philosophical method, especially with induction and confirmation. The third part is comprised of five essays on the philosophy of the physical sciences. A biographical sketch of Mr. Feigl and a bibliography of his writings are also provided.
These are the recollections of Alexandre—of his life, his death-in-life, and his ultimate death, as they are played out against the mobile tapestry of the valley where he was born. The valley itself, in the backlands of the state of Bahia, Brazil, alternates at different stages in Alexandre’s consciousness between reality and symbol. It swings from a harsh regional specificity to become the panorama of all human life, its endless, eroding wind the devouring hostility of all environments and its pain the pain of every human being in the face of his own brutality and that of others.
Throughout the novel Alexandre’s mind ranges from sharp awareness, through hallucination, to oblivion (“a man dies while alive,” says Jeronimo, his mentor), and back again as he experiences the violent, obtuse phenomena of life in the valley—his universe and ours. This latter-day Lazarus leaves the resisting hills and black sky once only, hounded by the valley dwellers who believe he has murdered his wife, her father, and her brother. Yet despite his awareness of the horror of the valley and his intuition of something beyond it, it is precisely his contact with the gentler existence to which he escapes that forces Alexandre to recognize his nature for what it is. Turning his back on a greater and more varied range of feeling and experience, he chooses the narrow ferocity of the valley, to which he returns to die the final death for which the earlier deaths have prepared him.
Memoirs and Letters was first published in 1934. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This volume, the last in a set of four containing posthumous works of Oscar W. Firkins, consists mainly of some two hundred personal letters, which reveal many delightful facets of a unique character.
Oscar W. Firkins—critic, biographer, playwright, lecturer, and teacher—was regarded as a recluse, living in a world peopled largely by "poets dead and gone" and the creatures of their imagination and his own. That he enjoyed warm friendships with men and women of his time is brought to light in these miscellaneous letters: letters to clergymen and children, to editors and club women, to students and poets, to actors and college deans.
Many brilliantly epigrammatic comments from Firkins' famous classroom lectures are included in the section of this book entitled "From Oscar Firkins' Notebooks." The "Estimate and Appreciation" with which the volume opens is by Dr. Richard Burton, for many years a colleague of Professor Firkins at the University of Minnesota. "Oscar Firkins as a Teacher" is contributed by a former student. A complete bibliography, compiled by Ina Ten Eyck Firkins, concludes the volume.
Readers will gain practical insights about how to
The authors’ experiences include co-creating one of the nation’s first school library makerspaces; establishing after-school maker programs with elementary and middle school learners; co-designing one-off and ongoing maker events for community-building in diverse public libraries; engaging with senior citizens in a low-income Senior Summer Camp pilot; and state, national, and international workshops for teachers, librarians, and youth mentors.
What connections can be drawn between oral history and the shopping mall? Gospel music and the Diablo Canyon nuclear power plant? William Carlos Williams's Patterson and the Manhattan Project's secret cities? The answers lie in this insightful collection of essays that read and illuminate the American landscape. Through literature and folklore, music and oral history, autobiography, architecture, and photography, eleven leading writers and thinkers explore the dialectic between space and place in modern American life. The result is an eloquent and provocative reminder of the environmental context of events—the deceptively simple fact that events “take place.”
New England politics can, at first blush, appear monochromatic. After all, only one member of the entire region’s delegation to the US Congress is a Republican, and citizens have elected few Republicans to the US House or Senate in the last decade. But this has not always been the case. In 1948, only two states in the region–Rhode Island and Connecticut–had Democratic senators. Yet a closer examination of the region today reveals fascinating political variation. Liberal policies, greater diversity, and engaged political movements are reshaping stereotypical Yankee tendencies of close-fisted government, whiteness, and laconic discourse.
This collection of new essays captures both the political history and contemporary moment in this region and exposes the surprisingly varied political landscape. It examines historical shifts, regional developments, and the politics of its states to argue that New England has been and continues to be an important part of the national political puzzle, from demonstrating democratic principles in early America to producing major contemporary figures such as Elizabeth Warren, Ayanna Pressley, and Susan Collins. The political shifts at work in New England mirror the South’s transformation, but have received much less attention. This volume corrects that omission by profiling political movements and candidates, political rhetoric from activists to pundits, and demographics and voting in each state as well as the region as a whole.
In addition to material by the editors, this important collection includes contributions from Rachael V. Cobb, Jerold Duquette, Christopher J. Galdieri, Jane JaKyung Han, Douglas B. Harris, Luis Jiménez, Scott McLean, James Melcher, Maureen Moakley, Paul Petterson, and Dante J. Scala.
Dubbed the Margaret Mead of heavy metal, Donna Gaines is a walking, talking oxymoron, a turnpike intellectual. A Misfit's Manifesto is the story of her wild-in-the-burbs odyssey-from overweight yeshiva girl to savvy street-punk sociologist. Isolated, angry, and depressed through most of her adolescence and early adulthood, she found truth and beauty in the least likely places. Wandering the craggy terrain of Rockaway Beach, Queens, Gaines embarked upon a path to enlightenment involving sex, drugs, rock & roll, sociology, cosmetology, True Love, the occult, tattoos, science fiction, pizza, guns, comic books, and surfing-by Web and by sea.
For Gaines, dignity, joy, and communion came not from family, organized religion, or mandatory schooling, but in the sound of doo-wop, surf music, acid rock, then punk, trash metal, and hardcore. "For most of my life," she writes, "music was the only way to connect that wouldn't eventually kill me."
Through all the ripped nights of binge-drinking, pill-popping, and nightclubbing, Gaines became an acclaimed author, scholar, and expert on teen suicide. In an age of conformity and censorship, she defends popular culture as a powerful spiritual force-a vibrant, valid connection to God. A meditation on alienation and engagement, this memoir is an outcast's journey into the black-hole sun, where Divine love and light are found-even in Ramones songs.
This edition includes a scholarly introduction that considers memoir as a sociological as well as literary genre, as a reflexive means of understanding the self in social context while nurturing a sociological imagination. Social memoir, Gaines argues, illuminates problems like alienation, marginality, addiction, and suicide, while making sociology more user-friendly and public. Now this work of dazzling originality and iconoclasm that has inspired misfits everywhere is an ideal text for classroom use, making complex social theory exciting, timely, and relevant for students.
In this book Marx's observations on history, which are found scattered throughout his voluminous writings, are brought together and subjected to searching analysis.
D. Ross Gandy writes in refreshingly direct language, without resorting to jargon. For the first time we have a thoughtful assessment of Marx's views on all the epochs that cross his historical vision. Gandy treats Marx's ideas on primitive societies, on ancient Roman and Asiatic civilization, on the structure of feudalism, on strategies for overthrowing capitalism, and on the hypothetical communist future. Among the author's departures from traditional readings of Marx are his interpretations of class struggle, his conception of social strata, and his cogent analysis of the "new Marxism."
Since many aspects of Marxist historical theory have been neglected or distorted, Gandy's remarkably clear commentary, based on extensive research—including an exhaustive study of the forty-volume Marx-Engels Werke—will doubtless stimulate debate among sociologists and other students of social change, political scientists, and historians.
Marianne Moore - American Writers 50 was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Minnesota Farmer-Laborism was first published in 1979. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Minnesota's Farmer-Labor party, a coalition of reformers and radicals ,farmers and unionists, flourished in the state during the years between world wars. Unlike most third parties, it gained political power and for a time virtually displaced the near-moribund Democratic party, vying successfully with Republicans for congressional and state offices. In this book, Millard L. Gieske provides the first detailed history of the Farmer-Labor movement from its inception late in World War I down to its merger with the state Democratic party in 1944.
Gieske finds the origins of the Farmer-Labor party in the Populist and Progressive movements, its specific forebears in the farmers' cooperative movement and the Nonpartisan League. Radical union members in Minneapolis, St. Paul, and the Iron Range, dissatisfied with the conservative program of the American Federation of Labor, gave the party an additional economic base. Most Farmer-Labor adherents shared the belief that the political and economic systems were un-responsive and that the two parties were either unwilling to reform them or incapable of doing so.
Down the years, the Farmer-Labor movement was subject to mercurial shifts in its strength and effectiveness. Gieske's narrative covers the party's squabbles and near collapse in the late 1920s and its resurgence in the 1930s during the Great Depression. He emphasizes the divergent and often conflicting elements that made up the party, traces its tortuous relation with Communists, and notes that significance of foreign policy issues in a movement concerned for the most part with domestic economic issues.
The Farmer-Labor party attracted some of the state's most vivid political figures, whom Gieske skillfully portrays -- Henrik Shipstead, Floyd B. Olson, Elmer Benson, and others. Primarily the story of a specific party, the book also examines the role of the third-party movement in a two-party system. Minnesota Farmer-Laborism is based largely on primary sources and will be a valuable work not only for political historians but also for readers who are interested in Minnesota history or in radical political movements.
“A most remarkable achievement.”—Felix Gilbert, Renaissance Quarterly
“A most remarkable achievement.”—Felix Gilbert, Renaissance Quarterly
Contributors. Annegret Fauser, Bryan Gilliam, Linda Hutcheon, Michael Hutcheon, Kim H. Kowalke, Neil Lerner, Tamara Levitz, Elizabeth Paley
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