James the Minimalist: An Essay on the Late Novels
University of Chicago Press
Cloth: 978-0-226-84943-0 | Paper: 978-0-226-84944-7 | eISBN: 978-0-226-84945-4
See other books on: 19th Century | Brenkman, John | Essay | James | Semiotics & Theory
See other titles from University of Chicago Press
Cloth: 978-0-226-84943-0 | Paper: 978-0-226-84944-7 | eISBN: 978-0-226-84945-4
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC
ABOUT THIS BOOK
An experiment in criticism that explores Henry James’s late works through the lens of minimalism.
Henry James’s last completed novels—The Ambassadors, The Wings of the Dove, and The Golden Bowl—are among the greatest and most demanding achievements of modern fiction. The stories they tell are perverse: characters are compelling even at their most cruel, their actions often calculating and loving at the same time. The novels draw on deep-seated myths but end with an unsettling lack of finality. And their dense, involuted language tracks the movements of consciousness with uncompromising artistry—the ultimate flowering of the Late James style.
In this work of experimental criticism, John Brenkman is concerned with minimalism in two senses. First, with James’s own minimalism—his intense scrutiny of couples and their erotic energies to the exclusion of so much else. And second, through a kind of minimalization in literary critical reading, Brenkman cuts through James’s amplifications to find the essence that churns beneath the intricate prose of the late novels. Showing how James evokes not only protagonists’ subjectivity but more importantly what only exists in-between—that is, between lovers, between spouses, between rivals—Brenkman reveals James’s transformation of the marriage novel and excavation of the couple form itself.
Henry James’s last completed novels—The Ambassadors, The Wings of the Dove, and The Golden Bowl—are among the greatest and most demanding achievements of modern fiction. The stories they tell are perverse: characters are compelling even at their most cruel, their actions often calculating and loving at the same time. The novels draw on deep-seated myths but end with an unsettling lack of finality. And their dense, involuted language tracks the movements of consciousness with uncompromising artistry—the ultimate flowering of the Late James style.
In this work of experimental criticism, John Brenkman is concerned with minimalism in two senses. First, with James’s own minimalism—his intense scrutiny of couples and their erotic energies to the exclusion of so much else. And second, through a kind of minimalization in literary critical reading, Brenkman cuts through James’s amplifications to find the essence that churns beneath the intricate prose of the late novels. Showing how James evokes not only protagonists’ subjectivity but more importantly what only exists in-between—that is, between lovers, between spouses, between rivals—Brenkman reveals James’s transformation of the marriage novel and excavation of the couple form itself.
See other books on: 19th Century | Brenkman, John | Essay | James | Semiotics & Theory
See other titles from University of Chicago Press
