Peoples’s analysis ranges from abolitionist and proslavery visual culture to Do the Right Thing to “Bed Intruder Song” and the cellphone video of Derrion Albert’s murder. After identifying these moments, he considers how performances go viral in Black ways. He also thinks through the ways Black virality circulates ideas that materially affect Black life. As he shows, an interacting person’s vulnerability to racialized gender and racialized sexuality knowledge inspires how they spread a performance. Non-iconic elements of viral moments reveal hard-to-find nuances of Black life while the artists and others represented in viral moments promote both collective and individual liberation by harnessing their visibility and audibility.

Rigorous and expansive, Goin’ Viral uses Black virality as a new way to understand and frame Black performances.

Introduction

Chapter 1. People Hear What They See: Branding Abolition and the Black Virality of Kneeling

Chapter 2. I Can’t Live without My Radio: Black Viralities of Masculinity and Sound in Do the Right Thing

Chapter 3. Woman Wakes Up to Find Intruder in Her Bed: A Critical Discourse Analysis of a Rape Attempt Gone Viral

Chapter 4. 

Coda. They Killing Him, Look: The Viral Afterlife of a Justice at Odds with a Liberation

Notes

Bibliography

Index