Cover
Title Page
Copyright
Contents
Preface
Abbreviations
Composition and Improvisation in the School of J. S. Bach by David Schulenberg
The Compositional History of Bach’s Orgelbüchlein Reconsidered by Russell Stinson
Concerto Styles and Signification in Bach’s First Brandenberg Concerto by Michael Marissen
Anfang und Ende: Cyclic Recurrence in Bach’s Cantata Jesu, nun sei gepreiset, BWV 41 by Eric T. Chafe
The Question of Parody in Bach’s Cantata Preise dein Glücke, gesegnetes Sachsen, BWV 215 by Stephen A. Crist
The Perfectability of J. S. Bach, or Did Bach Compose the Fugue on a Theme by Legrenzi, BWV 574a by James A. Brokaw II
Reviews
Christoph Wolff. Bach: Essays on His Life and Music by Stephen A. Crist
Keyboard Music from the Andreas Bach Book and the Möller Manuscript by David Schulenberg
Contributors
General Index
Index of Bach’s Compositions