This title is no longer available from this publisher at this time. To let the publisher know you are interested in the title, please email bv-help@uchicago.edu.
This title is no longer available from this publisher at this time. To let the publisher know you are interested in the title, please email bv-help@uchicago.edu.
Boundaries of Genre
Boundaries of Genre
by Gary Saul Morson
Northwestern University Press, 1989 Paper: 978-0-8101-0811-0
ABOUT THIS BOOK | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Using Dostoevsky's Diary of a Writer as a springboard, Gary Saul Morson examines a number of key topics in contemporary literary theory, including the nature of literary genres and their relation to interpretation. He convincingly argues that genre is not a property of texts alone but arises from the interaction between texts and readers.
TABLE OF CONTENTS
Contents
Preface
1.
Dostoevsky's Icon of Chaos
A Work of Paradoxes
Poetics of the Underground
Stories That Cannot Be Told
Annexing the Boundaries: Sketch and Feuilleton
“A Petersburg Chronicle”
“Petersburg Visions in Prose and Verse”
Winter Remarks on Summer Impressions
Transforming the Periodical into Literature
Literature as Algorithm
Dostoevsky's Utopianism
2.
Threshold Art
Literature
Fiction
Boundary Works
Threshold Literature
Framing: Shklovsky's Zoo
“The Journal as a Literary Form”
Reading between the genres: The Dairy as Metaliterature
3.
Utopia as a Literary Genre
Identifying a Class
Criteria for Literary Utopias
The Literary Significance of Nonliterary Utopias
An Intra-generic Dialogue: The Status of Women
An Inter-generic Dialogue: The Nature and Proper Function of Literature
Structure: Questions and Answers
Structure: Dream and Reality
The Masterplot
Utopia as Threshold Art
The Poetics of Didactic Literature and Fiction
Reading as Journey
The Self-Implicating Question
What Is to Be Done? and What Is to Be Inferred
Periodical Apocalypse
4.
Recontextualizations
PART 1:
Theory of Parody
Parody and Intertextuality
Criteria
The Etiology of Utterance
PART 2:
Anti-utopia as a Parodic Genre
Anti-genres
Parody and History
Certainties and Skepticisms
Counterplot #1: Systems and Labyrinths
Counterplot #2: The Madman
Questions and Inquisitors
Counterplot #3: Escape to the Cave
We and the Rebirth of the Novel
Anti-utopian Metafiction
Utopia, Anti-utopia, and Their Readers
PART 3:
Meta-utopia
Metaparody
“Each Commenting on the Other”: Wells' A Modern Utopia
Dialogue: The Tempest and From the Other Shore
Ambiguous Framing: Diderot's Supplement to Bouganville's “Voyage ”
More's Utopia: Texts and Readings
The Diary: Generic Risks
The Diary: Belief in the Incredible
Notes
Index
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