University of Pittsburgh Press, 2013 Paper: 978-0-8229-6258-8 | eISBN: 978-0-8229-7910-4 Library of Congress Classification PS3555.V4L57 2013 Dewey Decimal Classification 811.54
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
“What a rich array of music lies within <I>Listening Long and Late.</I> With refreshing authenticity, Everwine weds playfulness to practice, lyricism to narrative, pathos to the ordinary. Indeed, he has listened ‘long and late’ to the music of such venerable masters as Tu Fu, the hidden genius on the street, and the anonymous Aztec poets of the fourteenth and fifteenth centuries. Everwine writes with the same ‘deified heart’ that divines the mystery of his quotidian subjects in a language that is at once plain and poetic. His own work seamlessly segues into his translations from the Hebrew and Nahuatl, as if all the poems belonged to the same poet, which they in fact do, as the glorious multitudes of Peter Everwine, one of the masters of our age.”—Chard deNiord
AUTHOR BIOGRAPHY
Peter Everwine is the author of seven previous poetry collections, including From the Meadow and Collecting the Animals, which won the Lamont Poetry Prize in 1972. Everwine is the recipient of numerous honors, including two Pushcart Prizes, an American Academy of Arts and Letters Award in Literature, and fellowships from the NEA and the Guggenheim Foundation. He is emeritus professor of English at California State University, Fresno, and was a senior Fulbright lecturer in American poetry at the University of Haifa, Israel.
REVIEWS
“What a rich array of music lies within Listening Long and Late. With refreshing authenticity, Everwine weds playfulness to practice, lyricism to narrative, pathos to the ordinary. Indeed, he has listened ‘long and late’ to the music of such venerable masters as Tu Fu, the hidden genius on the street, and the anonymous Aztec poets of the fourteenth and fifteenth centuries. Everwine writes with the same ‘deified heart’ that divines the mystery of his quotidian subjects in a language that is at once plain and poetic. His own work seamlessly segues into his translations from the Hebrew and Nahuatl, as if all the poems belonged to the same poet, which they in fact do, as the glorious multitudes of Peter Everwine, one of the masters of our age.”
—Chard deNiord
“The poems in Peter Everwine’s Listening Long and Late are woven out of memory and mystery, with surprising translations from the Nahuatl and Hebrew. Everwine is a faithful listener, always keeping ‘one ear cocked for the unsayable.’ These elegiac poems murmur and sing and celebrate the most humble creatures among us.”
—Anne Marie Macari
Past praise for Peter Everwine
“[Everwine’s] poems . . . possess the simplicity and clarity I find in the great Spanish poems of Antonio Machado and his contemporary Juan Ramón Jimenez but in contemporary English and in the rhythms of our speech, that rhythm glorified.”
—Philip Levine, Ploughshares
TABLE OF CONTENTS
Contents
Song
Part I.
The Migration of the Turkey Buzzards
A Story Can Change Your Life
Another Spring
Sorrow Song
Of Zarathustra
Lines
Kiski Valley: Looking For Old Miners
Lament For The Dead Princes
Elegy For The Poet Charles Moulton
Even Friendship
Making The Circle
The Girl On The Bullard Overpass
Night Crawlers
Lessons
Part II.
The Beginning Of Country Music
Orpheus Laments
Accordions
Lament
Prankster Song
One For The 5-String
The Banjo Dream
The Shirt
Rich Man
The Moment
To A Water Snake
Homage To Tu Fu
Concerning The Disappearance Of The Nightingale
Part III: Traces
Hear I am
The county highway
My five year old
In time
We ride a long time
They lost the grandfather
He felt confused
A cold overcast morning
The room was dark
The people in old photographs
in 1937
California was another one
You see them
Part IV.
After The Funeral
The Rag Rug
The Formula
To Po Chü-I
He Alone
Poem On My 79th Birthday
The Snake
The Canyon
Where Is That Road
The Train Station Of Milan
Rain
Aubade In Autumn
Notes
Acknowledgments
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
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Please have the accessibility coordinator at your school fill out this form.
University of Pittsburgh Press, 2013 Paper: 978-0-8229-6258-8 eISBN: 978-0-8229-7910-4
“What a rich array of music lies within <I>Listening Long and Late.</I> With refreshing authenticity, Everwine weds playfulness to practice, lyricism to narrative, pathos to the ordinary. Indeed, he has listened ‘long and late’ to the music of such venerable masters as Tu Fu, the hidden genius on the street, and the anonymous Aztec poets of the fourteenth and fifteenth centuries. Everwine writes with the same ‘deified heart’ that divines the mystery of his quotidian subjects in a language that is at once plain and poetic. His own work seamlessly segues into his translations from the Hebrew and Nahuatl, as if all the poems belonged to the same poet, which they in fact do, as the glorious multitudes of Peter Everwine, one of the masters of our age.”—Chard deNiord
AUTHOR BIOGRAPHY
Peter Everwine is the author of seven previous poetry collections, including From the Meadow and Collecting the Animals, which won the Lamont Poetry Prize in 1972. Everwine is the recipient of numerous honors, including two Pushcart Prizes, an American Academy of Arts and Letters Award in Literature, and fellowships from the NEA and the Guggenheim Foundation. He is emeritus professor of English at California State University, Fresno, and was a senior Fulbright lecturer in American poetry at the University of Haifa, Israel.
REVIEWS
“What a rich array of music lies within Listening Long and Late. With refreshing authenticity, Everwine weds playfulness to practice, lyricism to narrative, pathos to the ordinary. Indeed, he has listened ‘long and late’ to the music of such venerable masters as Tu Fu, the hidden genius on the street, and the anonymous Aztec poets of the fourteenth and fifteenth centuries. Everwine writes with the same ‘deified heart’ that divines the mystery of his quotidian subjects in a language that is at once plain and poetic. His own work seamlessly segues into his translations from the Hebrew and Nahuatl, as if all the poems belonged to the same poet, which they in fact do, as the glorious multitudes of Peter Everwine, one of the masters of our age.”
—Chard deNiord
“The poems in Peter Everwine’s Listening Long and Late are woven out of memory and mystery, with surprising translations from the Nahuatl and Hebrew. Everwine is a faithful listener, always keeping ‘one ear cocked for the unsayable.’ These elegiac poems murmur and sing and celebrate the most humble creatures among us.”
—Anne Marie Macari
Past praise for Peter Everwine
“[Everwine’s] poems . . . possess the simplicity and clarity I find in the great Spanish poems of Antonio Machado and his contemporary Juan Ramón Jimenez but in contemporary English and in the rhythms of our speech, that rhythm glorified.”
—Philip Levine, Ploughshares
TABLE OF CONTENTS
Contents
Song
Part I.
The Migration of the Turkey Buzzards
A Story Can Change Your Life
Another Spring
Sorrow Song
Of Zarathustra
Lines
Kiski Valley: Looking For Old Miners
Lament For The Dead Princes
Elegy For The Poet Charles Moulton
Even Friendship
Making The Circle
The Girl On The Bullard Overpass
Night Crawlers
Lessons
Part II.
The Beginning Of Country Music
Orpheus Laments
Accordions
Lament
Prankster Song
One For The 5-String
The Banjo Dream
The Shirt
Rich Man
The Moment
To A Water Snake
Homage To Tu Fu
Concerning The Disappearance Of The Nightingale
Part III: Traces
Hear I am
The county highway
My five year old
In time
We ride a long time
They lost the grandfather
He felt confused
A cold overcast morning
The room was dark
The people in old photographs
in 1937
California was another one
You see them
Part IV.
After The Funeral
The Rag Rug
The Formula
To Po Chü-I
He Alone
Poem On My 79th Birthday
The Snake
The Canyon
Where Is That Road
The Train Station Of Milan
Rain
Aubade In Autumn
Notes
Acknowledgments
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE