1. director Lee Hon Cheungs “Seducteur” film series
2. Lenses, Dark Boxes, and New Sensory Experiences
3. Miranda Yang’s Comeback and Curtain Call
4. Restructuring and Transformation amidst Cataclysmic Change
5. Taking a Microscope to Lam Nin-Tung’s “Wandering Lens”
6. The Interalogical Aesthetic in Chinese Cinema
7. The Link between PreCode Hollywood and 1930s Leftist Cinema
8. The National Language Campaign, Film Censorship and Dialect Cinema
9. The Otherworldly Vision of Science Fiction Transposed onto China
10. Zhang +Wentian and the Fate of 1930s the Revolutionary Petite Bourgeoisie