Introduction 7
1. Handel’s world: Germany, Italy, London, Dublin 13
2. The sacred oratorio: form and context 25
3. Charles Jennens, librettist 37
4. The composition of Messiah and Handel’s ‘borrowings’ 51
5. ‘For this may all your sins be forgiven’: the Dublin premiere 67
6. Handel’s performers and performances 83
7. ‘We shall be changed’: versions and variants 95
8. ‘For ever and ever’: the later performance history of Messiah 105
Conclusion 119
Appendix 1: Scene Structure 121
Appendix 2: Libretto 123
Notes 133
Further Reading 139
Selected Discography 140
Picture Credits 142
Index 143