ABOUT THIS BOOKTackles what failure, in all its messy but immensely valuable complexity, means for the digital humanities community.
Failure is ordinary. From technological failures and computational obsolescence to rejected applications and challenging collaborations, failure is an unavoidable part of any scholarly endeavor. This is especially true for digital scholarship, as the everyday risk of failure is compounded by the challenges of interdisciplinary research and the fragility of digital technology.
Reframing Failure in Digital Scholarship brings together a diverse, interdisciplinary, and international group of scholars and practitioners who each offer short personal and professional reflections on the failed, broken, or challenging aspects of scholarly practice. It provides a critical perspective on the ways institutional and material conditions are intractably linked to approaches to digital research and how those conditions differ within and across national contexts.
In creating a critical, constructive, and compassionate vocabulary for failure, this book normalizes failure as an object of inquiry, asking what value exists in failure in digital scholarship and how we can create the space to fail better.
AUTHOR BIOGRAPHYMichael Donnay is a community manager at the Software Sustainability Institute, where he supports the Society of Research Software Engineering and works on projects related to research culture and evaluation. He was the 2022 Ruth Watts Fellow with the History of Education Society, hosting their podcast on interdisciplinary work in the history of education, and he has written on the history of science for Nature Chemistry. Anna-Maria Sichani is a BRAID Research Fellow and a research associate in digital humanities at the School of Advanced Study, University of London. She has held postdoctoral positions at the School of Advanced Study, University of London, and the Faculty of Media, Arts and Humanities at the University of Sussex. She has also collaborated on national and international projects and infrastructures in digital cultural heritage and digital humanities, and she has published extensively in these fields.