Cover
Table of Contents
List of Figures
Acknowledgements
Christian Bonah and Anja Laukötter
0.1. Three stills from Victoire de la vie (‘Victory of life’, 1937).
Timothy M. Boon
1.1. Alfred Wurmser’s working diagram of the circulation. © BBC 1958.
1.2. Establishing shot. © BBC 1958.
1.3. Charles Fletcher, anchorman, introduces the programme. © BBC 1958.
1.4. Tunbridge introduces Parsons; Parsons explains dialysis; Parsons ‘interviews’ Mr. Gudor. © BBC 1958.
1.5. The patients in the programme: Mr. Gudor, the child Delice, Mrs. Mitchell, and Mrs. Lawless. © BBC 1958.
Karen Lury
2.1. Dermot O’Leary and Fearne Cotton, Children in Need, 13 November 2015, BBC1.
2.2. Dermot O’Leary, Children in Need, 13 November 2015, BBC1.
2.3. The ‘Totalizer’, Children in Need, 13 November 2015, BBC1.
2.4. Pudsey, Children in Need, 13 November 2015, BBC1.
2.5. ‘From Morecambe to Milton Keynes’, image from interstitial sequence, Children in Need, 13 November 2015, BBC1.
2.6. Children in Need, 13 November 2015, BBC1.
2.7. ‘Robbie and Rosie’s Story’, from Children in Need, 13 November 2015, BBC1.
2.9. ‘Vanessa’s Story’, from Children in Need, 17 November 2017, BBC1.
2.10. Annex 9: Palliative Care Currency Case Studies from NHS England, Guidance, p. 39.
2.11. ‘Robbie and Rosie’s Story’, from Children in Need, 13 November 2015, BBC1.
2.12. ‘Vanessa’s Story’, from Children in Need, 17 November 2017, BBC1.
2.13. ‘Vanessa’s Story’, from Children in Need, 17 November 2017, BBC1.
2.14. ‘Wild Swimmers’, One-ness ident, dir. Martin Parr, 2017, BBC1.
Christian Bonah
3.1. a/b: Cinéma: Sortie du film Helga, Nord actualités télé, 29 February 1968, 02:45 minutes; c/d: Magazine: Le problème de l’éducation sexuelle, Provence Actualités, 29 February 1968, 06:33 minutes; e/f: ‘Helga’, Limousin actualities, 22 March 1968, 15
3.2. French TV broadcasts mentioning sex education between 1950–1980.
3.3. ‘A propos de l’éducation sexuelle’, Zoom Magazine, 13 February 1968, ORTF, at a: 01:28; b: 06:09; c: 09:20; d: 10:41; e: 16:47.
3.4. Information sexuelle (1970), a: the Truffaut opening scene; b: the TV studio set discussion; c: rock music accompanied by photographic intertitles; d: close-up of one of the students hesitantly contributing to the discussion.
3.5. A propos de la contraception, Service Recherche ORTF, 1 January 1968, a: the amateur film team and their teacher; b–d: the microphone in hand conducting interviews on Antibes Street and the beach with randomly chosen vacationers on perceptions and op
3.6. Y’a qu’à pas baiser, Carole Rousspoulos, France, 1971 (17 minutes), Béta SP, black and white, sound, a–b: Professor Lejeune’s news appearance; c: the demonstration; d: the elderly interviewee.
Luc Berlivet
4.1. A tattooed French biker sitting at a bar drinking beer makes it clear to his friends that he does not want to be served again. Picture from the film Le bistrot, part of the 1984 CFES anti-alcoholism campaign ‘Un verre ça va…’ (source: Santé Publique
4.2. Picture from the 1978 CFES campaign on smoking ‘Une cigarette écrasée …’.
4.4. Lunch at a canteen comes with a glass of wine … but no more than that. Picture from the film La cantine, part of the 1984 CFES anti-alcoholism campaign ‘Un verre ça va …’, as reproduced in a magazine (source: Santé Publique France).
4.5. Pictures from one of the films of the 1993 CFES anti-smoking media campaign ‘L’énergie c’est pas fait pour partir en fumée!’ (source: Santé Publique France).
Olaf Stieglitz
5.1. Still from Crystal Champions (USA, 1929), showing high-divers Helen Meany and Pete Desjardins. Permission by East Anglia Film Archive.
5.2. Sullivan, Science of Swimming, p. 32.
5.4. Sterrett, How to Swim, between pp. 16–17.
5.5. Weissmuller, American Crawl, p. 18.
5.6. From Physical Culture (July 1937), p. 4.
David Cantor
6.1. a (left): ‘Sappy Examines himself’, ACS Bulletin, 5, 9 (5 March 1956), p. 2, reprinted with permission of the American Cancer Society, Inc. All rights reserved. b (right): Screenshot of Ed Parmalee’s transformation into a child dunce.
6.2. From fluoroscope to highlighter: a (top left): Screenshot from Man Alive!; b (top right): Billboard, 67, 51 (17 December 1955), p. 32; c–d (bottom left/right): Screenshots from Inside Magoo, reprinted with permission of the American Cancer Society, I
6.3. a (left): from Broadcasting, 58, 2 (23 May 1960), p. 112; b (right): from Popular Mechanics, 115, 1 (January 1961), p. 79.
Anja Laukötter
7.1. Three stills from Sagst du’s deinem Kinde? (‘Will you tell your child?’), 1963. © DEFA-Stiftung/Günther Biedermann.
7.2. Three stills from Sagst du’s deinem Kinde? (‘Will you tell your child?’), 1963. © DEFA-Stiftung/Günther Biedermann
7.3. Three stills from Sagst du’s deinem Kinde? (‘Will you tell your child?’), 1963. © DEFA-Stiftung/Günther Biedermann
7.4. Three stills from Sagst du’s deinem Kinde? (‘Will you tell your child?’), 1963. © DEFA-Stiftung/Günther Biedermann
Sophie Delpeux
8.1. SMART EXPORT, circa 1970.
8.3. Tapp und Tastkino (‘Tap and touch cinema’), Vienna 1968.
8.4. Genitalpanik (‘Genital panic’), 1969, Poster n/b, 67 × 49.8 cm.
8.5. Hyperbulie, 1973, photographies d’action n/b, images by Herman Hendrich.
8.6. Adjungierte Dislokationen, 1973.
Zoë Druick
9.1. The transfer of bio-technology in The Task Ahead (1951).
9.2. Yaws as a metaphor for the urgent need for technology transfer in The Task Ahead (1951).
9.4. Promoting eye health from a Healthy Village filmstrip shown within Mondsee Seminar.
9.5. An unidentified audience watches the Healthy Village filmstrip in Mondsee Seminar.
9.6. The representation of a unified global time and space in World without End (1953): A peasant in Mexico looks up to see the UN headquarters in New York City.
9.7. The globe, one of the favourite images for representing the ‘family of man’, superimposed on the face of a distressed baby in World Without End.
Jean-Paul Gaudillière
10.1. Stills taken from Farm to Pharmacy—a: shifting the supply of medicinal plants from collection to cultivation under the supervision of state experts, 02:57 minutes; b: turning plant mixtures into stabilized and ready-to-use combinations, 05:07 minute
10.3. Black bodies, white doctors: painting the diagnosis’ result and the treatment’s dosage, still taken from La Mission Jamot, 14:47 minutes.
10.4. Brücken-der-Hilfe-Spreading units negotiating access to a village house with its inhabitants, still taken from Brücken der Hilfe, 11:26 minutes.
10.5. The search for molecules as main contribution of Bayer to development aid, still taken from Brücken der Hilfe, 06:31 minutes.
10.6. Modernization agents at work in Accra: the hygiene boy, still taken from Les maîtres fous, 03:00 minutes.
10.7. Mrs. Lokotoro, key character of the haoukas’ possession ritual, still taken from Les maîtres fous, 14:45 minutes. The subtitle says ‘Mrs. Lokotoro makes fits and receives a woman dress’.
Kirsten Ostherr
11.1. Two stills from ‘Zika Zone Triples in Miami Beach’, NBC Nightly News with Lester Holt, 17 September 2016.
11.2. Four stills from WHO-BROLL—14 June 2016: Press Conference after the 3rd Meeting of Emergency Committee on Zika and Observed Increase in Neurological Disorders and Neonatal Malformations, World Health Organization, 15 June 2016.
11.3. Three stills from 10 Shocking Reasons Why Zika Virus Fear Is another Fraudulent Medical Hoax and Vaccine Industry Funding Scam, published by Brett Ryan Shaw, 6 September 2016.
11.4. Two stills from Misión Zika, Cartoon Network/WHO/PAHO/UNICEF, 2016.
General Index
Index of Persons
Index of Works
Index of Places