Cover
Table of Contents
List of illustrations
List of Tables
Acknowledgements
Note on Conventions and Terminology
Richard J. Blakemore and James Davey
Bernhard Klein
Figure 1.1: The Minion, Anthony Roll (1546). British Library Additional MS 22047, after C.S. Knighton and D.M. Loades (eds), THE ANTHONY ROLL of Henry VIII’s Navy. Pepys Library 2991 and British Library Additional MS 22047 with related documents, Occasion
Alan James
Craig L. Lambert and Gary P. Baker
Table 3.1 Regional Distribution of English and Welsh Merchant Fleet:Michaelmas–Michaelmas 1571–7244
Table 3.3 Ports within Regions with the Greatest Tonnage
Claire McLoughlin
Claire Jowitt
Cheryl Fury
Elaine Murphy
Rebecca A. Bailey
Figure 8.1: John Payne, Sovereign of the Seas (1637), © National Maritime Museum, Greenwich, UK.
Figure 8.2: John Webb, Design for a triumphal arch, Temple Bar, London (1638), © RIBA Collections.
Figure 8.3: Inigo Jones’s sketch for the relief carved spandrels for the proposed triumphal arch at Temple Bar, London (1636), © RIBA Collections.
Figure 8.4: Detail of King Edgar on horseback, from John Payne, Sovereign of the Seas (1637),
© National Maritime Museum, Greenwich, UK
Figure 8.5: Robert Ward, Animadversions of Warre (London: 1639), frontispiece and cameo detail. © The British Library Board
Figure 8.6: Peter Pett and the ‘Sovereign of the Seas’ (1637), © National Maritime Museum, Greenwich, London. Detail of the ship’s stern and the figure of Victory
Figure 8.7: Design for the Palace of Fame, from the courtly masque ‘Britannia Triumphans’, 1637 (pen & ink on paper), Jones, Inigo (1573-1652) / © The Devonshire Collections, Chatsworth / Reproduced by permission of Chatsworth Settlement Trustees / Bridge
Figure 8.8: Masquer with feathers and plume (pen & ink on paper), Jones, Inigo (1573-1652) / © The Devonshire Collections, Chatsworth / Reproduced by permission of Chatsworth Settlement Trustees / Bridgeman Images.
Figure 8.9: Francis Knight, A Relation of Seaven Yeares Slaverie Under the Turkes of Argeire (London: 1640), frontispiece and title page, Beinecke Rare Book and Manuscript Library, Yale University.
Figure 8.10: ‘Charles I King of Great Britain and England’, © Getty Images.
Meredith Greiling
Figure 9.1: The Schip model on display in Aberdeen Maritime Museum © Aberdeen Art Gallery & Museums Collections
Figure 9.2: The Schip model in the offices of the Aberdeen Shipmaster Society © Aberdeen Art Gallery & Museums Collections
Figure 9.3: The Schip model before being restored, c.1981 – stern view © Aberdeen Art Gallery & Museums Collections
Figure 9.4: Burntisland Parish Church interior (author’s own)
Figure 9.5: Aberdeen Shipmaster Society of mortification © Aberdeen Art Gallery & Museums Collections
Figure 9.6: Sixteenth century Dutch pulpit at Bo’ness Old Kirk (author’s own)
Philippa Hellawell
Figure 10.1: Frontispiece of Francis Bacon’s Instauratio Magna (London: 1620).
© The Trustees of the British Museum. All rights reserved
Figure 10.2: Robert Hooke’s Diagram of Hydrography, MS Rawlinson, A. 171, ff. 245v-246r, The Bodleian Libraries, University of Oxford
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About the Contributors
Index