In the wake of the black civil rights movement, other disadvantaged groups of Americans began to make headway—Latinos, women, Asian Americans, and the disabled found themselves the beneficiaries of new laws and policies—and by the early 1970s a minority rights revolution was well underway. In the first book to take a broad perspective on this wide-ranging and far-reaching phenomenon, John D. Skrentny exposes the connections between the diverse actions and circumstances that contributed to this revolution—and that forever changed the face of American politics.

Though protest and lobbying played a role in bringing about new laws and regulations—touching everything from wheelchair access to women’s athletics to bilingual education—what Skrentny describes was not primarily a bottom-up story of radical confrontation. Rather, elites often led the way, and some of the most prominent advocates for expanding civil rights were the conservative Republicans who later emerged as these policies’ most vociferous opponents. This book traces the minority rights revolution back to its roots not only in the black civil rights movement but in the aftermath of World War II, in which a world consensus on equal rights emerged from the Allies’ triumph over the oppressive regimes of Nazi Germany and Imperial Japan, and then the Soviet Union. It also contrasts failed minority rights development for white ethnics and gays/lesbians with groups the government successfully categorized with African Americans. Investigating these links, Skrentny is able to present the world as America’s leaders saw it; and so, to show how and why familiar figures—such as Lyndon Johnson, Richard Nixon, and, remarkably enough, conservatives like Senator Barry Goldwater and Robert Bork—created and advanced policies that have made the country more egalitarian but left it perhaps as divided as ever.

One of the most powerful poets of his generation consolidates his reputation as an exceptionally forthright and astringent critic in this book that analyzes the relationship between English-language literature, especially poetry, and nineteenth and twentieth-century politics. Tom Paulin's criticism stays on track, always responsive to a work's characteristic genius and sensitive to its social setting.

Each of these essays—on poets ranging from Robert Southey and Christina Rossetti to Philip Larkin, from John Clare to Elizabeth Bishop and Ted Hughes, with a few excursions into the poetry of Eastern Europe for contrast—is informed by a love for poetry and a lively attention to detail. At every turn, Paulin demonstrates the intricate connection between the private imagination and society at large, simultaneously illuminating the kinship between the literature of the past and of the present. He also relates the poetry to themes of nationhood and to ideas about orality, speech rhythms, and vernacular background. Minotaur exemplifies the sort of general, accessible criticism of the arts that will interest a wide range of readers.

Miracles occupied a unique place in medieval and Byzantine life and thought. This volume makes available three collections of miracle tales never before translated into English. Together, the collections offer an exceptional variety of miracles from the Byzantine era.

First are the fifth-century Miracles of Saint Thekla. Legendary female companion of the Apostle Paul, Thekla counted among the most revered martyrs of the early church. Her Miracles depict activities, at once extraordinary and ordinary, in a rural healing shrine at a time when Christianity was still supplanting traditional religion. A half millennium later comes another anonymous text, the tenth-century Miracles of the Spring of the Virgin Mary. This collection describes how the marvelous waters at this shrine outside Constantinople healed emperors, courtiers, and churchmen. Complementing the first two collections are the Miracles of Saint Gregory Palamas, fourteenth-century archbishop of Thessalonike. Written by the most gifted hagiographer of his era (Philotheos Kokkinos), this account tells of miraculous healings that Palamas performed, both while alive and once dead. It allows readers to witness the development of a saint’s cult in late Byzantium. Saints and their miracles were essential components of faith in medieval and Byzantine culture. These collections deepen our understanding of attitudes toward miracles. Simultaneously, they display a remarkable range of registers in which Greek could be written during the still little-known Byzantine period.

The first English translation of the earliest Latin poems about miracles performed by the Virgin Mary, composed in twelfth-century Canterbury by a Benedictine monk who inspired Chaucer.

Nigel (ca. 1135–1198), a Benedictine monk at Christ Church in Canterbury, is best known for The Mirror of Fools—a popular satire whose hero Burnellus the Ass is referenced in Chaucer’s Canterbury Tales. Nigel’s oeuvre also includes other important poems and hagiography.

The Miracles of the Virgin is the oldest Latin poem about miracles performed by Mary. This collection features seventeen lively tales in which the Virgin rescues a disappointed administrator from a pact with the devil, has a Roman emperor killed by a long-dead martyr, saves a Jewish boy from being burned alive, and shields an abbess from the shame of pregnancy. Each story illustrates the boundlessness of Mary’s mercy. In the Tract on Abuses, a letter that resembles a religious pamphlet, Nigel rails against ecclesiastical corruption and worldly entanglements.

Alongside authoritative editions of the Latin texts, this volume offers the first translations of both works into English.

In the last third of the nineteenth century, three Americans with diverse purposes sailed to Japan—the missionary William Elliot Griffis, the scientist Edward S. Morse, and the writer Lafcadio Hearn. They were to become part of the first generation of American experts on Japan, regularly quoted and widely read. More significantly, their own lives were vastly changed, broadened and enriched in unexpected ways, so that their thoughts dwelt as much on what Americans could learn from the pagan Japanese as on what Americans could teach them.

In telling these stories, Robert Rosenstone evokes the immediacy of daily experience in Meiji Japan, a nation still feudal in many of its habits yet captivating to Westerners for the gentleness of the people, the beauty of the landscape, the human scale of the unspoiled old towns, and the charm of arts and manners. He describes the odyssey of the ambitious and strong-minded Christian minister Griffis, who won few converts but, as a teacher, assisted at the birth of modern Japan. He portrays the natural scientist Morse, a born collector who turned from amassing mollusks to assembling comprehensive collections of Japanese folk art and pottery. He recounts Lafcadio Hearn’s fourteen years in Japan. Hearn, who married a Japanese, became a citizen, and found in his new homeland ideal subject matter for exotic tales of ghosts, demons, spectral lovers, local gods and heroes, spells, enchantments.

Rosenstone recreates the sights and textures of Meiji Japan, but Mirror in the Shrine brings to the reader much more than a traditional rendering. Rather, through the use of some of the techniques of modernist writing, the book provides a multi-voiced narrative in which the words of the present and the past interact to present a fresh view of historical reality. While charting the common stages of these three Americans’ acculturation—growing to like the food, the architecture, the spareness, the mysterious etiquette—the work also highlights the challenges that Japan issues to American culture, in this century as well as in the last: Is it possible to find human fulfillment within the confines of a hierarchical, even repressive, social order? Is it possible for our culture to find a place of importance for such qualities as harmony, aesthetics, morals, manners?

This is a book for anyone who is at all interested in Japan or in the meeting of East and West. The “old Japan hand” will reexperience the freshness of an early love; the newcomer will find it equally evocative and fascinating.

Mirror of Dew introduces one of Iran's outstanding female poets, whose work has not previously been available in English. Zhāle Qā'em-Maqāmi (1883-1946) was a witness to pivotal social and political developments in Iran during its transition to modernity. Persian poetry at that time was often used polemically and didactically, for a mass audience, but Zhāle did not write to be published. The poems, like the mirror, samovar, and other familiar objects we find in them, appear to be the author's intimate companions.

Her poetry is deeply personal but includes social critique and offers a rare window into the impact of a modern awareness on private lives. Zhāle is biting in her condemnation of traditional Persian culture, and even of aspects of Islamic law and custom. She might be called the Emily Dickinson of Persian poetry, although Zhāle was married, against her will. Zhāle is far from the first female poet in Persian literature but is the first we know of to write with an interior, intimate voice about private life, her anxieties, her frustrated love, her feelings about her husband, and many topical issues. This volume presents the Persian text of Zhāle's poems on pages facing the English translations.

During the Thirty Years' War, a war that seemed to be determining the future of Protestantism, those who believed that they were the most truly Protestant part of English society, the Puritans, frequently opposed the foreign policies of the English government. In this perceptive study of the Puritans' contribution to English nationalism between 1618 and 1640, Marvin Arthur Breslow analyzes their attitudes toward foreign nations. He demonstrates how their views of the warring European nations also expressed certain aspects of their thinking about England and how in these views there was mirrored an image of England--an image against which they measured the religion and patriotism of the true Englishman.

Drawing on contemporary parliamentary diaries, letters, memoirs, sermons, and tracts, Breslow discusses specifically the Puritans' attitudes toward Germany, the area in which the Thirty Years' War began; toward Spain, English fear and hatred of which were already firmly established; the Netherlands, with which there was trade rivalry; France, where they were forced to harmonize conflicting interests; and, finally, Sweden. The author identifies several recurrent themes, including a fundamental concern for Protestantism and the effective mythologizing of the Elizabethan past. He also reveals that while Puritan foreign policy was often opposed to the policies of the English government, it accorded closely with the attitudes, however passive, of the general public. The significant differences were the greater degree of intensity with which the Puritans vigorously expressed their concern and their efforts to arouse the general public.

Breslow emphasizes the importance of Puritan foreign-policy attitudes, the fusion of religious and political concerns in the patriotic Englishman, and the Puritan definition of the English nation in the decades preceding the Civil War and Revolution.

In the annals of Vietnam War history, no figure has been more controversial than Ngo Dinh Diem. During the 1950s, U.S. leaders hailed Diem as “the miracle man of Southeast Asia” and funneled huge amounts of aid to his South Vietnamese government. But in 1963 Diem was ousted and assassinated in a coup endorsed by President John F. Kennedy. Diem’s alliance with Washington has long been seen as a Cold War relationship gone bad, undone either by American arrogance or by Diem’s stubbornness. In Misalliance, Edward Miller provides a convincing new explanation for Diem’s downfall and the larger tragedy of South Vietnam.

For Diem and U.S. leaders, Miller argues, the alliance was more than just a joint effort to contain communism. It was also a means for each side to pursue its plans for nation building in South Vietnam. Miller’s definitive portrait of Diem—based on extensive research in Vietnamese, French, and American archives—demonstrates that the South Vietnamese leader was neither Washington’s pawn nor a tradition-bound mandarin. Rather, he was a shrewd and ruthless operator with his own vision for Vietnam’s modernization. In 1963, allied clashes over development and reform, combined with rising internal resistance to Diem’s nation building programs, fractured the alliance and changed the course of the Vietnam War.

In depicting the rise and fall of the U.S.–Diem partnership, Misalliance shows how America’s fate in Vietnam was written not only on the battlefield but also in Washington’s dealings with its Vietnamese allies.

The premier scholar-poet of the Hellenistic age.

Callimachus (ca. 303–ca. 235 BC), a proud and well-born native of Cyrene in Libya, came as a young man to the court of the Ptolemies at Alexandria, where he composed poetry for the royal family; helped establish the Library and Museum as a world center of literature, science, and scholarship; and wrote an estimated 800 volumes of poetry and prose on an astounding variety of subjects, including the Pinakes, a descriptive bibliography of the Library’s holdings in 120 volumes. Callimachus’ vast learning richly informs his poetry, which ranges broadly and reworks the language and generic properties of his predecessors in inventive, refined, and expressive ways. The “Callimachean” style, combining learning, elegance, and innovation and prizing brevity, clarity, lightness, and charm, served as an important model for later poets, not least at Rome for Catullus, Virgil, Horace, Ovid, and the elegists, among others.

This edition, which replaces the earlier Loeb editions by A. W. Mair (1921) and C. A. Trypanis (1954, 1958), presents all that currently survives of and about Callimachus and his works, including the ancient commentaries (Diegeseis) and scholia. Volume I contains Aetia, Iambi, and lyric poems; Volume II Hecale, Hymns, and Epigrams; and Volume III miscellaneous epics and elegies, other fragments, and testimonia, together with concordances and a general index. The Greek text is based mainly on Pfeiffer’s but enriched by subsequently published papyri and the judgment of later editors, and its notes and annotation are fully informed by current scholarship.

An Open Letters Review Best Book of the Year

Angelo Poliziano (1454–1494) was one of the great scholar-poets of the Italian Renaissance and the leading literary figure of Florence in the age of Lorenzo de’ Medici, “il Magnifico.” The poet’s Miscellanies, including a “first century” published in 1489 and a “second century” unfinished at his death, constitute the most innovative contribution to classical philology of the Renaissance. Each chapter is a mini-essay on some lexical or textual problem which Poliziano, drawing on the riches of the Medici Library and Lorenzo’s collection of antiquities, solves with his characteristic mixture of deep learning, analytic skill, and brash criticism of his predecessors. Volume 1 presents a new Latin edition of The First Century of the Miscellanies, and these volumes together present the first translation of both collections into any modern language.

An Open Letters Review Best Book of the Year

Angelo Poliziano (1454–1494) was one of the great scholar-poets of the Italian Renaissance and the leading literary figure of Florence in the age of Lorenzo de’ Medici, “il Magnifico.” The poet’s Miscellanies, including a “first century” published in 1489 and a “second century” unfinished at his death, constitute the most innovative contribution to classical philology of the Renaissance. Each chapter is a mini-essay on some lexical or textual problem which Poliziano, drawing on the riches of the Medici Library and Lorenzo’s collection of antiquities, solves with his characteristic mixture of deep learning, analytic skill, and brash criticism of his predecessors. Volume 1 presents a new Latin edition of The First Century of the Miscellanies, and these volumes together present the first translation of both collections into any modern language.

In 1690, a dramatic account of piracy was published in Mexico City. The Misfortunes of Alonso Ramírez described the incredible adventures of a poor Spanish American carpenter who was taken captive by British pirates near the Philippines and forced to work for them for two years. After circumnavigating the world, he was freed and managed to return to Mexico, where the Spanish viceroy commissioned the well-known Mexican scholar Carlos de Sigüenza y Góngora to write down Ramírez's account as part of an imperial propaganda campaign against pirates.

The Misfortunes of Alonso Ramírez has long been regarded as a work of fiction—in fact, as Latin America's first novel—but Fabio López Lázaro makes a convincing case that the book is a historical account of real events, albeit full of distortions and lies. Using contemporary published accounts, as well as newly discovered documents from Spanish, English, French, Portuguese, and Dutch archives, he proves that Ramírez voyaged with one of the most famous pirates of all time, William Dampier. López Lázaro's critical translation of The Misfortunes provides the only extensive Spanish eyewitness account of pirates during the period in world history (1650–1750) when they became key agents of the European powers jockeying for international political and economic dominance. An extensive introduction places The Misfortunes within the worldwide struggle that Spain, England, and Holland waged against the ambitious Louis XIV of France, which some historians consider to be the first world war.