“A fitting biography of one of the most brilliant, acerbic, and under-appreciated astrophysicists of the twentieth century. John Johnson has delved deeply into a rich and eventful life, and produced a rollicking account of how Fritz Zwicky split his time between picking fights with his colleagues and discovering amazing things about our universe.”—Sean Carroll, author of The Big Picture

Fritz Zwicky was one of the most inventive and iconoclastic scientists of his time. He predicted the existence of neutron stars, and his research pointed the way toward the discovery of pulsars and black holes. He was the first to conceive of the existence of dark matter, the first to make a detailed catalog of thousands of galaxies, and the first to correctly suggest that cosmic rays originate from supernovas.

Not content to confine his discoveries to the heavens, Zwicky contributed to the United States war against Japan with inventions in jet propulsion that enabled aircraft to launch from carriers in the Pacific. After the war, he was the first Western scientist to interview Wernher von Braun, the Nazi engineer who developed the V-2 rocket. Later he became an outspoken advocate for space exploration, but also tangled with almost every leading scientist of the time, from Edwin Hubble and Richard Feynman to J. Robert Oppenheimer and Subrahmanyan Chandrasekhar.

In Zwicky, John Johnson, Jr., brings this tempestuous maverick to life. Zwicky not only made groundbreaking contributions to science and engineering; he rose to fame as one of the most imaginative science popularizers of his day. Yet he became a pariah in the scientific community, denouncing his enemies, real and imagined, as “spherical bastards” and “horses’ asses.” Largely forgotten today, Zwicky deserves rediscovery for introducing some of the most destructive forces in the universe, and as a reminder that genius obeys no rules and has no friends.

A cherished erotic play by Federico García Lorca, illustrated by a major Spanish artist.
 
Painting, poetry, and music come together in Zóbel Reads Lorca, as Fernando Zóbel, a Harvard student who would become one of Spain’s most famous painters, translates and illustrates Federico García Lorca’s haunting play about the wounds of love.
 
The premiere of Amor de Don Perlimplín con Belisa en su jardín, an “erotic allelujia” which Lorca once called his most cherished play, was shut down in 1928 by Spanish government censors who confiscated the manuscript and locked it away in the pornography section of a state archive. Lorca rewrote the work in New York, and an amateur theater group brought it to the Spanish stage a few years later. Since his death, the play has also been transformed into ballet and opera.
 
Zóbel Reads Lorca presents Zóbel’s previously unpublished translation and features contextual essays from several scholars. Art historian Felipe Pereda studies Lorca in the context of Zóbel’s development as a painter, Luis Fernández Cifuentes describes the precarious and much-debated state of the humanities in Zóbel’s Harvard and throughout the United States in the 1940s, and Christopher Maurer delves into musical and visual aspects of the play’s American productions.