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The Nail in the Tree
Essays on Art, Violence, and Childhood
Carol Ann Davis
Tupelo Press, 2020
The Nail in the Tree meditates on crucial subjects in devastating circumstances, exploring how childhood can be violent and generative, how trauma integrates in art and daily life, and what the artist’s role is. In this part memoir, part art-historical treatise, Carol Ann Davis narrates her experience of raising two sons in Sandy Hook, Connecticut, on the day of and during the aftermath of the shooting there. She describes revelations her children come to in the weeks that follow, quietly echoes the words of a principal on that day, and recounts painful series of texts and calls to further and further distant family members. She writes in beautiful, devastating, poetic language.
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Native Species
Todd Davis
Michigan State University Press, 2019
In his sixth book of poetry, Todd Davis, who Harvard Review declares is “unflinchingly candid and enduringly compassionate,” confesses that “it’s hard to hide my love for the pleasures of the earth.” In poems both achingly real and stunningly new, he ushers the reader into a consideration of the green world and our uncertain place in it. As he writes in “Dead Letter to James Wright,” “You said / you’d wasted your life. / I’m still not sure / what species I am.” To that end, Native Species explores what happens to us—to all of us, bear, deer, mink, trout, moose, girl, boy, woman, man—when we die, and what happens to the soul as it faces extinction—if it “migrates into the lives of other creatures, becomes a fox or frog, an ant in a colony serving a queen, a red salamander entering a pond before it freezes.” He wonders, too, “How many new beginnings are we granted?” It’s a beautiful question, and it freights, simultaneously, possibility and pain. These are the verses of a poet maturing into a new level of thinking, full of tenderness and love for the home that carries us all.
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Natural Environments of Arizona
From Desert to Mountains
Edited by Peter F. Ffolliott and Owen K. Davis
University of Arizona Press, 2008
Best known for its cactus-studded deserts and the awe-inspiring Grand Canyon, Arizona boasts even more natural features that surprise visitors and continue to amaze longtime residents. Using C. H. Merriam’s turn-of-the-twentieth-century descriptions of Arizona’s life zones, Charles Lowe first defined those biotic communities in his 1964 book Arizona’s Natural Environment. Now ten experts on Arizona’s natural setting build on that classic to reflect our increased knowledge of basic physical and biological processes and the impact of both natural and man-made disturbances on these environments.

Natural Environments of Arizona bridges the gap between coffee-table volumes and scientific literature, offering a nontechnical, single-volume overview that introduces readers to a myriad of topics and provides pointers toward deeper reading. It’s all here: climate, geology, soil and water resources, an amazing variety of flora and fauna—and of course human impacts on the state’s fragile ecosystems.

These chapters show the extent to which Arizona’s natural environments have changed since Lowe first set the stage for their study. They consider changes in forests and grasslands, the effects of soil erosion, questions about water quality, and the evolving status of rivers and wildlife communities. And while the common thread of environments makes the book a complete introduction to the subject, each chapter stands alone as an authoritative synopsis of its particular topic.

Ranging widely over the impacts of drought, floods, and wildfires, this practical guide clearly shows that nature is more than picturesque landscapes, vegetation, and wildlife. For anyone with a dog-eared copy of Lowe, this book will serve as the new standard on the subject—a valuable tool for resource managers, students, and general readers alike.
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Negative Liberty
Public Opinion and the Terrorist Attacks on America
Darren W. Davis
Russell Sage Foundation, 2007
Did America's democratic convictions "change forever" after the terrorist attacks of September 11? In the wake of 9/11, many pundits predicted that Americans' new and profound anxiety would usher in an era of political acquiescence. Fear, it was claimed, would drive the public to rally around the president and tolerate diminished civil liberties in exchange for security. Political scientist Darren Davis challenges this conventional wisdom in Negative Liberty, revealing a surprising story of how September 11 affected Americans' views on civil liberties and security. Drawing on a unique series of original public opinion surveys conducted in the immediate aftermath of 9/11 and over the subsequent three years, Negative Liberty documents the rapid shifts in Americans' opinions regarding the tradeoff between liberty and security, at a time when the threat of terrorism made the conflict between these values particularly stark. Theories on the psychology of threat predicted that people would cope with threats by focusing on survival and reaffirming their loyalty to their communities, and indeed, Davis found that Americans were initially supportive of government efforts to prevent terrorist attacks by rolling back certain civil liberties. Democrats and independents under a heightened sense of threat became more conservative after 9/11, and trust in government reached its highest level since the Kennedy administration. But while ideological divisions were initially muted, this silence did not represent capitulation on the part of civil libertarians. Subsequent surveys in the years after the attacks revealed that, while citizens' perceptions of threat remained acute, trust in the government declined dramatically in response to the perceived failures of the administration's foreign and domestic security policies. Indeed, those Americans who reported the greatest anxiety about terrorism were the most likely to lose confidence in the government in the years after 2001. As a result, ideological unity proved short lived, and support for civil liberties revived among the public. Negative Liberty demonstrates that, in the absence of faith in government, even extreme threats to national security are not enough to persuade Americans to concede their civil liberties permanently. The September 11 attacks created an unprecedented conflict between liberty and security, testing Americans' devotion to democratic norms. Through lucid analysis of concrete survey data, Negative Liberty sheds light on how citizens of a democracy balance these competing values in a time of crisis.
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New Economics and Its History, Volume 29
John B. Davis, ed.
Duke University Press
The history of economic thought has traditionally focused on the work of individuals no longer living. Recently, however, historians have begun to use their tools of analysis on the work of contemporary economists. New Economics and Its Writing compiles evidence of this shift, with thirteen essays by scholars interested in catalyzing conversation between contemporary economists and historians of economics.
This new focus requires new methods of analysis—historiographic strategies involving far greater archival resources, for instance, and often nontraditional resources, such as electronic records. Essays collected here address these changes and examine how this new emphasis on the work of living economists can and will entail interaction between the producer of theory and the historian, complicating the latter’s role. Chapters discuss topics such as the emergence of subdisciplines in economics, social-contextual perspectives on the writing of economics, the dynamics of idea development, and the recent incursion of noneconomic thinking—such as engineering methods and mathematical models—into economics.
New Economics and Its Writing shows that attention to recent, ongoing economics from historians of economics has the potential to revitalize and transform the history of economics as an area of investigation.

This volume is the 1997 Annual Supplement to the journal History of Political Economy. All 1997 subscribers will receive a copy of this book as part of their annual subscription.

Contributors. Timothy L. Alborn, Marcel Boumans, Joshua Cohen, John B. Davis, Ross B. Emmett, Paul Harrison, Daniel M. Hausman, Mary L. Hirschfeld, S. Todd Lowry, Steven G. Medema, Philip Mirowski, Philippe Mongin, S. Abu Turab Rizvi, Esther-Mirjam Sent


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New Perspectives on Language Variety in the South
Historical and Contemporary Approaches
Michael D. Picone
University of Alabama Press, 2015
The third installment in the landmark LAVIS (Language Variety in the South) series, New Perspectives on Language Variety in the South: Historical and Contemporary Approaches brings together essays devoted to the careful examination and elucidation of the rich linguistic diversity of the American South, updating and broadening the work of the earlier volumes by more fully capturing the multifaceted configuration of languages and dialects in the South.
 
Beginning with an introduction to American Indian languages of the Southeast, five fascinating essays discuss indigenous languages, including Caddo, Ofo, and Timucua, and evidence for the connection between the Pre-Columbian Southeast and the Caribbean.
 
Five essays explore the earlier Englishes of the South, covering topics such as the eighteenth century as the key period in the differentiation of Southern American English and the use of new quantitative methods to trace the transfer of linguistic features from England to America. They examine a range of linguistic resources, such as plantation overseers’ writings, modern blues lyrics, linguistic databases, and lexical and locutional compilations that reveal the region’s distinctive dialectal traditions.
 
New Perspectives on Language Variety in the South: Historical and Contemporary Approaches widens the scope of inquiry into the linguistic influences of the African diaspora as evidenced in primary sources and records. A comprehensive essay redefines the varieties of French in Louisiana, tracing the pathway from Colonial Louisiana to the emergence of Plantation Society French in a diglossic relationship with Louisiana Creole. A further essay maps the shift from French to English in family documents.
 
An assortment of essays on English in the contemporary South touch on an array of compelling topics from discourse strategies to dialectal emblems of identity to stereotypes in popular perception.
 
Essays about recent Latino immigrants to the South bring the collection into the twenty-first century, taking into account the dramatic increase in the population of Spanish speakers and illuminating the purported role of “Spanglish,” the bilingual lives of Spanish-speaking Latinos in Mississippi, and the existence of regional Spanish dialectal diversity.
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New Queer Cinema
A Critical Reader
Aaron, Michele
Rutgers University Press, 2004

Coined in the early 1990s to describe a burgeoning film movement, “New Queer Cinema” has turned the attention of film theorists, students, and audiences to the proliferation of intelligent, stylish, and daring work by lesbian and gay filmmakers within independent cinema and to the infiltration of “queer” images and themes into the mainstream. Why did this shift take place? Was it political gains, cultural momentum, or market forces that energized the evolution and transformation of this cinematic genre?

New Queer Cinema: A Critical Reader provides a definitive and highly readable guide to the development of this important and controversial film movement. The volume is divided into four sections: defining “new queer cinema,” assessing its filmmakers, examining geographic and national differences, and theorizing spectatorship. Chapters address the work of pivotal directors (such as Todd Haynes and Gregg Araki) and salient films (including Paris is Burning and Boys Don’t Cry), as well as unconventional and non-Anglo-American work (experimental filmmaking and third world cinema).

With a critical eye to its uneasy relationship to the mainstream, New Queer Cinema explores the aesthetic, sociocultural, political, and, necessarily, commercial investments of the movement. It is the first full-length study of recent developments in queer cinema that combines indispensable discussions of central issues with exciting new work by key writers.

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The New Star Chamber and Other Essays
Annotated Edition
Edgar Lee Masters; edited by Jason Stacy
Southern Illinois University Press, 2023
Tracing the troubled roots of American capitalism and imperialism
 
Coedited by noted Masters scholar, Jason Stacy, and his class, “Editing History,” this annotated edition of Edgar Lee Masters’s The New Star Chamber and Other Essays reappears at a perilous time in US history, when large corporations and overseas conflicts once again threaten the integrity of American rights and liberties, and the United States still finds itself beholden to corporate power and the legacy of imperial hubris. In speaking to his times, Masters also speaks to ours.
 
These thirteen essays lay bare the political ideology that informed Spoon River Anthology. Masters argues that the dangerous imperialism championed by then-President Theodore Roosevelt was rooted in the Constitution itself. By debating the ethics of the Philippine-American War, criticizing Hamiltonian centralization of government, and extolling the virtues of Jeffersonian individualism, Masters elucidates the ways in which America had strayed from its constitutional morals and from democracy itself. The result is a compelling critique of corporate capitalism and burgeoning American imperialism, as well as an exemplary source for understanding its complicated author in the midst of his transformation from urban lawyer to poet of rural America.
 
In print again for the first time since 1904, this edition includes an introduction and historical annotations throughout. Edited and annotated by students at Southern Illinois University Edwardsville, and designed and illustrated by students at Southern Illinois University Carbondale, this volume traces economic and political pathologies to the origins of the American republic. The New Star Chamber and Other Essays is as vital now as it was over 100 years ago.
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New Technologies and Renaissance Studies III
Edited by Matthew Evan Davis and Colin Wilder
Iter Press, 2022
These essays explore problems with digital approaches to analog objects and offer digital methods to study networks of production, dissemination, and collection. Further, they reflect on the limitations of those methods and speak to a central truth of digital projects: unlike traditional scholarship, digital scholarship is often the result of collective networks of not only disciplinary scholars but also of library professionals and other technical and professional staff as well as students.
 
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