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The Nehalem Tillamook
An Ethnography
Elizabeth D. Jacobs
Oregon State University Press, 2003

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Neither–Nor
A Young Australian's Experience with Deafness
Paul Jacobs
Gallaudet University Press, 2007

The Fifth Volume in the Deaf Lives Series

Born in Melbourne, Australia, in 1974, Paul Jacobs lost his mother when he was three months old. When he was five, he lost most of his hearing. These two defining events formed the core of his being. He spent the first two decades of his life “coming to terms with being neither Deaf nor hearing — a neither/nor, an in-between — and a person with a social identity that had yet to be invented.” His memoir, Neither—Nor: A Young Australian’s Experience with Deafness, recounts this journey.

Jacobs excelled in sports and the classroom, but he never lost awareness of how he was seen as different, often in cruel or patronizing ways. His father, a child psychologist, headed a long list of supportive people in his life, including his Uncle Brian, his itinerant teacher of the deaf Mrs. Carey, a gifted art teacher Mrs. Klein, who demanded and received from him first-rate work, a notetaker Rita, and Bella, his first girlfriend. Jacobs eventually attended university, where he graduated with honors. He also entered the Deaf world when he starred on the Deaf Australian World Cup cricket team. However, he never learned sign language, and frequently noted the lack of an adult role model for “neither—nors” such as himself.

Still emotionally adrift in 1998, Jacobs toured Europe, then volunteered to tutor deaf residents at Court Grange College in Devon, England. There, he discovered a darker reality for some deaf individuals — hearing loss complicated by schizophrenia, Bonnevie-Ullrich Syndrome, and other conditions. After returning to Australia, Jacobs recognized what he had gleaned from his long journey: “Power comes from within, not without. Sure, deafness makes one prone to be stigmatized. Yet having a disability can act as a stimulus for greater personal growth, richer experiences, and more genuine relationships.”

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front cover of Neodomestic American Fiction
Neodomestic American Fiction
Kristin J. Jacobson
The Ohio State University Press, 2010
In American literature, domestic fictions—that is, novels focused on the home and homemaking—are linked with white, middle-class women’s fiction and culture. Employing a spatial lens, Neodomestic American Fiction joins and extends other studies in redefining domestic fiction’s literary history and definition. Unlike previous redefinitions and reevaluations, Neodomestic American Fiction reads domestic novels alongside feminist geography and architectural history to map the links and disjunctions among a range of authors writing during the same period as well as across centuries and cultures. Kristin Jacobson’s attention to domestic geographies reveals a new space and subgenre emerge in the 1980s: neodomestic fiction.
 
In this innovative study, Kristin Jacobson identifies over thirty novels that renovate traditional forms, therefore challenging model domesticity’s conservative gender, racial, and sexual politics. Rather than produce stable single-family homes, neodomestic fictions advance a politics of instability characterized by mobility, renovation and redesign, and relational space. These “alternative” domesticities—when read in the context of neodomestic fiction—are not marginal but rather central to domesticity’s configurations. Such resistance, as Iris Marion Young argues, “is integral to modern political theory and is not an alternative to it.”
 
Thus, this spatial analysis of post-1980 domestic novels does not indicate a post-feminist or post-gender world. Rather, neodomestic fiction’s heterogeneous, unstable spaces offer opportunities to examine contemporary hierarchies and experiment with more egalitarian homemaking. These fictions include Toni Morrison’s Paradise, Barbara Kingsolver’s The Poisonwood Bible, Leslie Marmon Silko’s Gardens in the Dunes, and Chang-rae Lee’s A Gesture Life.
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front cover of A New Century for Natural Resources Management
A New Century for Natural Resources Management
Edited by Richard L. Knight and Sarah F. Bates
Island Press, 1995

This book explores the changes that are leading to a new century of natural resources management. It places the current situation in historical perspective, analyzes the forces that are propelling change, and describes and examines the specific changes in goals, policy, and practice that are transforming all aspects of natural resources management.The book is an important overview for wildlife biologists, foresters, and others working for public land agencies; professors and students of natural resources; and all those whose livelihood depends on the use of public natural resources.

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front cover of North in the World
North in the World
Selected Poems of Rolf Jacobsen, A Bilingual Edition
Rolf Jacobsen
University of Chicago Press, 2002
North in the World presents 121 poems by Rolf Jacobsen (1907-1994), one of Norway's greatest modern poets. Garnering the highest praise of critics, Jacobsen won many of Norway's and Sweden's most prestigious literary awards, including the Swedish Academy's Dobloug Prize and the Grand Nordic Prize, also known as the "Little Nobel." But he also has earned a wide popular audience, because ordinary readers can understand and enjoy the way he explores the complex counterpoint of nature and technology, progress and self-destruction, daily life and cosmic wonder.

Drawing from all twelve of his books, and including one poem collected posthumously, North in the World offers award-winning English translations of Jacobsen's poems, accompanied by the original Norwegian texts. The translator, the American poet Roger Greenwald, worked with Jacobsen himself to correct errors that had crept into the Norwegian texts over the years. An in-depth introduction by Greenwald highlights the main features of Jacobsen's poetry, and extensive endnotes, as well as indexes to titles and first lines in both languages, enhance the usefulness of the book for general readers and scholars alike. The result is the definitive bilingual edition of Jacobsen's marvelous poetry.
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