front cover of Hate Crime
Hate Crime
The Global Politics of Polarization
Edited by Robert J. Kelly and Jess Maghan
Southern Illinois University Press, 1998

These twelve previously unpublished essays explore the international phenomenon of hate crime, examining the socio-psychological dynamics of these crimes and the settings in which they occur, the relationships between offenders and their victims, the emotional states of the participants, and the legal and law enforcement responses to these crimes.

The essays address religious, racial, ethnic, and sexual crimes in the United States, Latin America, Africa, Europe, and the Middle East. The essayists provide historical reviews of the problems and the ways local authorities understand and cope with the dilemmas as well as prognoses about the persistence of hate crime and the measures that can be taken to control and contain it.

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The Killing of Shishupala
Magha
Harvard University Press, 2017

A canonical great poem, or mahākāvya, of the Sanskrit canon, depicting a well-known episode from the Mahābhārata.

Magha’s The Killing of Shishupala, written in the seventh century, is a celebrated example of the Sanskrit genre known as mahākāvya, or great poem. This adaptation from the epic Mahābhārata tells the story of Shishupala, who disrupts Yudhishthira’s coronation by refusing to honor Krishna, the king’s principal ally and a manifestation of divinity. When Shishupala challenges Krishna to combat, he is immediately beheaded.

Magha, who was likely a court poet in western India, draws on the rich stylistic resources of Sanskrit poetry to imbue his work with unparalleled sophistication. He expands the narrative’s cosmic implications through elaborate depictions of the natural world and intense erotic sensuality, mixing myth and classical erudition with scenes of political debate and battlefield slaughter. Krishna is variously portrayed as refined prince, formidable warrior, and incarnation of the god Vishnu protecting the world from demonic threat.

With this translation of The Killing of Shishupala, presented alongside the original text in the Devanagari script, English readers for the first time gain access to a masterwork that has dazzled Indian audiences for a thousand years.

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