BiblioVault - Books by Moore

Earthly Immortalities

How the Dead Live On in the Lives of Others

Peter Moore

Reaktion Books, 2019

In this thought-provoking book, Peter Moore examines the often overlooked issues concerning human mortality, the fragile ways in which the dead can be said to “live on” in earthly terms: through their children, their work, the memories of others, their possessions, and even their bodies. Such earthly immortalities raise a host of fascinating questions about our attitudes toward life, and toward the world we leave behind us when we die.

To what extent does the meaning we find in our lives depend upon the assumption there will always be a new generation to continue the human adventure? What would it be like if science were able to extend life indefinitely, and is this something already enshrined in the doctrine of reincarnation? Can we solve our anxieties about mortality by learning that life is worth living precisely because we do not live forever? In a generous and eloquent account, these and more are the questions Earthly Immortalities seeks to answer.

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The East Florida Expeditions of Clarence Bloomfield Moore

Clarence Bloomfield Moore, edited by Jeffrey M. Mitchem

University of Alabama Press, 1999

A Dan Josselyn Memorial Publication

This comprehensive compilation of Moore's archaeological publications on eastern Florida will prove an invaluable primary resource for Florida archaeologists.

Clarence B. Moore (1852-1936), a wealthy Philadelphia socialite, paper company heir, and photographer made the archaeology of the Southeast his passion beginning in the 1870s. This volume collects 17 of Moore's publications on East Florida, originally published between 1892 and 1903. These invaluable and copiously illustrated works document the results of Moore's numerous archaeological expeditions along Florida's eastern coastline from the Georgia border to Lake Okeechobee and focus primarily on sites along the St. Johns River and its tributaries. Moore's archaeological work in East Florida was arguably his best and most thorough research from a modern perspective.

Jeffrey Mitchem's introduction to this volume describes and analyzes Moore's work in East Florida, summarizes what we know about the sites Moore investigated, and surveys subsequent archaeological work conducted in this area since Moore's expeditions. Mitchem's introduction highlights the significance of Moore's work on the shell heaps along the St. Johns River. It led to the earliest recorded instance of a researcher noting the changes in pottery styles in the region, a major key to establishing chronologies.In 1894, Moore wrote of his hope "that the archaeology of Florida may be redeemed from the obscurity that has hitherto characterized it." Over a century later, this Press has aimed to fulfill Moore's wish by reprinting this and other collections of his archaeological publications.

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Eastern Band Cherokee Women

Cultural Persistence in Their Letters and Speeches

Virginia Moore Carney

University of Tennessee Press, 2005

For the first time, the voices of Eastern Band Cherokee women receive their proper due. A watershed event, this book unearths three centuries of previously unknown and largely ignored speeches, letters, and other writings from Eastern Band Cherokee women. Like other Native American tribes, the Cherokees endured numerous hardships at the hands of the United States government. As their heritage came under assault, so did their desire to keep their traditions. The Eastern Band Cherokees were no exception, and at the forefront of their struggle were their women.Eastern Band Cherokee Women analyzes how the women of the Eastern Band served as honored members of the tribe, occupying both positions of leadership and respect. Carney shows how in the early 1800s women leaders, such as Beloved Nancy Ward, battled to retain her people’s heritage and sovereignty. Other women, such as Catharine Brown, a mission school student, discovered the power of the written word and thereby made themselves heard just as eloquently. Carney traces the voices of these women through the twentieth century, describing how Cherokees such as Marie Junaluska and Joyce Dugan have preserved a culture threatened by an increasingly homogenous society. This book is a fitting testament to their contributions.Eastern Band Cherokee Women stands out by demonstrating the overwhelming importance of women to the preservation of the Eastern Band. From passionate speeches to articulately drafted personal letters, Carney helps readers explore the many nuances of these timeless voices.

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Ecosystem-Based Management for the Oceans

Edited by Karen McLeod and Heather Leslie

Island Press, 2009

Conventional management approaches cannot meet the challenges faced by ocean and coastal ecosystems today. Consequently, national and international bodies have called for a shift toward more comprehensive ecosystem-based marine management. Synthesizing a vast amount of current knowledge, Ecosystem-Based Management for the Oceans is a comprehensive guide to utilizing this promising new approach.

At its core, ecosystem-based management (EBM) is about acknowledging connections. Instead of focusing on the impacts of single activities on the delivery of individual ecosystem services, EBM focuses on the array of services that we receive from marine systems, the interactive and cumulative effects of multiple human activities on these coupled ecological and social systems, and the importance of working towards common goals across sectors. Ecosystem-Based Management for the Oceans provides a conceptual framework for students and professionals who want to understand and utilize this powerful approach. And it employs case studies that draw on the experiences of EBM practitioners to demonstrate how EBM principles can be applied to real-world problems.

The book emphasizes the importance of understanding the factors that contribute to social and ecological resilience —the extent to which a system can maintain its structure, function, and identity in the face of disturbance. Utilizing the resilience framework, professionals can better predict how systems will respond to a variety of disturbances, as well as to a range of management alternatives. Ecosystem-Based Management for the Oceans presents the latest science of resilience, while it provides tools for the design and implementation of responsive EBM solutions.

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Educational and Developmental Aspects of Deafness

Donald F. Moores

Gallaudet University Press, 1990

Educational and Developmental Aspects of Deafness details the ongoing revolution in the education of deaf children. More than 20 researchers contributed their discoveries in anthropology, education, linguistics, psychology, sociology, and other major disciplines, with special concentration upon the education of deaf children.

Divided into two parts on education at home and in school, this incisive book documents breakthroughs such as the public's interest in sign language, the increasing availability of interpreters, the growing perception of deafness as a social condition, not a pathology, and other positive trends. It is unique as the first purely research-based text and reference point for further study of the education of deaf children.

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Electric Wizards

A Tapestry of Heavy Music, 1968 to the Present

JR Moores

Reaktion Books, 2022

From Black Sabbath to Big Black, a ride through the evolution, diversity, and influence of genre-defying heavy music.

It began with the Beatles’ “Helter Skelter.” It was distilled to its dark essence by Black Sabbath. And it has flourished into a vibrant modern underground, epitomized by Newcastle’s Pigs Pigs Pigs Pigs Pigs Pigs Pigs. This is the evolution of heavy music. The voyage is as varied as it is illuminating: from the lysergic blunt trauma of Blue Cheer to the locked grooves of Funkadelic, the aural frightmares of Faust to the tectonic crush of Sleep, alighting on post-punk, industrial, grunge, stoner rock, and numerous other genres along the way. Ranging from household names to obscure cult heroes and heroines, Electric Wizards demonstrates how each successive phase of heavy music was forged by what came before, outlining a rich and eclectic lineage that extends far beyond the usual boundaries of heavy rock or heavy metal. It extols those who did things differently, who introduced something fresh and exciting into this elemental tradition, whether by design, accident, or sheer chance. In doing so, Electric Wizards weaves an entirely new tapestry of heavy music.

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Embodying Relation

Art Photography in Mali

Allison Moore

Duke University Press, 2020

In Embodying Relation Allison Moore examines the tensions between the local and the global in the art photography movement in Bamako, Mali, which blossomed in the 1990s after Malian photographers Seydou Keïta and Malick Sidibé became internationally famous and the Bamako Photography Biennale was founded. Moore traces the trajectory of Malian photography from the 1880s—when photography first arrived as an apparatus of French colonialism—to the first African studio practitioners of the 1930s and the establishment in 1994 of the Bamako Biennale, Africa's most important continent-wide photographic exhibition. In her detailed discussion of Bamakois artistic aesthetics and institutions, Moore examines the post-fame careers of Keïta and Sidibé, the biennale's structure, the rise of women photographers, cultural preservation through photography, and how Mali's shift to democracy in the early 1990s enabled Bamako's art scene to flourish. Moore shows how Malian photographers' focus on cultural exchange, affective connections with different publics, and merging of traditional cultural precepts with modern notions of art embody Caribbean philosopher and poet Édouard Glissant's notion of “relation” in ways that spark new artistic forms, practices, and communities.

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Ethnic Historians and the Mainstream

Shaping America's Immigration Story

Alan M. Kraut and David A. Gerber

Rutgers University Press, 2013

Do historians “write their biographies” with the subjects they choose to address in their research? In this collection, editors Alan M. Kraut and David A. Gerber compiled eleven original essays by historians whose own ethnic backgrounds shaped the choices they have made about their own research and writing as scholars. These authors, historians of American immigration and ethnicity, revisited family and personal experiences and reflect on how their lives helped shape their later scholarly pursuits, at times inspiring specific questions they asked of the nation’s immigrant past. They address issues of diversity, multiculturalism, and assimilation in academia, in the discipline of history, and in society at large. Most have been pioneers not only in their respective fields, but also in representing their ethnic group within American academia. Some of the women in the group were in the vanguard of gender diversity in the discipline of history as well as on the faculties of the institutions where they have taught.

The authors in this collection represent a wide array of backgrounds, spanning Europe, Africa, Asia, the Middle East, and Latin America. What they have in common is their passionate engagement with the making of social and personal identities and with finding a voice to explain their personal stories in public terms.

Contributors: Theresa Alfaro-Velcamp, John Bodnar, María C. García, David A. Gerber, Violet M. Showers Johnson, Alan M. Kraut, Timothy J. Meagher, Deborah Dash Moore, Dominic A. Pacyga, Barbara M. Posadas, Eileen H. Tamura, Virginia Yans, Judy Yung

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Experiments in a Jazz Aesthetic

Art, Activism, Academia, and the Austin Project

Edited by Omi Osun Joni L. Jones, Lisa L. Moore, and Sharon Bridgforth

University of Texas Press, 2010

In Austin, Texas, in 2002, a group of artists, activists, and academics led by performance studies scholar Omi Osun Joni L. Jones formed the Austin Project (tAP), which meets annually in order to provide a space for women of color and their allies to build relationships based on trust, creativity, and commitment to social justice by working together to write and perform work in the jazz aesthetic.

Inspired by this experience, this book is both an anthology of new writing and a sourcebook for those who would like to use creative writing and performance to energize their artistic, scholarly, and activist practices. Theoretical and historical essays by Omi Osun Joni L. Jones describe and define the African American tradition of art-making known as the jazz aesthetic, and explain how her own work in this tradition inspired her to start tAP.

Key artists in the tradition, from Bessie Award–winning choreographer Laurie Carlos and writer/performer Robbie McCauley to playwrights Daniel Alexander Jones and Carl Hancock Rux, worked with the women of tAP as mentors and teachers. This book brings together never-before-published, must-read materials by these nationally known artists and the transformative writing of tAP participants. A handbook for workshop leaders by Lambda Literary Award–winning writer Sharon Bridgforth, tAP's inaugural anchor artist, offers readers the tools for starting similar projects in their own communities. A full-length script of the 2005 tAP performance is an original documentation of the collaborative, breath-based, body work of the jazz aesthetic in theatre, and provides both a script for use by theatre artists and an invaluable documentation of a major transformative movement in contemporary performance.

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