front cover of Faubus
Faubus
The Life and Times of an American Prodigal
Roy Reed
University of Arkansas Press, 1999
In this close, personal history, the result of eight years of intensive research, Reed finds Faubus to be an opaque man, “an insoluable mixture of cynicism and compassion, guile and grace, wickedness and goodness,” and, ultimately, “one of the last Americans to perceive politics as a grand game.”

New York Times Book Review Notable Book for 1997
1998 Certificate of Commendation, American Association for State and Local History

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front cover of Fly in the Buttermilk
Fly in the Buttermilk
The Life Story of Cecil Reed
Cecil A. Reed
University of Iowa Press, 1993
Born in 1913 in Collinsville, Illinois, Cecil Reed has lived all his life in the Midwest as a black man among whites. This self-styled fly in the buttermilk worked among whites with such skill and grace that they were barely aware of his existence—unless he wanted to get a bank loan or move into their neighborhood. Now, in his lively and optimistic autobiography, he speaks of his resilience throughout a life spent working peacefully but passionately for equality.
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front cover of Forgotten Grasslands of the South
Forgotten Grasslands of the South
Natural History and Conservation
Reed F. Noss
Island Press, 2013
Forgotten Grasslands of the South is a literary and scientific case study of some of the biologically richest and most endangered ecosystems in North America. Eminent ecologist Reed Noss tells the story of how southern grasslands arose and persisted over time and addresses questions that are fundamental for conserving these vital yet poorly understood ecosystems.

The author examines:
  • the natural history of southern grasslands
  • their origin and history (geologic, vegetation, and human)
  • biological hotspots and endangered ecosystems
  • physical determinants of grassland distribution, including ecology, soils, landform, and hydrology fire, herbivores, and ecological interactions.

The final chapter presents a general conservation strategy for southern grasslands, including prioritization, protection, restoration, and management. Also included are examples of ongoing restoration projects, along with a prognosis for the future.

In addition to offering fascinating new information about these little-studied ecosystems, Noss demonstrates how natural history is central to the practice of conservation. Natural history has been on a declining trajectory for decades, as theory and experimentation have dominated the field of ecology. Ecologists are coming to realize that these divergent approaches are in fact complementary, and that pursuing them together can bring greater knowledge and understanding of how the natural world works and how we can best conserve it.

Forgotten Grasslands of the South explores the overarching importance of ecological processes in maintaining healthy ecosystems, and is the first book of its kind to apply natural history, in a modern, comprehensive sense, to the conservation of biodiversity across a broad region. It sets a new standard for scientific literature and is essential reading not only for those who study and work to conserve the grasslands of the South but also for everyone who is fascinated by the natural world.
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front cover of Foundations of Anasazi Culture
Foundations of Anasazi Culture
The Basketmaker Pueblo Transition
Paul F Reed
University of Utah Press, 2002

This major synthesis of work explores new evidence gathered at Basketmaker III sites on the Colorado Plateau in search of further understanding of Anasazi development.

Since the 1960s, large-scale cultural resource management projects have revealed the former presence of Anasazi within the entire northern Southwest. These discoveries have resulted in a greatly expanded view of the BMIII period (A.D. 550-750) which immediately proceeds the Pueblo phase. Particularly noteworthy are finding of Basketmaker remains under those of later periods and in sites with open settings, as opposed to the more classic Basketmaker cave and rock shelter sites.

Foundations of Anasazi Culture explores this new evidence in search of further understanding of Anasazi development. Several chapters address the BMII-BMIII transition, including the initial production and use of pottery, greater reliance on agriculture, and the construction of increasingly elaborate structures. Other chapters move beyond the transitional period to discuss key elements of the Anasazi lifestyle, including the use of gray-,red-, and white-ware ceramics, pit structures, storage cists, surface rooms, full dependence on agriculture, and varying degrees of social specialization and differentiation. A number of contributions address one or more of these issues as they occur at specific sites. Other contributors consider the material culture of the period in terms of common elements in architecture, ceramics, lithic technology, and decorative media.

This work on BMIII sites on the Colorado Plateau will be useful to anyone with an interest in the earliest days of Anasazi civilization.

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front cover of Furious Flower
Furious Flower
Seeding the Future of African American Poetry
Edited by Joanne V. Gabbin and Lauren K. Alleyne; Foreword by Rita Dove
Northwestern University Press, 2020
Furious Flower: Seeding the Future of African American Poetry is an anthology of poems by more than one hundred award-winning poets, including Jericho Brown, Justin Philip Reed, and Tracy K. Smith, with themed essays on poetics from celebrated scholars such as Kwame Dawes, Meta DuEwa Jones, and Evie Shockley. The Furious Flower Poetry Center is the nation’s first academic center for Black poetry. In this eponymous collection, editors Joanne V. Gabbin and Lauren K. Alleyne bring together many of the paramount voices in Black poetry and poetics active today, composing an electrifying mosaic of voices, generations, and aesthetics that reveals the Black narrative in the  work of twentieth- and twenty-first-century writers. Intellectually enlightening and powerfully enlivening, Furious Flower explores and celebrates the idea of the Black poetic voice by posing the question, What’s next for Black poetic expression?
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