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Taming of the Shrew
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2022
Amy Freed rewrites The Taming of the Shrew, one of the more problematic plays in the Shakespeare canon.

While beloved for its sharp dialogue and witty banter, The Taming of the Shrew offers a problematic storyline that many have deemed misogynistic. The play contains insensitive gags and uneasy politics, making it difficult for modern audiences to connect with the text. Amy Freed’s new translation reactivates the original story, blowing away the dust and cobwebs. As Freed’s text reminds us, at its heart The Taming of the Shrew is a story about courage and authenticity.

This translation of The Taming of the Shrew was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
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Ted Lambert
The Man Behind the Paintings
Ted Lambert
University of Alaska Press, 2012
Ted Lambert is regarded as one of the premier Alaska artists, a true pioneer. Born in 1905, and raised in the Chicago area, Lambert moved to Alaska in 1925 and went to work as a miner near McCarthy. He held several jobs, predominantly working at a copper mine and mushing dogs—first for adventure, and then as a mail carrier.
Lambert left Alaska in 1931 to study art for a year at the American Academy of Art in Chicago, then moved to Seattle, where he began a mentorship under Eustace Ziegler, with whom he traveled throughout Alaska and painted. Eventually Lambert settled down in Fairbanks, where he stayed for twenty years and solidified his reputation as a painter and an artist.
But in 1960 he disappeared from the remote cabin he was living in at Bristol Bay. No trace of his body was ever found, but among the effects rescued from his last home was a memoir of his early days in Alaska. Presented here and never before published, these memoirs reveal Lambert to be a keen and intelligent observer and relay the adventure story of a young man who would become one of Alaska’s most important artists.
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Theatre History Studies 2007, Vol. 27
Edited by Rhona Justice-Malloy
University of Alabama Press, 2007

A Copublication of the Mid-American Theatre Conference and The University of Alabama Press.

Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.

Rhona Justice-Malloy is Chair of the Department of Theatre Arts at the University of Mississippi.

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Their Sisters' Keepers
Women's Prison Reform in America, 1830-1930
Estelle B. Freedman
University of Michigan Press, 1984
This study of prison reform adds a new chapter to the history of women's struggle for justice in America
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Theology and Literature in the Age of Johnson
Resisting Secularism
Melvyn New
University of Delaware Press, 2012
Theology and Literature in the Age of Johnson: Resisting Secularism contains seventeen essays exploring the complex relationships between literary intentions and theological concerns of authors writing in the second half of the eighteenth century. The diversity of literary forms and subjects, from Fielding and Richardson to Burke and Wollstonecraft, is matched by a diversity of approaches and theologies. To argue that the age “resisted secularism” is by no means to argue that resistance was blindly doctrinal or rigidly uniform. The many ways secularism could be resisted is the subject of the collection.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
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A Theory of Public Bureaucracy
Politics, Personality, and Organization in the State Department
Donald P. Warwick
Harvard University Press, 1975
Based mainly on State Department materials, but addressing generic problems of organizational politics as well, this book provides a fresh, intelligent, and lively account of bureaucratic behavior.
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Titus Andronicus
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2022
Shakespeare’s tragic story of revenge is reimagined for the twenty-first century.  

One of Shakespeare’s goriest plays, Titus Andronicus traces the fall of the Andronicus family in ancient Rome. Clinging to the ways of the past, Titus desperately seeks to remain loyal to the throne as his world crumbles around him. Amy Freed’s translation of Titus Andronicus is careful and meticulous, making small but mighty changes in moments that enhance the drama of each scene. Freed’s version gives this extraordinary play an even faster track on which to run.

This translation of Titus Andronicus was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
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front cover of Transient Images
Transient Images
Personal Media in Public Frameworks
Authored by Eric Freedman
Temple University Press, 2010

In this probing study, Eric Freedman focuses on what images from photography, mobile communications, and the Internet reveal about looking. Exploring subjectivity by critically examining the look, he elaborates on the nature of the photographic frame and its relation to interpretive practices. Freedman scrutinizes what he calls "technobiography"—a life written through technology, and considers the movement of personal images into public spaces. He also considers authorship that situates the self as inherently engaged with and inscribed by information technology.

All of the chapters in Transient Images explore Freedman's interest in examining how media technologies activate particular notions of self and community. He provides examples that address trauma—pictures of missing children on milk cartons and episodes of the reality series Intervention—as well as the strategies behind creating and distributing personal advertisements on the Internet. Transient Images draws out the tensions that exist in images circulating in the digital era.

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Transitions
Legal Change, Legal Meanings
Austin Sarat
University of Alabama Press, 2012

Transitions: Legal Change, Legal Meanings illustrates the various intersections, crises, and shifts that continually occur within the law, and how these moments of change interact with and comment on contemporary society.

Together the essays in this volume investigate the transformation of US law during moments of political change and explore what we can learn about law by examining its role and its use in times of transition. Whether by an abrupt shift in regime or an orderly progression from one government to the next, political change often calls into question the stability and versatility of the law, making it appear temporarily absent or in suspension.  What challenges to the law arise at these times? To what extent do transitional periods foster ingenuity and resourcefulness, and how might they precipitate crises in legal authority? What do moments of legal change mean for law itself and how legal institutions bring about and respond to times of transition in legal arrangements? Transitions begins the scholarly exploration of these questions that have largely been neglected.
 
Contributors
Akhil Reed Amar / William L. Andreen /
Jack M. Beermann / Heather Elliott / Joshua
Alexander Geltzer / David Gray / Paul
Horwitz / Daniel H. Joyner / Nina
Mendelson / Meredith Render / Austin
Sarat / Ruti Teitel / Lindsey Ohlsson Worth
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