Tracing the first footsteps through a changing land at the edge of time.
The 1996 benchmark volume The Paleoindian and Early Archaic Southeast, edited by David G. Anderson and Kenneth E. Sassaman, was the first study to summarize what was known of the peoples who lived in the Southeast when ice sheets covered the northern part of the continent and mammals such as mammoths, saber-toothed cats, and ground sloths roamed the landscape.
The American Southeast at the End of the Ice Age provides an updated, definitive synthesis of current archaeological research gleaned from an array of experts in the region. It is organized in three parts: state records, the regional perspective, and reflections and future directions. Chapters survey a diversity of topics including the distribution of the earliest archaeological sites in the region, chipped-stone tool technology, the expanding role of submerged archaeology, hunter-gatherer lifeways, past climate changes and the extinction of megafauna on the transitional landscape, and evidence of demographic changes at the end of the Ice Age. Discussion of the ethical responsibilities regarding the use of private collections and the relationship of archaeologists and the avocational community, insight from outside the Southeast, and considerations for future research round out the volume.
In Mentor and Muse, a collection of twenty-nine insightful essays by some of today’s leading poetic minds, editors Blas Falconer, Beth Martinelli, and Helena Mesa have brought together an illuminating anthology that draws upon both established and emerging poets to create a one-of-a-kind resource and unlock the secrets of writing and revising poetry.
Gathered here are numerous experts eager to share their wisdom with other writers. Each author examines in detail a particular poetic element, shedding new light on the endless possibilities of poetic forms. Addressed within are such topics as the fluid possibilities of imagery in poetry; the duality of myth and the personal, and the power of one to unlock the other; the surprising versatility of traditional poetic forms; and the pleasure of collaboration with other poets. Also explored in depth are the formative roles of cultural identity and expectations, and their effect on composition; advice on how to develop one’s personal poetic style and approach; the importance of setting in reading and meaning; and the value of indirection in the lyric poem. Challenges to conventional concepts of beauty are examined through Shakespeare’s sonnets, and the ghost of Longfellow is called upon to guide students through the rewards and roadblocks of writing popular poetry. Poetic persona is demystified through Newton’s law of gravity, while the countless permutations of punctuation are revealed with analysis of e. e. cummings and W. S. Merwin.
The essays include the full text of the poems discussed, and detailed, relevant writing exercises that allow students the opportunity to directly implement the strategies they have learned. While many advanced topics such as authenticity, discordant music, and prosody are covered, this highly readable volume is as user-friendly as it is informative. Offering a variety of aesthetics and approaches to tackling the issues of composition, Mentor and Muse takes poets beyond the simple stages of poetic terms and strategies. These authorsinvite students to explore more advanced concepts, enabling them to draw on the traditions of the past while at the same time forging their own creative paths into the future.
Chosen as one of the "Best Books for Writers" by Poets & Writers magazine
Two combatants, one ring, and a battle governed as much by determination and drive as by rules and referees: that’s boxing. Perfect in Their Art: Poems on Boxing from Homer to Ali spans the millennia to present more than one hundred of the finest in pugilism poetry from both oral and written traditions, celebrating the lasting literary, historical, and cultural significance of boxing’s storied heritage.
Editors Robert Hedin and Michael Waters pulled no punches in assembling the definitive poems and poets of the sport. Works by such classical poets as Homer, Virgil, and Pindar are gathered here side-by-side for the first time with the poems of Lord Byron, William Makepeace Thackeray, and Sir Arthur Conan Doyle. This provocative collection also features more recent literary heavyweights, including Langston Hughes, Maya Angelou, Joyce Carol Oates, Philip Levine, Wislawa Szymborska, Ai, Yusef Komunyakaa, James Merrill, and Norman Mailer. Equally impressive is this anthology’s rich sampling of boxing music, including ballads, blues, marches, waltzes, and pop lyrics. Irving Berlin, Memphis Minnie, Leadbelly, Paul Simon, Warren Zevon, and Bob Dylan are only a few of the songwriters in this volume compelled to honor the sweet science.
Complemented by a foreword from On the Waterfront author Budd Schulberg, Perfect in Their Art offers glimpses into the boxing ring’s literal and metaphoric place as a popular stage for brutal but artful combat. Together these poems celebrate the heroes and traditions of this most primal competition across its many eras to provide an accurate, graceful, and spirited evocation of boxing’s cultural legacy as both sport and art.
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