BiblioVault - Books about Exhibitions

Bead International 2008 and Beyond Basketry

Andrew R. Lewis

Ohio University Press, 2008

This unique book combines two catalogs in one. Bead International 2008 & Beyond Basketry represents the best of two juried exhibitions held at the Dairy Barn Arts Center in Athens, Ohio. Beads have long been worn as jewelry, but in Bead International 2008 contemporary bead artists are shaking things up. From fine jewelry to loom weaving to sculpture, the sixty-eight pieces by fifty-one artists in this collection represent some of the most innovative and well-executed art in the modern beading world. Considering any pierced object to be a bead, pieces range in style from the traditional to the whimsical as they incorporate a variety of colors and materials. This vibrant collection will spark the reader’s creativity and broaden his or her perspective. When the age-old art form of basketry is combined with contemporary visions and techniques, the result is the striking Beyond Basketry, a collection of sixty-five artworks created by forty-two artists from across the United States. The artworks represented in these beautiful color photographs will challenge the reader’s ideas of what constitutes a basket. All artworks are vessels made of woven materials, but the pieces explore a variety of sizes, colors, shapes, and techniques

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Beyond Memory

Soviet Nonconformist Photography and Photo-Related Works of Art

Edited by Diane Neumaier

Rutgers University Press, 2004

Photography possesses a powerful ability to bear witness, aid remembrance, shape, and even alter recollection. In Beyond Memory: Soviet Nonconformist Photography and Photo-Related Works of Art, the general editor, Diane Neumaier, and twenty-three contributors offer a rigorous examination of the medium's role in late Soviet unofficial art. Focusing on the period between the mid-1950s and the late 1980s, they explore artists' unusually inventive and resourceful uses of photography within a highly developed Soviet dissident culture.

During this time, lack of high-quality photographic materials, complimented by tremendous creative impulses, prompted artists to explore experimental photo-processes such as camera and darkroom manipulations, photomontage, and hand-coloring. Photography also took on a provocative array of forms including photo installation, artist-made samizdat (self-published) books, photo-realist painting, and many other surprising applications of the flexible medium.

Beyond Memory shows how innovative conceptual moves and approaches to form and content-echoes of Soviet society's coded communication and a Russian sense of absurdity-were common in the Soviet cultural underground. Collectively, the works in this anthology demonstrate how late-Soviet artists employed irony and invention to make positive use of difficult circumstances. In the process, the volume illuminates the multiple characters of photography itself and highlights the leading role that the medium has come to play in the international art world today.

Beyond Memory stands on its own as a rigorous examination of photography's place in late Soviet unofficial art, while also serving as a supplement to the traveling exhibition of the same title.

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Biennial Boom

Making Contemporary Art Global

Paloma Checa-Gismero

Duke University Press, 2024

In Biennial Boom, Paloma Checa-Gismero traces an archeology of contemporary art biennials to uncover the processes that prompted these exhibitions to become the global art world’s defining events at the end of the twentieth century. Returning to the early post-Cold War years, Checa-Gismero examines the early iterations of three well-known biennials at the borders of North Atlantic liberalism: the Bienal de La Habana, inSITE, and Manifesta. She draws on archival and oral history fieldwork in Cuba, Mexico, the US/Mexico borderlands, and the Netherlands, showing how these biennials reflected a post-Cold War optimism for a pacified world by which artistic and knowledge production would help mend social, political, and cultural divisions. Checa-Gismero argues that, in reflecting this optimism, biennials facilitated the conversion of subaltern aesthetic genealogies into forms that were legible to a nascent cosmopolitan global elite—all under the pretense of cultural exchange. By outlining how early biennials set the basis for what is now recognized as “global contemporary art,” Checa-Gismero intervenes in previous accounts of the contemporary art world in order to better understand how it became the exclusionary, rarified institution of today.

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The Black Presence in the Era of the American Revolution

Sidney Kaplan

University of Massachusetts Press, 1989

This carefully researched history details the military, political, economic, and cultural experience of black people during the era of the American Revolution. Beginning with Crispus Attucks, the first man killed in the Revolutionary action, the authors recount a series of fascinating personal histories. The text is highlighted by excerpts form letters, journals, newspaper articles, and other documents, as well as by poems, broadsides, and passages from magazines of the day.

The book is a revised and expanded edition of the authors' classic catalog that accompanied a pioneering exhibition mounted in 1973 by the National Portrait Gallery.

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BLANCHE LAZZELL

THE LIFE AND WORK OF AN AMERICAN MODERNIST

ROBERT C. BRIDGES

West Virginia University Press, 2004

Blanche Lazzell went from Maidsville, West Virginia, to the leading edge of twentieth-century American art. A member of the prominent art communities of Paris and Provincetown, MA during the '20s and '30s, Lazzell was always on the fringe of important developments in the modern art world. Her studies in Paris led her to adopt the techniques of modernism as well as other emerging styles. Among her groundbreaking works were some of the first examples of abstraction in America. Blanche Lazzell: The Life and Work of an American Modernist is a significant contribution to the history of twentieth-century American art.

Know primarily as a Provincetown printmaker, Lazzell’s full life and career are presented here, generously accompanied by color reproductions of her work, showing the breadth of her accomplishment in painting, printmaking, and hooked rugs. Lazzell's true contribution to American art history was never fully appreciated during her lifetime. A renewed interest in the artist has developed over the past fifteen years, due mostly to the critical appreciation of her color wood block prints. She is worth remembering not only for her own work, but also for her role as a translator of the achievements of the European modernists for her colleagues in America. In Blanche Lazzell: The Life and Work of an American Modernist, nine essays and hundreds of full-color illustrations bring this incredibly talented and influential artist's work to life.

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Boaz Vaadia

Sculpture

Wendy Steiner

The Artist Book Foundation, 2016

Boaz Vaadia (1951–2017), the internationally acclaimed sculptor, amassed a prodigious body of work over his 40-year artistic career. With Boaz Vaadia: Sculpture, Grounds For Sculpture in Hamilton, New Jersey, presented the first retrospective exhibition of his indoor and outdoor works in 2016 in a comprehensive survey of the artist’s journey from abstraction to figuration. Detailing 125 works installed in two buildings and throughout the 42-acre sculpture park, the exhibition’s color catalogue presents Vaadia’s ritualistic and highly personal early works, his later sculptures in stone, slate, and bronze, and his explorations of the ancient genre of bas-relief. With the global recognition his art has received, he continued working at the edge, discovering new possibilities in the constantly shifting grounds of his sculpture. Boaz Vaadia: Sculpture is a celebration of the artist’s long and prolific career, and his unwavering advancement of his art.

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The Book of Marvels

A Medieval Guide to the Globe

Larisa Grollemond

J. Paul Getty Trust, The, 2024

This fascinating volume explores an important fifteenth-century illustrated manuscript tradition that provides a revealing glimpse of how western Europeans conceptualized the world.

From the classical encyclopedias of Pliny to famous tales such as The Travels of Marco Polo, historical travel writing has had a lasting impact, despite the fact that it was based on a curious mixture of truth, legend, and outright superstition. One foundational medieval source that expands on the ancient idea of the “wonders of the world” is the fifteenth-century French Book of the Marvels of the World, an illustrated guide to the globe filled with oddities, curiosities, and wonders—tales of fantasy and reality intended for the medieval armchair traveler. The fifty-six locales featured in the manuscript are presented in a manner that suggests authority and objectivity but are rife with stereotypes and mischaracterizations, meant to simultaneously instill a sense of wonder and fear in readers.

In The Book of Marvels, the authors explore the tradition of encyclopedias and travel writing, examining the various sources for geographic knowledge in the Middle Ages. They look closely at the manuscript copies of the French text and its complex images, delving into their origins, style, content, and meaning. Ultimately, this volume seeks to unpack how medieval white Christian Europeans saw their world and how the fear of difference—so pervasive in society today—is part of a long tradition stretching back millennia.

This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 11 to September 1, 2024, and at the Morgan Library & Museum from January 24 to May 25, 2025.

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The Brodsky Center at Rutgers University

Three Decades, 1986-2017

Ferris Olin

Rutgers University Press, 2024

The Brodsky Center at Rutgers: Three Decades, 1986-2017, chronicles the history and artists involved with an internationally acclaimed print and papermaking studio at Rutgers University. Judith K. Brodsky conceived, founded, and directed the atelier, which, from its onset, provided state-of-the-arts technology and expertise for under-represented contemporary artists — women, Indigenous, and from diasporas of the African, Eastern European, Latin and Asian communities — to make innovative works on paper. These artistic creations presented new narratives to American and global visual arts from voices previously not heard or seen. Some of the artists featured in the book include Faith Ringgold, Elizabeth Catlett, Jaune Quick-to-See Smith, Miriam Schapiro, Pepón Osorio, Kiki Smith, and Richard Tuttle, among many other talented and influential printmakers and artists.

Published in partnership with the Zimmerli Museum.

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Byzantine Figural Processional Crosses

John Cotsonis

Harvard University Press, 1994

Scarcely any object was as ubiquitous in Byzantine culture as the cross. This exhibition catalogue focuses on the figural processional cross, and the examples here provide opportunity to consider the various functions such crosses served in the imperial, ecclesiastic, military, and private sphere for both men and women.

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