A SCHOLARLY BOOK REPOSITORY35 start with B start with B
An action-packed western from one of the masters of the genre, Oakley Hall’s The Bad Lands blends roundups and rustlers, whorehouses and land grabs, shoot-outs and the threat of hangings in a tale of the war between the cowboys and the cattle barons. But more than this, it is an elegy to the wild beauty of the badlands before the ranchers moved in, chased off the free-rangers, the trappers, and the tribes, and fenced it all in.
Set in the early years of Brazil’s Old Republic after the abolition of slavery, Júlia Lopes de Almeida's The Bankruptcy depicts the rise and fall of a wealthy coffee exporter against a kaleidoscopic background of glamour, poverty, seduction, and financial speculation. The novel introduces readers to a turbulent period in Brazilian history seething with new ideas about democracy, women’s emancipation, and the role of religion in society. Originally published in 1901, its prescient critiques of financial capitalism and the patriarchal family remain relevant today.
In her lifetime, Júlia Lopes de Almeida was compared to Machado de Assis, the most important Brazilian writer of the nineteenth century. She was also considered for the inaugural list of members of the Brazilian Academy of Letters but was excluded because of her gender. In the decades after her death, her work was largely forgotten. This publication, a winner of the English PEN award, includes an introduction to the novel and a translators' preface and accompanies a general rediscovery of her extraordinary body of work in Brazil.
In Bealport, Jeffrey Lewis takes us inside the town, revealing its secrets, acknowledging its problems, and honoring its ambitions. Brilliantly deploying a large cast from all walks of life, this novel reveals small town America in the early twenty-first century through the interwoven secrets and desires of its residents, and through them delivers a striking portrait of America at a moment of national uncertainty.
Bealport, called “a hugely satisfying read” by the Evening Standard and “deeply appealing” by the Times Literary Supplement, is now available in paperback.
But dreams sometimes suffer from a lovely abundance, and in Earl’s case her name is Emily Marchand. They fall quickly and deeply in love, but with that love comes heartbreaking complications.
The Beckoning World gathers a cast of characters that include Babe Ruth and Lou Gehrig; a huge-hearted Pullman steward offering aphoristic wisdom; and countless others, not least of which is the 1918 Spanish flu taking vivid spectral form. At the center is a relentless love that Earl and Emily are defenseless against, allied as they are “in this business of their hearts.”
Escaping his ghosts, AIDS widower David Masiello accepts a one-year position at a Western medical clinic in Beijing. Lonely but excited, he sets out to explore the city—both its bustling street life and its clandestine gay subculture.
David chronicles his adventures in China as he wrestles with cultural dislocation, loneliness, and sexual and spiritual longing. After a series of both comic and poignant encounters with gay Chinese men, he meets Bosheng, a handsome young artist. Though the attraction is strong, a difficult courtship ensues, during which Bosheng returns to his ancestral village to marry the girl his parents have chosen for him. Eventually, and quite unexpectedly, David and Bosheng reconnect and share an idyllic spring together. As the year ends, David must decide whether to say goodbye or face the uncertainties of a long-distance relationship.
Gambone’s novel is peopled with a host of wonderfully memorable characters: Owen, David’s forthright best friend back home; Auntie Chen, the clinic’s office mom, who wants to fix David up with a girlfriend; Stewart, David’s Beijing roommate, a graduate student doing research on Peking opera; Jiantao and Guoyang, two lovers who lecture David on the fleeting quality of American romance; and Tyson, the Australian doctor with a Chinese girlfriend, who hopes to teach David that love doesn’t need any explanations or justifications.
In Below Grass Roots, the second book in Frank Waters’s Pikes Peak saga, turn-of-the-century Colorado Springs is prospering with the mining boom and a growing tourist industry. Patriarch Joseph Rogier becomes ever more obsessed with the treasures of the towering mountain and tries to enlist his son-in-law Jonathan Cable in his mining schemes. Cable instead leaves for Navajo country with his young son. Rogier, convinced that new wealth lies deep within the mountain, below grass roots, sinks his mines and what remains of his fortune ever deeper into the mountain’s granite.
As in the other two novels in this semiautobiographical saga, Waters’s masterful narrative draws on his own keen perception of the human condition to bring us this compelling tale of struggle and hope in the American West.
Pike’s Peak is composed of three condensed novels: The Wild Earth’s Nobility, Below Grass Roots, and The Dust within the Rock.
A universal story of exile, of the refugee and emigrant, and of all those displaced who can reconstruct a sense of home only by weaving a new fabric of the imagination
For nearly two decades, Şiva has met after work on Tuesdays with four friends at a teahouse called the Kafiye. In interrupted conversations, the women explore what it is to live engaged lives inside and outside the home. Amidst joking and complaints, while drinking too much tea and eating too many sweets, they tell of their days: a son’s ninth birthday, the bruise on the arm of an aging parent, soldiers stationed outside the school, the funeral of an opposition political leader killed in a mysterious car accident.
Set in an unnamed provincial capital of an unnamed country, Benefit Street tells of a wide circle of friends—teachers, lawyers, missionaries, doctors, artisans—in a time of gathering and dispersal. It tells the story of mothers, daughters, sisters, wives, colleagues, and neighbors, as war to the East threatens and constitutional rights are daily eroded by an increasingly authoritarian regime.
The ideals of youth, freedom, and coexistence are severely tested with the shocking revelation that the charismatic leader of their group has sexually abused the women under his care. The limits of reconciliation are tested as Şiva makes an arduous journey into the mountains to meet an estranged mother with a genius for weaving complex rugs.
Offered the hospitality of a senior Indian colleague, Alain grasps at the chance to discover the authentic India firsthand. He soon finds himself enchanted by his host's daughter, the lovely and inscrutable Maitreyi, a precocious young poet and former student of Tagore. What follows is a charming, tentative flirtation that soon, against all the proprieties and precepts of Indian society, blossoms into a love affair both impossible and ultimately tragic. This erotic passion plays itself out in Alain's thoughts long after its bitter conclusion. In hindsight he sets down the story, quoting from the diaries of his disordered days, and trying to make sense of the sad affair.
A vibrantly poetic love story, Bengal Nights is also a cruel account of the wreckage left in the wake of a young man's self discovery. At once horrifying and deeply moving, Eliade's story repeats the patterns of European engagement with India even as it exposes and condemns them. Invaluable for the insight it offers into Eliade's life and thought, it is a work of great intellectual and emotional power.
Translated into French in 1950, Bengal Nights was an immediate critical success. The film, Les Nuits Bengali, appeared in 1987.
Silvio Sirias' sweeping novel tells many stories: that of a humble man touched by the transcendent; that same man as a devout boy denied the priesthood because of poverty; and those in his orbit, past and present. It is also the stormy epic of Nicaragua through the long Somoza years to the Sandinista revolution. Sirias' beautiful language mixes English with Spanish and details of dusty village life with wondrous images of Catholic mysticism. His portrayal of the rich recent past of Central America resonates with the experiences of both the natives and the thriving communities of Nicaraguans, Salvadorans, and others putting down roots in the United States.
Between the Flowers is Harriette Simpson Arnow's second novel. Written in the late 1930s, but unpublished until 1997, this early work shows the development of social and cultural themes that would continue in Arnow's later work: the appeal of wandering and of modern life, the countervailing desire to stay within a traditional community, and the difficulties of communication between men and women in such a community.
Between the Flowers goes far beyond categories of "local color," literary regionalism, or the agrarian novel, to the heart of human relationships in a modernized world. Arnow, who went on to write Hunter's Horn (1949) and The Dollmaker (1952)—her two most famous works—has continually been overlooked by critics as a regional writer. Ironically, it is her stinging realism that is seen as evidence of her realism, evidence that she is of the Cumberland—an area somehow more "regional" than others.
Beginning with an edition of critical essays on her work in 1991 and a complete original edition of Hunter's Horn in 1997, the Michigan State University Press is pleased to continue its effort to make available the timeless insight of Arnow's work with the posthumous publication of Between the Flowers.
An imaginative, erotic rethinking of Bhopal’s disaster—and perhaps our own
On the night of December 2, in the midst of the Reaganomic era, an explosion at an American-owned factory in Bhopal, India, released untold amounts of toxic gas on uncounted numbers of people, creating a human and environmental disaster of insurmountable proportions. Known as the Bhopal disaster, it once dominated international headlines, and is now barely remembered.
Yet Bhopal remains emblematic of all the many quickly forgotten disasters that followed, and of the permanent state of globalized disaster in which we now dwell. What does it mean when corporations instead of states control not only the means to create environmental disasters, but also the tools to bury them? How does one revolt against these unelected entities? How do our most private desires get shaped by this stateless horror? Jennifer Natalya Fink’s Bhopal Dance is an epic and epochal tale of such a horror and its buried consequences.
At the center of the novel is Cordelia, an owlish woman with a ménage of lovers, who leads a revolutionary Canadian political movement catalyzed by the Bhopal disaster, only to end up imprisoned with just a toilet to talk to. Who she hallucinates is her father. Who is her father. Who is the State. Who may be her mother. Or her twin/lover. Cordelia is a remarkable bird in her own right, and ‘owlishness’ is a feathery conceit deployed in both the book’s form and content, a way of exploring queer possibilities for altering the terms of one’s imprisonment. For setting corporatized corporeality alight. Ablaze. Pets and punk rock, dentists and dyslexia, Shakespeare and salsa: they all dance together here.
At least that’s how thirty-year-old Rosie Moore views it as she flies in for her third season on the Ice. She plans to avoid all entanglements, romantic and otherwise, and do her work as a galley cook. But when her flight crash-lands, so do all her plans.
Mikala Wilbo, a brilliant young composer whose heart—and music—have been frozen since the death of her partner, is also on that flight. She has come to the Ice as an artist-in-residence, to write music, but also to secretly check out the astrophysicist father she has never met.
Arriving a few weeks later, Alice Neilson, a graduate student in geology who thinks in charts and equations, is thrilled to leave her dependent mother and begin her career at last. But from the start she is aware that her post-doc advisor, with whom she will work in Antarctica, expects much more from their relationship.
As the three women become increasingly involved in each other’s lives, they find themselves deeply transformed by their time on the Ice. Each falls in love. Each faces challenges she never thought she would meet. And ultimately, each finds redemption in a depth and quality of friendship that only the harsh beauty of Antarctica can engender.
Silver Medalist in Literary Fiction, 2020 Military Writers Society of America Awards
Brendan Leary, assigned to an Air Force photo squadron an hour from L.A., thinks he has it made. But when the U.S. invades Cambodia and he joins his buddies who march in protest, he is shipped off to an obscure air base in upcountry Thailand. There, he finds himself flying at night over the Ho Chi Minh Trail in a secret war that turns the mountains of Laos into a napalm-scorched moonscape. As the emotional vise tightens, his moral fiber crumbles and he sinks ever deeper into a netherworld of drugs, sex, and booze.
When a visit by Nixon looms, Brendan dreams up an all-squadron bicycle race to build morale, win hearts and minds in rural Thailand, and make him and his underpaid buddies a pile of money. The Big Buddha Bicycle Race is a last gasp of hope that turns into a unifying adventure—until the stakes turn out to be far higher than anyone imagined.
The Big Buddha Bicycle Race is a new take on the Vietnam War. A caper on the surface, it is also a tribute to the complex culture and history of Southeast Asia and a sober remembrance of those groups who have been erased from American history—the brash active-duty soldiers who risked prison by taking part in the GI antiwar movement, the gutsy air commandos who risked death night after night flying over the Ho Chi Minh Trail, and the people of Laos, whose lives and land were devastated in ways that have yet to be fully acknowledged in Western accounts of the war.
Awaiting a TV talk show appearance, John Townley is quaking with dread. He has published a best-selling memoir about the Iraq War, a page-turner climaxing in atrocity. In a green room beyond the soundstage, he braces himself to confront the charismatic soldier at the violent heart of it. But John has never actually seen the man before—nor served in Iraq, nor the military. Even so, and despite the deception, he knows his fabricated memoir contains stunning truths.
By turns comic, suspenseful, bitingly satirical, and emotionally potent, A Big Enough Lie pits personal mistruths against national ones of life-and-death consequence. Tracking a writer from the wilds of Florida to New York cubicles to Midwestern workshops to the mindscapes of Baghdad—and from love to heartbreak to solitary celebrity—Bennett’s novel probes our endlessly frustrated desire to grab hold of something (or somebody) true.
Upon the unexpected death of one of the bar’s regulars, Juan is sent reeling, and a series of upheavals follow as he both seeks and spurns intimacy, pondering the legacy of distant parents and a failed marriage and grappling with his sexuality—all the while cycling and dating, drinking at Nicks Lounge, and parenting a determined and defiant child-become-woman.
When his incarcerated father dies and Stella reveals she’s pregnant, Juan is forced to examine the emotional bonds that both hold and hinder him, to reassess his ideas of commitment, of friendship, of love. His encounters with various characters—his mother, his ex-wife, a middle-aged punker, an aspiring acupuncturist, a dapper veteran—lead Juan to the realization that he himself must change to thrive.
This is a story of making family and making mistakes, of rending and of mending. As a Latinx queer father with a mixed-race daughter, Juan exemplifies the ways identity connects and divides us. With wit, insight, and tenderness, Big Familia explores the complexities of desire, devotion, and the mysteries of the heart.
Not since Don DeLillo and George Saunders has a writer caught the humor and irreverent seriousness of our time like Barkan has through his protagonist Paul Berger, a flawed hero whose so-called fate drives him toward enlightenment just as surely as it propels him to destruction. Berger is stunned when he receives an ominous palm reading from a savvy guru at a health retreat in Iowa, of all places. And now it seems the prophecy is coming true. His fiancée, who is about to leave him, is shot at a historic reenactment of the Revolutionary War in Concord. One of his brothers, an astronaut, dies on 9/11 in the Pentagon. And his more famous brother, a lawyer and politician, kidnaps him in a media campaign to win an election. But is Paul’s life really controlled by fate? Or is the prophecy a lie he has latched onto ever since his band went under, leaving him almost famous yet unknown—a teacher at a community college, struggling to keep his job?
Blind Speed is a wildly entertaining exploration of intersecting lives in which what happens is never solely by chance or choice. Barkan has built a uniquely American satirical novel, a thoroughly twisted journey of discovery that pops and fires from its first shot in Concord to its last rifle blast, which echoes across the heartland. With global warming, 9/11, government and corporate deceit, and ecoterrorism, the novel dives into epic ideas, capturing America in all its dangerous myths.
As the ground beneath them stirs, both women begin to recall their shared childhoods. Each must ignore the rumblings and fight for their comfortable existence—or leap. Before long, Elyse is following a Yup’ik marine mammal hunter along the windswept Siberian coast, and Astrid is risking her entire career to plant trees in India. As they navigate upheaval, they also confront the reminders of their past—a past whose full truth carries in it the promise of their future.
Bloom Again weaves together sophisticated narrative and characters, evocative travel and nature writing, and effective and reliable depictions of the climate change crisis in parts of the world underrepresented in mainstream literary fiction. A realistic work of ecoclimate fiction, it considers how people confront and respond to an amorphous yet unavoidable event like climate change in their everyday lives, as well as how women find new inspiration in their “second spring”—a time in life when career and family needs are fulfilled. It’s a book about waking up and finding our way, together.
A mystery linking Manhattan circa 1991 to eastern Afghanistan in 2012, Blue Hours tells of a life-changing friendship between two memorable heroines. When we first meet Mim, she is a recent college graduate who has disavowed her lower middle class roots to befriend Kyra, a dancer and daughter of privilege, until calamity causes their estrangement. Twenty years later, Kyra has gone missing from her NGO’s headquarters in Jalalabad, and Mim—now a recluse in rural New England—embarks on a journey to find her. In its nuance, originality, and moral complexity, Blue Hours becomes an unexpected page-turner.
Silas Starkweather, a Civil War veteran, is drawn to Wisconsin and homesteads 160 acres in Ames County, where he is known as the mysterious farmer forever digging holes. After years of hardship and toil, however, Silas develops a commitment to farming his land and respect for his new community. When Silas’s son Abe inherits Blue Shadows Farm he chooses to keep the land out of reluctant necessity, distilling and distributing “purified corn water” throughout Prohibition and the Great Depression in order to stay solvent. Abe’s daughter, Emma, willingly takes over the farm after her mother’s death. Emma’s love for this place inspires her to open the farm to school-children and families who share her respect for it. As she considers selling the land, Emma is confronted with a difficult question—who, through thick and thin, will care for Blue Shadows Farm as her family has done for over a century? In the midst of a controversy that disrupts the entire community, Emma looks into her family’s past to help her make crucial decisions about the future of its land.
Through the story of the Starkweather family’s changing fortunes, and each generation’s very different relationship with the farm and the land, Blue Shadows Farm is in some ways the narrative of all farmers and the increasingly difficult challenges they face as committed stewards of the land.
In Bogotá, a taut, moving novel set in present-day Colombia, Wilfredo decides to uproot his family from their small town, where his ferry service on the river subjects him to the gruesome errands demanded by the local paramilitary. Moving in with relatives in a slum in Bogotá, the family tries desperately to achieve the smallest measure of comfort and hope in a world of almost total ruin, wracked by deprivation, fear, and ceaseless violence.
Alan Grostephan depicts with startling immediacy an urban landscape of extreme harshness and oppressive instability. The tension between the desperate conditions surrounding his characters and their efforts to hold on to their humanity gives Bogotá a ferocious energy. As Wilfredo and his family fight to stay alive and stay together, their plight emerges as equally enraging and uplifting, constituting a portrait of a society always on the verge of disintegration.
Descended from three French brothers who settled in Puerto Rico, Bonjours now belong to extended branches, some settled in New York City. Removed in varying degrees, all remain connected by the lore that only one island family possesses their surname, and that starting with the three brothers—sowers of a legacy of adultery and abandonment—every Bonjour male carries a reckless, womanizing gene.
Lineage and legend of lineage haunt but do not make these lives predictable. So Daisy, who hardly knew her father and has passed her prime without much interest in marriage, secretly falls in love with the man who paid her to marry him so he could get a green card. Ten-year-old Marco does not know what the reader does: that his visiting, divorced Bonjour father is gay. Recently married Gabriel, having flown to Puerto Rico to bury a father who intermittently entered his life, meets an African American down from Georgia, whom he learns is his embittered brother, and his beautiful stepsister, with whom he faces the same temptation that sidetracked his father.
Interconnected like his Bonjour families, these stories of unpredictable and unforgettable characters will transport the reader to a plane where ethnicity becomes universality.
But mostly what Will summons up in his intimate remembrance are those few catastrophic days in early June when he was “three months shy of twelve,” more than a decade after his parents have married and returned to the Vaughns’ home place, where Lewis farms his family’s land. For it is during those days that Leanne’s affair with a local man named Bobby Markum becomes known—first to Lewis and then, in a fiercely dramatic public confrontation, to young Will, to his beloved Grandmother Vaughn, and by nightfall to all the citizens of the town. The knowledge of such scandal, in so small a place, sets off a series of highly charged reactions, vivid consequences that surely determine the fates of every member of this unforgettable family.
A tale of memory and hero worship and the restless pulse of longing, The Book of Famous Iowans examines those forces that define not only a state made up of a physical geography, but more important, those states of the wholly human spirit.
A novel about two teenage lovers who disrupt a World War II internment camp in Arizona
Kane Araki and Margaret Morri are not only the names of teenage lovers living in a World War II Japanese relocation camp. Kane Araki is also the name of a man who, mysteriously, sprouts a pair of black raven’s wings overnight. Margaret Morri is the name of the aging healer who treats embarrassing conditions (smelly feet and excessive flatulence). It’s also the name of an eleven-year-old girl who communes with the devil, trading human teeth for divine wishes.
In The Book of Kane and Margaret, dozens of Kane Arakis and Margaret Morris populate the Canal and Butte camp divisions in Gila River. Amidst their daily rituals and family dramas, they find ways to stage quiet revolutions against a domestic colonial experience. Some internees slip through barbed wire fences to meet for love affairs. Others attempt to smuggle whiskey, pornography, birds, dogs, horses, and unearthly insects into their family barracks. And another seeks a way to submerge the internment camp in Pacific seawater.
Conchita, a voluptuous, headstrong single woman of a certain age, sees nothing wrong with enjoying the company of handsome—and usually much younger—men...that is, until she encounters a widower with unusual gifts and begins to think about what she really wants out of life.
Julieta, Conchita’s younger sister, walks a more traditional path, but she and her husband each harbor secrets that could change their marriage and their lives forever. Their twin sons, both in college, struggle to find fulfillment. Mateo refuses to let anyone stand in the way of his happiness, while Rolando grapples with his sexuality and the family’s expectations. And from time to time, Belén, the family’s late matriarch, pays a visit to advise, scold, or cajole her hapless descendants.
A delightful family tapestry woven with the threads of all those whose lives are touched by Conchita, The Book of Want is an enchanting blend of social and magical realism that tells a charming story about what it means to be fully human.
Bricks Without Straw is Tourgée’s fictionalized account of how Reconstruction was sabotaged. It is a chilling picture of violence against African Americans condoned, civil rights abrogated, constitutional amendments subverted, and electoral fraud institutionalized. Its plot revolves around a group of North Carolina freedpeople who strive to build new lives for themselves by buying land, marketing their own crops, setting up a church and school, and voting for politicians sympathetic to their interests, until Klan terrorism and the ascendancy of a white supremacist government reduce them to neo-slavery. This edition of Bricks Without Straw is enhanced by Carolyn L. Karcher’s introduction, which sets the novel in historical context and provides an overview of Albion W. Tourgée’s career, a chronology of the significant events of both the Reconstruction era and Tourgée’s life, and explanatory notes identifying actual events fictionalized in the novel.
Inspired by true events, The Brightest Place in the World traces the lives of four characters haunted by an industrial disaster. On an ordinary sunny morning in 2012, a series of explosions level a chemical plant on the outskirts of Las Vegas. The shock waves are felt as far away as Fremont Street. Homes and businesses suffer broken windows and caved-in roofs. Hundreds are injured, and eight employees of the plant are unaccounted for, presumed dead.
One of the missing is maintenance technician Andrew Huntley, a husband and father who is an orbital force in the novel as those who loved him grapple with his loss. Andrew’s best friend, Russell Martin—an anxiety-plagued bartender who calms his nerves with a steady inflow of weed—misses him more than he might a brother. Meanwhile Emma, Russell’s wife—a blackjack dealer at a downtown casino—tries to keep her years-long affair with Andrew hidden. Simon Addison, a manager at the plant who could have saved Andrew’s life, is afflicted by daily remorse, combined with a debilitating knowledge of his own cowardice. And then there’s Maddie, Andrew’s only child, a model high-school student whose response to the tragedy is to experiment with shoplifting and other deviant behavior.
Against the sordid backdrop of Las Vegas—and inspired by the PEPCON disaster of May 4, 1988—this engaging novel is a story of grief and regret, disloyalty and atonement, infatuation and love.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2025
The University of Chicago Press