front cover of Dancing in Odessa
Dancing in Odessa
Ilya Kaminsky
Tupelo Press, 2004
Winner of the 2002 Dorset Prize, and recipient of the Ruth Lilly Fellowship, Ilya Kaminsky is a recent Russian immigrant and rising poetic star. Despite the fact that he is a non-native speaker, Kaminksy's sense of rhythm and lyic surpasses that of most contemporary poets in the English language. This magical, musical book of poems draws readers into its unforgettable heart, and Carolyn Forché wrties simply "I'm in awe of his gifts."
[more]

front cover of Daphne
Daphne
Kristen Case
Tupelo Press, 2025
A meditation on the centrality of predation to the Western lyric tradition. 

In dialogue with Wittgenstein's “On Certainty,” Ovid's Metamorphoses, Shakespeare's Hamlet, and Thomas Wyatt’s “Whoso List to Hunt,” among other works, Kristen Case's poems and lyric essays unearth the ways violence both disrupts and enables our ways of knowing—or approximating knowledge of—one another.
[more]

logo for Tupelo Press
Darktown Follies
Amaud Johnson
Tupelo Press, 2013
Darktown Follies, Amaud Jamaul Johnson’s daring and surprising new collection of poems, responds to Black Vaudeville, specifically the personal and professional challenges African American variety performers faced in the early twentieth century. Johnson is fascinated by jokes that aren’t funny — particularly, what it means when humor fails or reveals something unintended about our national character. Darktown Follies is an act of self-sabotage, a poet’s willful attempt at recklessness, abandoning the “good sense” God gave him, as an effort to explore the boundaries and intersections of race and humor.
[more]

logo for Tupelo Press
Des
Sati Mookherjee
Tupelo Press, 2027

In this formally inventive poetry collection, Sati Mookherjee resurrects a shared precolonial pan-South Asian identity, history, and culture in joyful defiance of the nationalist and sectarian movements of today. 

This unusual poetry collection emerged from the author’s interviews of her Indian, Pakistani, and Bangladeshi immigrant family and friends in her native Pacific Northwest about their personal histories: of partition and childhood, immigration experiences, and religious and metaphysical beliefs. The resulting poems reflect the kaleidoscopic identity of the South Asian (“desi”) diaspora—the world’s largest diaspora. At this ugly historic moment, desi-ness offers a real-world model of a joyful, plural community, even as such tolerance is under grave threat from both today’s American right-wing anti-immigrant movement and the toxic nationalism and sectarianism of South Asian geopolitics. The poems themselves are a diaspora of forms: hybrid cross-pollinations of American tradition (Frost, Penn Warren), ancient Indo-Persian-Arabic forms, and self-invention. In a time when hatred of the other is normalized, this book holds love, celebrating a kinship tradition and shared homeland—a Des—that is both precolonial and extant, borderless, found not on any map, but held in the collective un/consciousness of the desi diaspora. In defiance of nationalist rhetoric that would see us divided by language, religion, and country of origin, Des joins the decentralized global movement of scholars, artists, activists, and young people reclaiming the beauty of a shared, precolonial composite culture. 

[more]

logo for Tupelo Press
Dirt Eaters
Eliza Rotterman
Tupelo Press, 2018
“A lush, fierce, primal work in which the broken world still rotates and orbits—not for us as we could project, not as a metaphor for redemption—but we get to ride on it anyway. Eliza Rotterman has a voice unlike any other and familiar too: she writes, in finely faceted jewels of language set in strong lines that cut as they connect, of a woman in her body / a woman on this planet ever-aware, observing everything, suffering, believing, tracking, clocking, ticking, as she must. The poet explodes her being for her poetry—nothing escapes—and she gives that explosion to the reader, in the form of exquisite, precise, deep beauty. I could not be more grateful that this gift was made and held faithfully to its purpose: to show us the chaos at the heart of desire, the raw stillness at the center of hope.”—Brenda Shaughnessy, author of Our Andromeda and judge for the Snowbound Chapbook Award
[more]

logo for Tupelo Press
Diurne
Kristin George Bagdanov
Tupelo Press, 2019
Diurne is a procedural project, “a line each hour of waking / a poem each day of making,” that explores how poetry is durational rather than inspirational, work rather than epiphany. It is part autobiography, part journalism, part theory, and part apology for not being traditional “poetry.”
[more]

logo for Tupelo Press
Dogged Hearts
Ellen Doré Watson
Tupelo Press, 2010
In her fifth collection of poems, Ellen Doré Watson lends her supple voice to a multiplicity of characters, each with his or her own particular dilemma, distraction, or disarray: Junie biking home to find a new mom, Edur wondering whether he’s anyone’s father, a pregnant teen starving herself to lose the fetus, or the widower Lew buoyed by a vision of his wife after her death. With a novelist’s finesse and a poet’s details, Watson creates lives that resonate with poignancy and urgency.

In Dogged Hearts Ellen Doré Watson demonstrates a capacious talent for invention and empathy and, with her incomparable linguistic brio, gives us an unforgettable look at how loss and disconnection can usher in chance-to-change reverie and unexpected veerings towards life.
[more]

logo for Tupelo Press
domina Un/blued
Ruth Ellen Kocher
Tupelo Press, 2013
domina Un/blued dislocates the traditional slave narrative, placing the slave’s utterance within the map and chronicle of conquest. Charting a diaspora of the human spirit as well as a diaspora of an individual body, Ruth Ellen Kocher’s award-winning new book reaches beyond the story of historical involuntary servitude to explore enslavements of devotion and desire, which in extremity slide into addiction and carnal bondage.
[more]

logo for Tupelo Press
Duties of the Spirit
Patricia Fargnoli
Tupelo Press, 2005
Duties of the Spirit is comprised of deeply moving, lyrical and unforgettable explorations of the joys and fears that come with growing older in America.

“These poems are stamped with an energetic and outgoing attentiveness to the world. This, so much more than just the humming examination of the self, is what makes writing a sacred thing. Who does this is a true poet, and few do it better than Patricia Fargnoli.”
— Mary Oliver

[more]


Send via email Share on Facebook Share on Twitter