front cover of Deadline
Deadline
200 Years of Violence Against Journalists in the United States
Elizabeth Atwood
University of Missouri Press, 2025
In Deadline: 200 Years of Violence against Journalists in the United States, Elizabeth Atwood offers the first comprehensive look at the history of fatal attacks against journalists in the United States between 1829 and the present. Atwood describes the political, technological, and economic context of these assaults, and includes brief biographies of the victims and accounts of what happened both them and to their assailants after the attacks.
 
To help us understand these attacks, Atwood presents a framework for categorizing them, built on John Nerone’s studies on assaults on American media workers. Atwood categorizes attacks against journalists as attacks against individuals, ideas, and media institutions, and undertaken to suppress reporting on certain topics and in the context of wars and other international or conflicts. Crucially, Deadline utilizes this framework to offer possible solutions to the issue of violence against journalists.
 
Atwood was inspired to explore the pressing issue of violence against American journalists after the tragic death of one of her colleagues at the Baltimore Sun, Rob Hiaasen, in the Capital Gazette shooting in 2018. Throughout, she demonstrates that distrust of the media and violence against the press in the United States are hardly new developments. Her work examines how intimidation, violence, and censorship have, in fact, been used against the American press since both its and the nation’s founding.
 
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logo for University of Manitoba Press
Decolonizing Discipline
Children, Corporal Punishment, Christian Theologies, and Reconciliation
Valerie E. Michaelson
University of Manitoba Press, 2020

front cover of Disruptive Archives
Disruptive Archives
Feminist Memories of Resistance in Latin America's Dirty Wars
Viviana Beatriz MacManus
University of Illinois Press, 2020
The histories of the Dirty Wars in Mexico and Argentina (1960s–1980s) have largely erased how women experienced and remember the gendered violence during this traumatic time. Viviana Beatriz MacManus restores women to the revolutionary struggle at the heart of the era by rejecting both state projects and the leftist accounts focused on men. Using a compelling archival blend of oral histories, interviews, human rights reports, literature, and film, MacManus illuminates complex narratives of loss, violence, and trauma. The accounts upend dominant histories by creating a feminist-centered body of knowledge that challenges the twinned legacies of oblivion for the victims and state-sanctioned immunity for the perpetrators. A new Latin American feminist theory of justice emerges—one that acknowledges women's strength, resistance, and survival during and after a horrific time in their nations' histories.

Haunting and methodologically innovative, Disruptive Archives attests to the power of women's storytelling and memory in the struggle to reclaim history.

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