A SCHOLARLY BOOK REPOSITORY28 start with G start with G
Video games have long been seen as the exclusive territory of young, heterosexual white males. In a media landscape dominated by such gamers, players who do not fit this mold, including women, people of color, and LGBT people, are often brutalized in forums and in public channels in online play. Discussion of representation of such groups in games has frequently been limited and cursory. In contrast, Gaming at the Edge builds on feminist, queer, and postcolonial theories of identity and draws on qualitative audience research methods to make sense of how representation comes to matter.
In Gaming at the Edge, Adrienne Shaw argues that video game players experience race, gender, and sexuality concurrently. She asks: How do players identify with characters? How do they separate identification and interactivity? What is the role of fantasy in representation? What is the importance of understanding market logic? In addressing these questions Shaw reveals how representation comes to matter to participants and offers a perceptive consideration of the high stakes in politics of representation debates.
Putting forth a framework for talking about representation, difference, and diversity in an era in which user-generated content, individualized media consumption, and the blurring of producer/consumer roles has lessened the utility of traditional models of media representation analysis, Shaw finds new insight on the edge of media consumption with the invisible, marginalized gamers who are surprising in both their numbers and their influence in mainstream gamer culture.
Volume editor David Bergman guides the reader chronologically through selected writings that give voice to every generation of gay writers since the nineteenth century, including a diverse array of American men of African, European, Jewish, Asian, and Latino heritage. Documenting a range of life experiences that encompass tattoo artists and academics, composers and drag queens, hustlers and clerks, it contains accounts of turn-of-the-century transvestites, gay rights activists, men battling AIDS, and soldiers attempting to come out in the army. Each selection provides important insight on the wide spectrum of ways gay men have defined and lived their lives, highlighting how self-awareness changes an author’s experience.
The volume includes an introduction by Bergman and headnotes for each of the nearly forty entries. Bringing many out-of-print and hard-to-find works to new readers, this challenging and comprehensive anthology chronicles American gay history and life struggles over the course of the past 150 years.
“A superb tribute to theatrical pioneers—The Gay and Lesbian Theatrical Legacy is required reading for both theatre scholars and gay/lesbian/bisexual history aficionados. A fascinating journey awaits them all in this highly recommended volume.”
—Broadside: Newsletter of the Theatre Library Association
The Gay and Lesbian Theatrical Legacy collects in a single volume biographies of more than one hundred notable figures whose careers flourished in the years before the 1969 Stonewall Riots marked the beginning of the gay and lesbian civil rights movement in the United States. The leading lights in American theater have included innumerable individuals whose sexualities have deviated from prevailing norms, but this history has until recently been largely unwritten and unknown. This book contributessignificantly to the recovery of this history, fashioning a much fuller, more nuanced portrait of American theater as it evolved and shedding light on the influence that sexual desire may have had on professional choices, relationships, and artistic achievements.
The Gay and Lesbian Theatrical Legacy collects biographies and portraits of influential actors, playwrights, composers, directors, designers, dancers, producers, managers, critics, choreographers, and technicians who made their mark on the American theater. Its broad coverage provides an extended glimpse into lives and careers that intersected and into networks of affiliation that made theatrical history and, by extension, social and cultural history.
The late Billy J. Harbin was Professor of Theater, Louisiana State University. Kim Marra is Associate Professor of Theater, University of Iowa. Robert A. Schanke is Professor of Theater Emeritus, Central College, Pella, Iowa.
Vivacious, unconventional, candid, and straight, Helen Branson operated a gay bar in Los Angeles in the 1950s—America’s most anti-gay decade. After years of fending off drunken passes as an entertainer in cocktail bars, this divorced grandmother preferred the wit, variety, and fun she found among homosexual men. Enjoying their companionship and deploring their plight, she gave her gay friends a place to socialize. Though at the time California statutes prohibited homosexuals from gathering in bars, Helen’s place was relaxed, suave, and remarkably safe from police raids and other anti-homosexual hazards. In 1957 she published her extraordinary memoir Gay Bar, the first book by a heterosexual to depict the lives of homosexuals with admiration, respect, and love.
In this new edition of Gay Bar, Will Fellows interweaves Branson’s chapters with historical perspective provided through his own insightful commentary and excerpts gleaned from letters and essays appearing in gay publications of the period. Also included is the original introduction to the book by maverick 1950s psychiatrist Blanche Baker. The eclectic selection of voices gives the flavor of American life in that extraordinary age of anxiety, revealing how gay men saw themselves and their circumstances, and how others perceived them.
Outstanding Book, selected by the Public Library Association
Best Books for High Schools, selected by the American Association of School Libraries
DeAngelis examines a variety of cultural documents, including studio publicity and promotional campaigns, star biographies, scandal magazines, and film reviews, as well as gay political and fan literature that ranges from the closeted pages of One and Mattachine Review in the 1950s to the very “out” dish columns, listserv postings, and on-line star fantasy narratives of the past decade. At the heart of this close historical study are treatments of particular film narratives, including East of Eden, Rebel Without a Cause, The Road Warrior, Lethal Weapon, My Own Private Idaho, and Speed. Using theories of fantasy and melodrama, Gay Fandom and Crossover Stardom demonstrates how studios, agents, and even stars themselves often actively facilitate an audience’s strategic blurring of the already tenuous distinction between the heterosexual mainstream and the gay margins of American popular culture.
In addition to fans of James Dean, Mel Gibson, and Keanu Reeves, those interested in film history, cultural studies, popular culture, queer theory, gender studies, sociology, psychoanalytic theory, melodrama, fantasy, and fandom will enjoy this book.
Men are often thought to have less interest in parenting than women, and gay men are generally assumed to prefer pleasure over responsibility. The toxic combination of these two stereotypical views has led to a lack of serious attention being paid to the experiences of gay fathers. But the truth is that more and more gay men are setting out to become parents and succeeding—and Gay Fatherhood aims to tell their stories.
Ellen Lewin takes as her focus people who undertake the difficult process of becoming fathers as gay men, rather than having become fathers while married to women. These men face unique challenges in their quest for fatherhood, negotiating specific bureaucratic and financial conditions as they pursue adoption or surrogacy and juggling questions about their future child’s race, age, sex, and health. Gay Fatherhood chronicles the lives of these men, exploring how they cope with political attacks from both the "family values" right and the "radical queer" left—while also shedding light on the evolving meanings of family in twenty-first-century America.
Contributors. Tomás Almaguer, Luz Calvo, Lionel Cantú,, Daniel Contreras, Catriona Rueda Esquibel, Ramón García, Ramón A. Gutiérrez, Michael Hames-García, Lawrence La Fountain-Stokes, María Lugones, Ernesto J. Martínez, Paula M. L. Moya, José Esteban Muñoz, Frances Negrón-Muntaner, Ricardo L. Ortiz, Daniel Enrique Pérez, Ramón H. Rivera-Servera, Richard T. Rodríguez, David Román, Horacio N. Roque Ramírez, Antonio Viego
Paul Robinson reads the memoirs of French, British, and American gay authors—André Gide, Quentin Crisp, and Martin Duberman, among others—through the prism of sexual identity, asking fascinating questions about homosexuality and its relation to literary form. How did these authors discover their sexual identity? Did they embrace it or reject it? How did they express often conflicted desires in their words, which ranged from defiant and brutally frank to ambiguous and abstract? Robinson considers the choices each made—as a man and an author—to accommodate himself to society's homophobia or live in protest against his oppression.
Despite the threads that connect these stories, Gay Lives refutes the notion that there is a typical homosexual "career" by showing that gay men have led wildly dissimilar lives—from the exuberant to the miserable—and that they have found no less dissimilar meanings in those lives.
Nardi explores the meaning of friends to some gay men, how friends often become a surrogate family, how sexual behavior and attraction affects these friendships, and how, for many, friends mean more and last longer than romantic relationships. While looking at the psychological joys and sorrows of friendship, he also considers the cultural constraints limiting gay men in contemporary urban America—especially those that deal with dominant images of masculinity and heterosexuality—and how they relate to friendship.
By listening to gay men talk about their interactions, Nardi offers a rare glimpse into the mechanisms of gay life. We learn how gay men meet their friends, what they typically do and talk about, and how these strong relationships contain the roots of larger cultural forces such as social movements and gay identities and neighborhoods. Nardi also points out the political and social consequences when friendships fail to provide support against oppression.
An intimate and informative look at gay life in urban America, Gay Men's Friendships ultimately shows how these relationships challenge the gender order of our society by questioning how masculinity is constructed and by offering a model for a more creative blending of gay and heterosexual masculinity.
The passage of the anti-gay marriage Proposition 8 in California in 2008 stunned gay rights activists across the country. Although facing a well-funded campaign in support of the ballot measure, LGBT activists had good reasons for optimism, including the size and strength of their campaign. Since 1974, the LGBT movement has fought 146 anti-gay ballot initiatives sponsored by the religious right and has developed innovative strategies to oppose these measures. In Gay Rights at the Ballot Box, Amy L. Stone examines how the tactics of LGBT activists have evolved and unravels the complex relationship between ballot measure campaigns and the broader goals of the LGBT movement.
The first comprehensive history of anti-gay ballot measures, both those merely attempted and those successfully put before voters, this book draws on archival research and interviews with more than one hundred LGBT activists to provide a detailed account of the campaigns to stop such ballot measures from passing into law. As Stone shows through in-depth case studies, although LGBT activists lost the vast majority of these fights, they also won significant statewide victories in Oregon in 1992 and Arizona in 2006, and local successes, including ones in Ypsilanti, Michigan, in 1998 and 2002.
Stone analyzes how LGBT activists constantly refined their campaign tactics in response to both victories and defeats. She also stresses that such campaigns have played both a complementary and contradictory role within the LGBT movement. Specific anti-ballot campaigns and the broader movement do often strengthen each other. However, ballot measure campaigns sometimes distract activists from the movement’s more general goals, and activists at the movement level can pressure local campaigns to take on more than they can handle. With gay rights coming under increasing assault from the religious right, this book is a vital resource for LGBT activists and others working to block their efforts.
Gay Shame seeks to lift this unofficial ban on the investigation of homosexuality and shame by presenting critical work from the most vibrant frontier in contemporary queer studies. An esteemed list of contributors tackles a range of issues—questions of emotion, disreputable sexual histories, dissident gender identities, and embarrassing figures and moments in gay history—as they explore the possibility of reclaiming shame as a new, even productive, way to examine lesbian and gay culture.
After decades of silence on the subject of homosexuality, television in the 1990s saw a striking increase in programming that incorporated and, in many cases, centered on gay material. In shows including Friends, Seinfeld, Party of Five, Homicide, Suddenly Susan, The Commish, Ellen, Will & Grace, and others, gay characters were introduced, references to homosexuality became commonplace, and issues of gay and lesbian relationships were explored, often in explicit detail.
In Gay TV and Straight America, Ron Becker draws on a wide range of political and cultural indicators to explain this sudden upsurge of gay material on prime-time network television. Bringing together analysis of relevant Supreme Court rulings, media coverage of gay rights battles, debates about multiculturalism, concerns over political correctness, and much more, Becker's assessment helps us understand how and why televised gayness was constructed by a specific culture of tastemakers during the decade.
On one hand the evidence points to network business strategies that embraced gay material as a valuable tool for targeting a quality audience of well-educated, upscale adults looking for something "edgy" to watch. But, Becker also argues that the increase of gay material in the public eye creates growing mainstream anxiety in reaction to the seemingly civil public conversation about equal rights.
In today's cultural climate where controversies rage over issues of gay marriage yet millions of viewers tune in weekly to programs like Queer Eye for the Straight Guy, this book offers valuable insight to the complex condition of America's sexual politics.
In her pursuit of historical analyses that embrace the heterogeneity and indeterminacy of sex and sexuality, Dinshaw examines canonical Middle English texts such as the Canterbury Tales and The Book of Margery Kempe. She examines polemics around the religious dissidents known as the Lollards as well as accounts of prostitutes in London to address questions of how particular sexual practices and identifications were normalized while others were proscribed. By exploring contemporary (mis)appropriations of medieval tropes in texts ranging from Quentin Tarantino’s Pulp Fiction to recent Congressional debates on U.S. cultural production, Dinshaw demonstrates how such modern media can serve to reinforce constrictive heteronormative values and deny the multifarious nature of history. Finally, she works with and against the theories of Michel Foucault, Homi K. Bhabha, Roland Barthes, and John Boswell to show how deconstructionist impulses as well as historical perspectives can further an understanding of community in both pre- and postmodern societies.
This long-anticipated volume will be indispensible to medieval and queer scholars and will be welcomed by a larger cultural studies audience.
Lesbian and gay groups have existed for more than a century, often struggling against enormous odds. In the middle of the twentieth century, movement organizations were suppressed or swept away by fascism, Stalinism, and McCarthyism. Refounded by a few pioneers in the postwar period, movements have risen again as more and more people have stood up for their right to love and live with persons of their choice.
This book addresses both the mature movements of the European Union, North America, and Australia and the newer movements emerging in Latin America, Eastern Europe, and parts of Asia and Africa, examining the social and political conditions that shape movement opportunities and trajectories. It is rich in the details of gay and lesbian cultural and political life in different countries.
Contributors: Jafari S. Allen, Marlon M. Bailey, Gabby Benavente, Jennifer DeVere Brody, Andy Campbell, V Varun Chaudhry, Mel Y. Chen, Jih-Fei Cheng, Oliver Coates, Cathy Cohen, Rachel Corbman, Carolyn Dinshaw, Allen Durgin, Elizabeth Freeman, John S. Garrison, Julian Gill-Peterson, Chase Gregory, Sarah Haley, David M. Halperin, Christina B. Hanhardt, Scott Herring, Heather Love, Dana Luciano, Whitney Monaghan, Marcia Ochoa, John Petrus, Elliott H. Powell, Nic John Ramos, Chandan Reddy, Richard T. Rodríguez, Nayan Shah, Stephanie Shelton, C. Riley Snorton, Ragini Tharoor Srinivasan, L. H. Stallings, Susan Stryker, Omise’eke Natasha Tinsley, Karen Tongson, Salvador Vidal-Ortiz, Rachel Walerstein, Mary Zaborskis
Through this compelling work we learn that the considerable turmoil surrounding homosexuality in churches has less to do with homosexuality than with the fear of weakening the church's spiritual, communal solidarity. We learn too how the church mirrors the secular world—the fear of division and politics leads members to avoid conflict in the congregations Moon examines. And so, the Protestants who are the subject of her study avoid debating the key issue of whether homosexuality is sinful because of its potentially polarizing effects. The religious culture Moon uncovers is ultimately critical of politics and of the intense moral and social discord that members believe it entails.
God, Sex, and Politics will be of enormous value to sociologists of religion and anyone interested in religious controversies over sexuality.
By using gossip as a lens to examine profound issues of state security and institutional power, Elias thoroughly transforms our understanding of the development of modern American political culture.
This is an auto-narrated audiobook edition of this book.
J. Edgar Hoover, Joseph McCarthy, and Roy Cohn were titanic figures in midcentury America, wielding national power in government and the legal system through intimidation and insinuation. Hoover’s FBI thrived on secrecy, threats, and illegal surveillance, while McCarthy and Cohn will forever be associated with the infamous anticommunist smear campaign of the early 1950s, which culminated in McCarthy’s public disgrace during televised Senate hearings. In Gossip Men, Christopher M. Elias takes a probing look at these tarnished figures to reveal a host of startling new connections among gender, sexuality, and national security in twentieth-century American politics. Elias illustrates how these three men solidified their power through the skillful use of deliberately misleading techniques like implication, hyperbole, and photographic manipulation. Just as provocatively, he shows that the American people of the 1950s were particularly primed to accept these coded threats because they were already familiar with such tactics from widely popular gossip magazines.
By using gossip as a lens to examine profound issues of state security and institutional power, Elias thoroughly transforms our understanding of the development of modern American political culture.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Marshall explores all aspects of Hocquenghem’s writing—journalistic, theoretical, and fictional—much of this work still untranslated. His consideration reaches beyond the aftermath of the events of May 1968 and points toward the ways in which Hocquenghem’s work might invigorate contemporary debates on a range of issues in Marxist and queer theory and in gay, lesbian, and cultural studies. These include the construction of homosexuality in social discourse, the status of "identity politics," and the role of the state and civil society in the determination of each. Demonstrating Hocquenghem’s importance within the framework of French leftist thought, Marshall links him to his contemporaries Foucault, Deleuze, and Guattari. Tracing his connections to the intellectual traditions of Benjamin, Diderot, Fourier, Lucretius, and Gnosticism, he also illustrates Hocquenghem’s place within the European intellectual tradition.Guy Hocquenghem brings an important, challenging, and overly neglected French theorist back to the main stage.
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