Anthony Powell’s universally acclaimed epic A Dance to the Music of Time offers a matchless panorama of twentieth-century London. Now, for the first time in decades, readers in the United States can read the books of Dance as they were originally published—as twelve individual novels—but with a twenty-first-century twist: they’re available only as e-books.

In the final volume, Hearing Secret Harmonies, Nick and his contemporaries have begun to settle into the quieter stages of later life—even as the rise of the counterculture signals that a new generation is pushing its way to the front. The darkly fascinating young Scorpio Murtlock unexpectedly draws Widmerpool into his orbit, calling to mind occult and cultish doings from earlier decades; close friends leave the stage, never to be replaced in this life; and, drawing all the long, tangled strands together, Anthony Powell sounds an unforgettable requiem for an age.

"Anthony Powell is the best living English novelist by far. His admirers are addicts, let us face it, held in thrall by a magician."--Chicago Tribune

"A book which creates a world and explores it in depth, which ponders changing relationships and values, which creates brilliantly living and diverse characters and then watches them grow and change in their milieu. . . . Powell's world is as large and as complex as Proust's."--Elizabeth Janeway, New York Times

"One of the most important works of fiction since the Second World War. . . . The novel looked, as it began, something like a comedy of manners; then, for a while, like a tragedy of manners; now like a vastly entertaining, deeply melancholy, yet somehow courageous statement about human experience."--Naomi Bliven, New Yorker

“The most brilliant and penetrating novelist we have.”--Kingsley Amis

The intertribal pow-wow is the most widespread venue for traditional Indian music and dance in North America. Heartbeat of the People is an insider's journey into the dances and music, the traditions and regalia, and the functions and significance of these vital cultural events. Tara Browner focuses on the Northern pow-wow of the northern Great Plains and Great Lakes to investigate the underlying tribal and regional frameworks that reinforce personal tribal affiliations. Interviews with dancers and her own participation in pow-wow events and community provide fascinating on-the-ground accounts and provide detail to a rare ethnomusicological analysis of Northern music and dance.

Homebodies: Performance and Intimacy in the Age of New Media sheds light on a fascinating yet often overlooked phenomenon: how ordinary people transform their private lives into captivating performances for the digital stage. Focusing on home dance videos shared on Instagram from 2010 to 2020, the book explores the delicate art of "intimaesthetics"—the aestheticization of intimacy through the interplay of body, space, and media and the paradox of the homebody. These seemingly spontaneous performances reveal how users craft images of closeness and authenticity, drawing audiences into a curated version of their domestic lives. Yet, Porter argues, these intimate portrayals exist within a larger system of platform control, algorithmic surveillance, and the commodification of personal expression. 

Porter utilizes hand-drawn illustrations in place of screenshots, which reflects their commitment to critiquing the exploitative dynamics of digital visibility while respecting the personal nature of the media studied. By examining the intersection of personal agency, algorithmic control, and the commodification of authenticity, Homebodies provides a nuanced understanding of how technology redefines intimacy, identity, and creativity in the twenty-first century.

The popularity and profile of African dance have exploded across the African diaspora in the last fifty years. Hot Feet and Social Change presents traditionalists, neo-traditionalists, and contemporary artists, teachers, and scholars telling some of the thousands of stories lived and learned by people in the field. Concentrating on eight major cities in the United States, the essays challenges myths about African dance while demonstrating its power to awaken identity, self-worth, and community respect. These voices of experience share personal accounts of living African traditions, their first encounters with and ultimate embrace of dance, and what teaching African-based dance has meant to them and their communities. Throughout, the editors alert readers to established and ongoing research, and provide links to critical contributions by African and Caribbean dance experts.

Contributors: Ausettua Amor Amenkum, Abby Carlozzo, Steven Cornelius, Yvonne Daniel, Charles “Chuck” Davis, Esailama G. A. Diouf, Indira Etwaroo, Habib Iddrisu, Julie B. Johnson, C. Kemal Nance, Halifu Osumare, Amaniyea Payne, William Serrano-Franklin, and Kariamu Welsh

    David Gere, who came of age as a dance critic at the height of the AIDS epidemic, offers the first book to examine in depth the interplay of AIDS and choreography in the United States, specifically in relation to gay men. The time he writes about is one of extremes. A life-threatening medical syndrome is spreading, its transmission linked to sex. Blame is settling on gay men. What is possible in such a highly charged moment, when art and politics coincide?
    Gere expands the definition of choreography to analyze not only theatrical dances but also the protests conceived by ACT-UP and the NAMES Project AIDS quilt. These exist on a continuum in which dance, protest, and wrenching emotional expression have become essentially indistinguishable. Gere offers a portrait of gay male choreographers struggling to cope with AIDS and its meanings.