front cover of Jack Goldstein
Jack Goldstein
All Day Night Sky
Alexander Dumbadze
University of Chicago Press, 2025
A poignant account of the life and work of conceptual artist Jack Goldstein.
 
A defining figure of the 1970s–80s New York art world, Jack Goldstein’s wide-ranging body of work, which included immaculate color films and radiant paintings of appropriated images composed by assistants, is both seductive and interpretively elusive. Goldstein’s legacy has been complicated by the mythology of his later years. Consumed by drug addiction, he dropped out of the art world in the 1990s, lived alone in an East Los Angeles trailer park, and resurfaced in a wave of critical fanfare at the turn of the millennium, before taking his own life in 2003.
 
Employing his signature blend of biography, theoretical reflection, and archival research, Alexander Dumbadze examines Goldstein’s life and career, homing in on the artist’s refusal to distinguish between mental and actual images. Progressing chronologically through key moments in Goldstein’s artistic and intellectual formation, the book offers a deeply complex portrait of this significant artist, along with a nuanced meditation on the nature of images, the meaning of artistic subjectivity, and the consequences of holding unwavering faith in art.
 
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front cover of Jonathan Fisher of Blue Hill, Maine
Jonathan Fisher of Blue Hill, Maine
Commerce, Culture, and Community on the Eastern Frontier
Kevin D. Murphy
University of Massachusetts Press, 2010
This book examines the life of Jonathan Fisher (1768–1847), a native of Braintree, Massachusetts, and graduate of Harvard College who moved in his late twenties to Blue Hill, Maine, where he embarked on a multifaceted career as a pioneer minister, farmer, entrepreneur, and artist. Drawing on a vast record of letters, diaries, sermons, drawings, paintings, and buildings, Kevin D. Murphy reconstructs Fisher's story and uses it to explore larger issues of material culture, visual culture, and social history during the early decades of the American republic.

Murphy shows how Fisher, as pastor of the Congregational church in Blue Hill from 1796 to 1837, helped spearhead the transformation of a frontier settlement on the eastern shores of the Penobscot Bay into a thriving port community; how he used his skills as an architect, decorative painter, surveyor, and furniture maker not only to support himself and his family, but to promote the economic growth of his village; and how the fluid professional identity that enabled Fisher to prosper on the eastern frontier could only have existed in early America where economic relations were far less rigidly defined than in Europe.

Among the most important artifacts of Jonathan Fisher's life is the house he designed and built in Blue Hill. The Jonathan Fisher Memorial, as it is now known, serves as a point of departure for an examination of social, religious, and cultural life in a newly established village at the turn of the nineteenth century. Fisher's house provided a variety of spaces for agricultural and domestic work, teaching, socializing, artmaking, and more.

Through the eyes of Jonathan Fisher, we see his family grow and face the challenges of the new century, responding to religious, social, and economic change—sometimes succeeding and sometimes failing. We appreciate how an extraordinarily energetic man was able to capitalize on the wide array of opportunities offered by the frontier to give shape to his personal vision of community.
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