BiblioVault - Books about African

Ladies of the Throne

Léonora Miano

Diaphanes, 2025

An astonishing new narrative of Mandu Yenu, a throne from the ancient Kingdom of Bamum.

“Most of the time, it is the power of men that we remember.” With these words, which open Léonora Miano’s text for Objects Talk Back, an astonishing new narrative unfurls around Mandu Yenu, a throne from the ancient Kingdom of Bamum (present day Cameroon).

The Germans long claimed the object was a gift from King Njoya to Kaiser Wilhelm II. Miano reads “between the lines of beads and cowrie shells” to show the complex intricacies of colonial and gender relations. Dismissing all pretense of egalitarianism between colonizer and colonized, she hones in on the very nature of power—how and by whom it is defined-wielded-subverted.

King Njoya said he “felt like a woman in his relationship with the Germans.” Miano takes this as a prompt to examine contrasting cultural notions of femininity and thus reveals how central women are to the story of the throne. As the very name of the object suggests, it is the power of women we should remember.

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Landscapes of Activism

Civil Society, HIV and AIDS Care in Northern Mozambique

Reed, Joel Christian

Rutgers University Press, 2018

AIDS activists are often romanticized as extremely noble and selfless. However, the relationships among HIV support group members highlighted in Landscapes of Activism are hardly utopian or ideal. At first, the group has everything it needs, a thriving membership, and support from major donors. Soon, the group undergoes an identity crisis over money and power, eventually fading from the scene. As government and development institutions embraced activist demands—decentralizing AIDS care through policies of health systems strengthening—civil society was increasingly rendered obsolete. Charting this transition—from subjects, to citizens, and back again—reveals the inefficacy of protest, and the importance of community resilience. The product of in-depth ethnography and focused anthropological inquiry, this is the first book on AIDS activists in Mozambique. AIDS activism’s strange decline in southern Africa, rather than a reflection of citizen apathy, is the direct result of targeted state and donor intervention.

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The Language of Languages

Ngugi wa Thiong’o

Seagull Books, 2023

With clear, conversational prose, this is the first book dedicated entirely to Ngũgĩ wa Thiong’o’s writings on translation.

Through his many critically acclaimed novels, stories, essays, plays, and memoirs, Kenyan writer Ngũgĩ wa Thiong’o has been at the forefront of world literature for decades. He has also been, in his own words, “a language warrior,” fighting for indigenous African languages to find their rightful place in the literary world. Having begun his writing career in English, Ngũgĩ shifted to writing in his native language Gikũyũ in 1977, a stance both creatively and politically significant. For decades now, Ngũgĩ has been translating his Gikũyũ works into English himself, and he has used many platforms to champion the practice and cause of literary translations, which he calls “the language of languages.”

This volume brings together for the first time Ngũgĩ’s essays and lectures about translation, written and delivered over the past two decades. Here we find Ngũgĩ discussing translation as a conversation between cultures; proposing that dialogue among African languages is the way to unify African peoples; reflecting on the complexities of auto-translation or translating one’s own work; exploring the essential task translation performed in the history of the propagation of thought; and pleading for the hierarchy of languages to be torn down. He also shares his many experiences of writing across languages, including his story The Upright Revolution, which has been translated into more than a hundred languages around the globe and is the most widely translated text written by an African author. At a time when dialogues between cultures and peoples are more essential than ever, The Language of Languages makes an outspoken case for the value of literature without borders.

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Learning From Robben Island

Govan Mbeki’s Prison Writings

Govan Mbeki

Ohio University Press, 1991

In the late fifties and early sixties, Govan Mbeki was a central figure in the African National Congress and director of the ANC campaigns from underground. Born of a chief and the daughter of a Methodist minister in the Transkei of South Africa in 1910, he worked as a teacher, journalist, and tireless labor organizer in a lifetime of protest against the government policy of apartheid. Over two decades of imprisonment on Robben Island did not consign him to obscurity. Along with Nelson Mandela and Walter Sisulu, his name has become a symbol of resistance, not only to the oppressed people of South Africa, but also to the international community who have conferred on him many honors and awards.

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Literature, Law, and Rhetorical Performance in the Anticolonial Atlantic

Anne W. Gulick

The Ohio State University Press, 2016

The era of national liberation and decolonization may have come and gone, but postcolonialism remains a largely elusive ideal in the early twenty-first century. In Literature, Law, and Rhetorical Performance in the Anticolonial Atlantic, Anne W. Gulick uncovers a dynamic literary history of African and Caribbean critical engagements with First World law. This transatlantic archive attests to the continuing vitality of anticolonialism as a model for intellectual inquiry and political performance. Gulick argues that experimentation with declarative forms is a vital rhetorical strategy in the anticolonial Atlantic—one through which writers have asked: Who gets to “write” the law, and under what circumstances?

Responses to this question take shape across the black Atlantic from Haiti to South Africa, in texts ranging from Haiti’s Declaration of Independence and work by C. L. R. James to South Africa’s Freedom Charter, Aimé Césaire’s poem Notebook of a Return to the Native Land, and Ngugi wa Thiong’o’s A Grain of Wheat. These texts constitute a robust transatlantic tradition of challenging colonial and imperial authority through rhetorical performance. Drawing on the cosmopolitan aspirations and emancipatory energies of the political declaration, this tradition aims to radically reinvent the possibilities for law and political belonging in the postcolonial future.

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Living Politics in South Africa’s Urban Shacklands

Kerry Ryan Chance

University of Chicago Press, 2018

While much has been written on post-apartheid social movements in South Africa, most discussion centers on ideal forms of movements, disregarding the reality and agency of the activists themselves. In Living Politics, Kerry Ryan Chance radically flips the conversation by focusing on the actual language and humanity of post-apartheid activists rather than the external, idealistic commentary of old.

Tracking everyday practices and interactions between poor residents and state agents in South Africa’s shack settlements, Chance investigates the rise of nationwide protests since the late 1990s. Based on ethnography in Durban, Cape Town, and Johannesburg, the book analyzes the criminalization of popular forms of politics that were foundational to South Africa’s celebrated democratic transition. Chance argues that we can best grasp the increasingly murky line between “the criminal” and “the political” with a “politics of living” that casts slum and state in opposition to one another. Living Politics shows us how legitimate domains of politics are redefined, how state sovereignty is forcibly enacted, and how the production of new citizen identities crystallize at the intersections of race, gender, and class.

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Luminós/C/ity.Ordinary Joy

From the Pigozzi Contemporary African Art Collection

Vera Grant

Harvard University Press

Luminós/C/ity.Ordinary Joy: From the Pigozzi Contemporary African Art Collection celebrates the inaugural exhibition of the same name at the Ethelbert Cooper Gallery of African & African American Art at the Hutchins Center in Fall 2014.

Curators David Adjaye and Mariane Ibrahim-Lenhardt share their interpretative insights on a distinctive selection of objects from Jean Pigozzi’s superb Contemporary African Art Collection (CAAC). The catalog includes introductory texts by Henry Louis Gates, Jr., and Jean Pigozzi and is illustrated with full-color images of the exhibition art from twenty-one artists of the African continent. It also features essays from Cooper Gallery Director Vera Grant, Newark Museum Curator Christa Clarke, and Studio Museum in Harlem Director Thelma Golden.

The works discussed range from photography of the 1940s to video produced some seventy years later, and together the essays reflect upon and explore the exhibition as “a critical thesis on the contemporary condition of the continent, one which sees the city as a device to explore the complexities and nuances of urban life.” A considered part of the full exhibition experience, the catalog offers the reader entry into these cityscapes and the brilliant light of ordinary joy.

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