Workers' self-management was one of the unique features of communist Yugoslavia. Goran Musić has investigated the changing ways in which blue-collar workers perceived the recurring crises of the regime. Two self-managed metal enterprises, one in Serbia another in Slovenia, provide the frame of the analysis in the time span between 1945 and 1989. These two factories became famous for strikes in 1988 that evoked echoes in popular discourses in former Yugoslavia. Drawing on interviews, factory publications and other media, local archives, and secondary literature, Musić analyzes the two cases, going beyond the clichés of political manipulation from the top and workers' intrinsic attraction to nationalism.
The author explains how, in the later phase of communist Yugoslavia, growing social inequalities among the workers and undemocratic practices inside the self-managed enterprises facilitated the spread of a nationalist and pro-market ideology on the shop floors. Yet rather than being a mass taken advantage of by populist leaders, the working class Musić presents is one with agency and voice, a force that played an important role in shaping the fate of the country. The book thus seeks to open a debate on the social processes leading up to the dissolution of Yugoslavia.
This social, cultural, and political history of Slavic Muslim women of the Yugoslav region in the first decades of the post-Ottoman era is the first to provide a comprehensive overview of the issues confronting these women. It is based on a study of voluntary associations (philanthropic, cultural, Islamic-traditionalist, and feminist) of the period.
It is broadly held that Muslim women were silent and relegated to a purely private space until 1945, when the communist state “unveiled” and “liberated” them from the top down. After systematic archival research in Bosnia, Croatia, Serbia, and Austria, Fabio Giomi challenges this view by showing: • How different sectors of the Yugoslav elite through association publications, imagined the role of Muslim women in post-Ottoman times, and how Muslim women took part in the construction or the contestation of these narratives. • How associations employed different means in order to forge a generation of “New Muslim Women” able to cope with the post-Ottoman political and social circumstances. • And how Muslim women used the tools provided by the associations in order to pursue their own projects, aims and agendas. The insights are relevant for today’s challenges facing Muslim women in Europe. The text is illustrated with exceptional photographs.T
Mămăligă, maize porridge or polenta, is a universally consumed dish in Romania and a prominent national symbol. But its unusual history has rarely been told. Alex Drace-Francis surveys the arrival and spread of maize cultivation in Romanian lands from Ottoman times to the eve of the First World War, and also the image of mămăligă in art and popular culture. Drawing on a rich array of sources and with many new findings, Drace-Francis shows how the making of mămăligă has been shaped by global economic forces and overlapping imperial systems of war and trade.
The story of maize and mămăligă provides an accessible way to revisit many key questions of Romanian and broader regional history. More generally, the book links the history of production, consumption, and representation. Analyses of recipes, literary and popular depictions, and key vocabulary complete the work.
How did political power function in the communist regimes of East Central Europe after 1945? Making Sense of Dictatorship addresses this question with a particular focus on the acquiescent behavior of the majority of the population until, at the end of the 1980s, their rejection of state socialism and its authoritarian world.
The authors refer to the concept of Sinnwelt, the way in which groups and individuals made sense of the world around them. The essays focus on the dynamics of everyday life and the extent to which the relationship between citizens and the state was collaborative or antagonistic. Each chapter addresses a different aspect of life in this period, including modernization, consumption and leisure, and the everyday experiences of “ordinary people,” single mothers, or those adopting alternative lifestyles.
Empirically rich and conceptually original, the essays in this volume suggest new ways to understand how people make sense of everyday life under dictatorial regimes.
Drawing on a rich trove of focus group data, interviews, and textual sources, Elaine Weiner's Market Dreams powerfully captures the varied responses of female managers and factory workers in the Czech Republic to their country's transition from socialism to capitalism. Her work, rooted in sociology and comparative feminism, is an important advance for the literature on women in Eastern Europe.
"Market Dreams is a conceptually-sophisticated and empirically-rich account of how the discourses and practices of the free market penetrated the hearts and minds of everyday Czech citizens. Weiner's provocative analysis takes readers inside the worlds of female factory workers to expose the discontinuities between their radiant market dreams and their everyday realities--and juxtaposes them to the continuities experienced by female managers. In the process, it challenges many of our ideas about post/socialism, marketization, and gender and reveals the enduring power of stories in shaping social identities and actions."
---Lynne Haney, Associate Professor of Sociology, New York University
"Through interviews and a careful analysis of newspaper articles written in the first decade after the collapse of state socialism, Weiner explores the complicated interconnections between personal stories and the emerging neoliberal metanarrative of the free market in the Czech Republic after 1989. Her book transcends many of the dichotomies with which researchers of post-state socialism have been struggling: 'East' vs. 'West,' losers and winners, emancipation vs. oppression, etc., and thus makes a truly novel contribution to our understanding of women's lives after state socialism."
---Éva Fodor, Assistant Professor of Gender Studies, Central European University
"Weiner's rich and innovative study of female Czech managers and workers exemplifies the importance of narrative analysis for understanding why gender and class have not (yet) reconfigured the sense of postcommunism's alternatives. This is critical reading for feminists, class analysts, and students of postcommunist social change."
---Michael Kennedy, Director, Center for European Studies, University of Michigan
Elaine Weiner is Assistant Professor of Sociology at McGill University. Visit the author's website at: www.mcgill.ca/sociology/faculty/weiner/.
Cover Credit: Frank Scherschel/Time & Life Pictures/Getty Images
Materializing Magic Power paints a broad picture of the dynamics of popular religion in Taiwan. The first book to explore contemporary Chinese popular religion from its cultural, social, and material perspectives, it analyzes these aspects of religious practice in a unified framework and traces their transformation as adherents move from villages to cities.
In this groundbreaking study, Wei-Ping Lin offers a fresh perspective on the divine power of Chinese deities as revealed in two important material forms—god statues and spirit mediums. By examining the significance of these religious manifestations, Lin identifies personification and localization as the crucial cultural mechanisms that bestow efficacy on deity statues and spirit mediums. She further traces the social consequences of materialization and demonstrates how the different natures of materials mediate distinct kinds of divine power.
The first part of the book provides a detailed account of popular religion in villages. This is followed by a discussion of how rural migrant workers cope with challenges in urban environments by inviting branch statues of village deities to the city, establishing an urban shrine, and selecting a new spirit medium. These practices show how traditional village religion is being reconfigured in cities today.
This scathing, at times humorous, and always insightful memoir by exiled Hungarian novelist Sándor Márai, provides one of the most poignant and human portraits of life in Hungary between the German occupation in 1944 and the solidification of communist power in 1948. Both a fervent anti-fascist and anti-communist, Márai draws a vivid portrait of the Hungarian peasantry and middle-class during this period, while delivering a telling indictment of the communist system from which he fled. Witty, aphoristic and psychologically clear-sighted, this memoir depicts the tragedy and pathos of a crucial period in the post-war history of a nation which has been 'central' to both the communists and the post-communist history of our times.
This account of historical politics in Ukraine, framed in a broader European context, shows how social, political, and cultural groups have used and misused the past from the final years of the Soviet Union to 2020. Georgiy Kasianov details practices relating to history and memory by a variety of actors, including state institutions, non-governmental organizations, political parties, historians, and local governments. He identifies the main political purposes of these practices in the construction of nation and identity, struggles for power, warfare, and international relations.
Kasianov considers the Ukrainian case in the context of a global increase in the politics of history and memory, with particular emphasis on a distinctive East-European variety. He pays special attention to the use and abuse of history in relations between Ukraine, Russia, and Poland.
While scholars have chronicled Czesław Miłosz’s engagement with religious belief, no previous book-length treatment has focused on his struggles with theodicy in both poetry and thought. Miłosz wrestled with the problem of believing in a just God given the powerful evidence to the contrary in the natural world as he observed it and in the horrors of World War II and its aftermath in Poland. Rather than attempt to survey Miłosz’s vast oeuvre, Łukasz Tischner focuses on several key works—The Land of Ulro, The World, The Issa Valley, A Treatise on Morals, A Treatise on Poetry, and From the Rising of the Sun—carefully tracing the development of Miłosz’s moral arguments, especially in relation to the key texts that influenced him, among them the Bible, the Gnostic writings, and the works of Blake, Hegel, Kierkegaard, and Schopenhauer. The result is a book that examines Miłosz as both a thinker and an artist, shedding new light on all aspects of his oeuvre.
In The Modern Balkans, historian Richard C. Hall gives a complete account of the historical events that have shaped the Balkan region of Southeastern Europe. Originally separated from the rest of Europe by culture, politics, and economics, the Balkans have slowly been integrating into Western Europe since the nineteenth century. But this process of economic and political development, following the Western European model, has been far from smooth in the Balkans. As Hall explains, it has often been marked by violence and destruction, the result of many wars and rebellions. Though Soviet power imposed a nearly fifty-year peace in the region, the collapse of the Soviet Union renewed conflict that continued through the end of the twentieth century. Hall concentrates here on the significant political and economic events that have had the greatest impact on the role of the Balkans in Europe; in particular, he examines the development of national states in the nineteenth century, the influence of the two world wars, and the collapse of Yugoslavia.
This clear and concise history of the Balkan Peninsula will appeal to readers and scholars interested in European history and the Balkans’ unique role in it.
This is the second part of the third volume of the four-volume series, a daring project of CEU Press, presenting the most important texts that triggered and shaped the processes of nation-building in the many countries of Central and Southeast Europe. The aim is to confront ‘mainstream’ and seemingly successful national discourses with each other, thus creating a space for analyzing those narratives of identity which became institutionalized as “national canons.”
After the volumes focousing on the late enlightenment and the emergence of national romanticism, two books elaborate on the phenomenon of modernism in eastern Europe. Modernism is conceived as a counterpart to modernity, the first belonging to the periphery, tha latter to the developed West.
Fifty-one texts illustrate the evolution of modernism in Eastern Europe. Essays, articles, poems, or excerpts from longer works offer new opportunities of possible comparisons of the respective national cultures. The volume focuses on the literary and scientific attempts at squaring the circle of individual and collective identities. Often outspokenly critical of the romantic episteme, these texts reflect a more sophisticated and critical stance than in the preceding periods. At the same time, rather than representing a complete rupture, they often continue and confirm the romantic identity narratives, albeit with “other means”. The volume also presents the ways national minorities sought to legitimize their existence with reference to their cultural and institutional peculiarity.
This is the first part of the third volume of the four-volume series, a daring project of CEU Press, presenting the most important texts that triggered and shaped the processes of nation-building in the many countries of Central and Southeast Europe. The aim is to confront ‘mainstream’ and seemingly successful national discourses with each other, thus creating a space for analyzing those narratives of identity which became institutionalized as “national canons.”
The 59 texts in this volume present and illustrate the development of the ideologies of nation states, the “modern” successors of former empires. They exemplify the use modernist ideological framaeworks, from liberalism to socialism, in the context of the fundamental reconfiguration of the political system in this part of Europe between the 1860s and the 1930s. It also gives a panorama of the various solutions proposed for the national question in the region.
Why, modernism and not modernity? Modernity implies the West, while modernism was the product of the periphery. The editors use it in a stricter sense, giving it a place between romanticism and anti-modernism, spanning from the 1860s until the decade following World War I.
From the very first days of their large-scale attack on Ukraine in February 2022, the Russian invaders have made exceptional efforts to interact with the war memorial landscape of the newly occupied territories. This landscape consists of tens of thousands of monuments, mostly in small towns and villages, commemorating the Second World War and other conflicts, including Ukraine’s resistance against Russia since 2014. The Russians have destroyed some of these memorials, renovated others, and built new monuments amid continued fighting. They also used war memorials in countless propaganda photos and videos aimed for a domestic audience and largely escaping Western attention.
Why this fervor? Gabowitsch and Homanyuk draw on unique sources to trace the logic of Russian monument policies in occupied Ukraine. Mykola Homanyuk spent several months in occupied Kherson and collected sources on the ground, often at considerable risk to himself. This exceptional wartime on-site ethnography was complemented by systematic real-time data collection from online sources, many of which have since disappeared. The book shows how Russian invaders believed their own propaganda about Soviet war memorials being mistreated in Ukraine, and what they did when they discovered well-maintained monuments on the ground. More generally, it also discusses the link between monuments and territorial claims by irredentist empires.
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