Now back in print! The stories of Nashville at the turn of the century in the voices of the people who lived them.

Derived from first-hand accounts and oral histories collected and stored at Vanderbilt University as well as newspapers and other local history sources, this collection is an invaluable look at the “Gay Nineties” in Nashvillians’ own words.
 
It is, however, not a complete insight into Nashville in the 1890s. Readers should take note that the book focuses almost exclusively on the experiences and worldviews of white Nashvillians. These stories have incredible value for local historians and anyone interested in Nashville history, but the book’s failure to deal with race—as evidenced by Waller’s belief that “the social order was thought to be providential,” which was clearly not true for Nashville’s Black residents who struggled against the unjust systems designed to oppress them—is a grave shortcoming.
 

As Nashville's governance is under increasing scrutiny by the Tennessee General Assembly, many Nashvillians are struggling to understand what our metropolitan form of government is and why we chose to reorganize our city this way in 1963. Nashville Metro was first published in the aftermath of that decision, and it provides a comprehensive record of what the city understood itself to be doing at the time. How did it happen? When so many less thoroughgoing reforms had failed elsewhere, how could Nashville accomplish a complete city‑county consolidation? Why in Nashville did the voters outside the central city support consolidation, when in area after area it is typically these voters who defeat reform proposals? Why did the consolidation fail in 1958 and succeed in 1962? Nashville Metro was written to answer such questions. One great benefit to Brett W. Hawkins' approach is how he lays out what was conventional wisdom at the time and what was reported in the local papers and balances it against what participants told him directly.
 
This is a valuable artifact in itself, but the new foreword by Judge David Briley—former Nashville mayor and grandson of the first metro Nashville mayor, Beverly Briley—offers a firsthand account of the realities of metropolitan government sixty years on.

Hidden in the greenways, parks, and backyards of Nashville are several varieties of stunning native orchids. The vibrant, three-petaled flower has been revered for centuries for its exoticism and inspirational qualities. But these natural treasures, long part of a rich folk tradition, have been largely forgotten by many Nashvillians. This useful guidebook offers a comprehensive look into the secret lives of Davidson County’s six native orchid species. Alongside vibrant, eye-catching photographs of plant life cycles that provide a straightforward way for readers to quickly identify these varieties, the book offers the fascinating history of these wild wonders as told by author Soraya Cates Parr, a passionate horticulturalist with a knack for explaining the natural world in an accessible way.

More than just a useful guide to Nashville’s flora, Nashville Native Orchids is a reminder of the risk that unbridled urban development can pose to the delicate natural ecosystem. Throughout the book, Parr shows the local effects of climate change on Nashville’s native orchid population and advocates for a more sustainable approach to development. Beyond the environmental dimensions, this book presents an illuminating discussion of the historical significance of orchids and their central role in folkloric traditions.

Whether it’s building skyscrapers, running successful restaurants, researching diseases, performing music, cleaning hotel rooms, or holding public office, immigrants are changing Nashville from a mid‑sized city known for its country music industry to an increasingly diverse, multicultural destination. In Metro Nashville schools today, students speak more than 120 languages. The city is bigger, more congested, and more expensive than it’s ever been, drawing criticism from both longtime residents and newcomers. But growth has also brought top‑notch scientists and educators, a world‑class symphony, major league sports teams, investment from major corporations—and a wide range of immigrants whose talent and hard work have helped make all of that happen.

Through its profiles of thirty-nine immigrants from thirty-eight countries in Asia, the Middle East, Africa, Europe, Latin America, and Australia, Nashville’s New Americans provides a case study from one of the fastest-growing cities in the country on the contributions immigrants are making to its culture and economy.

The Xhroll, an alien humanoid race whose infertility is bringing them near extinction, come into contact with a crew of fertile human astronauts. Their encounter on a remote space station will have significant consequences for both species when a human male winds up impregnated.

Author Elia Barceló's setup is funny and feminist, and it raises questions of what it means to be "male" or "female"—prescient, considering this novel was first published twenty-five years ago. The anniversary is being celebrated now with the first English-language edition, translated by veteran sci-fi translators Yolanda Molina-Gavilán and Andrea Bell, who also provide a critical introduction.

A stimulating and innovative consideration of the concept, causes, and practice of peace in societies both ancient and modern, human and primate.<.)

We know a great deal about aggression, conflict, and war, but relatively little about peace, partially because it has been such a scarce phenomenon throughout history and in our own times. Peace is more than the absence of war. Peace requires special relationships, structures, and attitudes to promote and protect it.

A Natural History of Peace provides the first broadly interdisciplinary examination of peace as viewed from the perspectives of social anthropology, primatology, archeology, psychology, political science, and economics. Among other notable features, this volume offers:

a major theory concerning the evolution of peace and violence through human history;
an in-depth comparative study of peaceful cultures with the goal of discovering what it is that makes them peaceful;

one of the earliest reports of a new theory of the organization and collapse of ancient Maya civilization;

a comparative examination of peace from the perspective of change, including the transition of one of the world's most violent societies to a relatively peaceful culture, and the decision-making process of terrorists who abandon violence;

and a theory of political change that sees the conclusion of wars as uniquely creative periods in the evolution of peace among modern nations.

Telling the story of a clinical trial testing an innovative gel designed to prevent women from contracting HIV, Negotiating Pharmaceutical Uncertainty provides new insight into the complex and contradictory relationship between medical researchers and their subjects. Although clinical trials attempt to control and monitor participants' bodies, Saethre and Stadler argue that the inherent uncertainty of medical testing can create unanticipated opportunities for women to exercise control over their health, sexuality, and social relationships. Combining a critical analysis of the social production of biomedical knowledge and technologies with a detailed ethnography of the lives of female South African trial participants, this book brings to light issues of economic exclusion, racial disparity, and spiritual insecurity in Johannesburg's townships. Built on a series of tales ranging from strategy sessions at the National Institutes of Health to witchcraft accusations against the trial, Negotiating Pharmaceutical Uncertainty illuminates the everyday social lives of clinical trials.

As embedded anthropologists, Saethre and Stadler provide a unique and nuanced perspective of the reality of a clinical trial that is often hidden from view.

This volume, which includes essays on Catalonia, the Basque country, Galicia, and literature written by African immigrants, focuses on issues of "difference" that are at the center of current debates in Spain and elsewhere--the emergence of minoritized literatures, multilingualism and identity, new relationships between culture and institutions, the negotiation of historical memories, the connections between migrations and the redefinition of nationhood, and the impact of global trends on local symbolic systems.

Beneath the national radar, the relationship between citizens and government is undergoing a dramatic shift. More than ever before, citizens are educated, skeptical, and capable of bringing the decision-making process to a sudden halt. Public officials and other leaders are tired of confrontation and desperate for resources. In order to address persistent challenges like education, race relations, crime prevention, land use planning, and economic development, communities have been forced to find new ways for people and public servants to work together.

The stories of civic experiments in this book can show us the realpolitik of deliberative democracy, and illustrate how the evolution of democracy is already reshaping politics.

The history of modern Nicaragua is populated with leaders promising a new and better day. Inevitably, as Nicaragua and the Politics of Utopia demonstrates, reality casts a shadow and the community must look to the next leader. As an impoverished state, second only to Haiti in the Americas, Nicaragua has been the scene of cyclical attempts and failures at modern development. Author Daniel Chavez investigates the cultural and ideological bases of what he identifies as the three decisive movements of social reinvention in Nicaragua: the regimes of the Somoza family of much of the early to mid-twentieth century; the governments of the Sandinista party; and the present day struggle to adapt to the global market economy.

For each era, Chavez reveals the ways Nicaraguan popular culture adapted and interpreted the new political order, shaping, critiquing, or amplifying the regime's message of stability and prosperity for the people. These tactics of interpretation, otherwise known as meaning-making, became all-important for the Nicaraguan people, as they opposed the autocracy of Somocismo, or complemented the Sandinistas, or struggled to find their place in the Neoliberal era. In every case, Chavez shows the reflective nature of cultural production and its pursuit of utopian idealism.

Nineteenth-Century Spanish America: A Cultural History provides a panoramic and accessible introduction to the era in which Latin America took its first steps into the Modern Age. Including colorful characters like circus clowns, prostitutes, bullfighters, street puppeteers, and bestselling authors, this book maps vivid and often surprising combinations of the new and the old, the high and the low, and the political and the cultural. Christopher Conway shows that beneath the diversity of the New World there was a deeper structure of shared patterns of cultural creation and meaning. Whether it be the ways that people of refinement from different countries used the same rules of etiquette, or how commoners shared their stories through the same types of songs, Conway creates a multidisciplinary framework for understanding the culture of an entire hemisphere.

The book opens with key themes that will help students and scholars understand the century, such as the civilization and barbarism binary, urbanism, the divide between conservatives and liberals, and transculturation. In the chapters that follow, Conway weaves transnational trends together with brief case studies and compelling snapshots that help us understand the period. How much did books and photographs cost in the nineteenth century? What was the dominant style in painting? What kinds of ballroom dancing were popular? Richly illustrated with striking photographs and lithographs, this is a book that invites the reader to rediscover a past age that is not quite past, still resonating into the present.

Nineteenth-Century Spanish America: A Cultural History provides a panoramic and accessible introduction to the era in which Latin America took its first steps into the Modern Age. Including colorful characters like circus clowns, prostitutes, bullfighters, street puppeteers, and bestselling authors, this book maps vivid and often surprising combinations of the new and the old, the high and the low, and the political and the cultural. Christopher Conway shows that beneath the diversity of the New World there was a deeper structure of shared patterns of cultural creation and meaning. Whether it be the ways that people of refinement from different countries used the same rules of etiquette, or how commoners shared their stories through the same types of songs, Conway creates a multidisciplinary framework for understanding the culture of an entire hemisphere.

The book opens with key themes that will help students and scholars understand the century, such as the civilization and barbarism binary, urbanism, the divide between conservatives and liberals, and transculturation. In the chapters that follow, Conway weaves transnational trends together with brief case studies and compelling snapshots that help us understand the period. How much did books and photographs cost in the nineteenth century? What was the dominant style in painting? What kinds of ballroom dancing were popular? Richly illustrated with striking photographs and lithographs, this is a book that invites the reader to rediscover a past age that is not quite past, still resonating into the present.

Following the 1808 French invasion of the Iberian Peninsula, an unprecedented political crisis threw the Spanish Monarchy into turmoil. On the Caribbean coast of modern-day Colombia, the important port town of Cartagena rejected Spanish authority, finally declaring independence in 1811. With new leadership that included free people of color, Cartagena welcomed merchants, revolutionaries, and adventurers from Venezuela, the Antilles, the United States, and Europe. Most importantly, independent Cartagena opened its doors to privateers of color from the French Caribbean. Hired mercenaries of the sea, privateers defended Cartagena's claim to sovereignty, attacking Spanish ships and seizing Spanish property, especially near Cuba, and establishing vibrant maritime connections with Haiti.

Most of Cartagena's privateers were people of color and descendants of slaves who benefited from the relative freedom and flexibility of life at sea, but also faced kidnapping, enslavement, and brutality. Many came from Haiti and Guadeloupe; some had been directly involved in the Haitian Revolution. While their manpower proved crucial in the early Anti-Spanish struggles, Afro-Caribbean privateers were also perceived as a threat, suspected of holding questionable loyalties, disorderly tendencies, and too strong a commitment to political and social privileges for people of color. Based on handwritten and printed sources in Spanish, English, and French, this book tells the story of Cartagena's multinational and multicultural seafarers, revealing the Trans-Atlantic and maritime dimensions of South American independence.

Following the 1808 French invasion of the Iberian Peninsula, an unprecedented political crisis threw the Spanish Monarchy into turmoil. On the Caribbean coast of modern-day Colombia, the important port town of Cartagena rejected Spanish authority, finally declaring independence in 1811. With new leadership that included free people of color, Cartagena welcomed merchants, revolutionaries, and adventurers from Venezuela, the Antilles, the United States, and Europe. Most importantly, independent Cartagena opened its doors to privateers of color from the French Caribbean. Hired mercenaries of the sea, privateers defended Cartagena's claim to sovereignty, attacking Spanish ships and seizing Spanish property, especially near Cuba, and establishing vibrant maritime connections with Haiti.

Most of Cartagena's privateers were people of color and descendants of slaves who benefited from the relative freedom and flexibility of life at sea, but also faced kidnapping, enslavement, and brutality. Many came from Haiti and Guadeloupe; some had been directly involved in the Haitian Revolution. While their manpower proved crucial in the early Anti-Spanish struggles, Afro-Caribbean privateers were also perceived as a threat, suspected of holding questionable loyalties, disorderly tendencies, and too strong a commitment to political and social privileges for people of color. Based on handwritten and printed sources in Spanish, English, and French, this book tells the story of Cartagena's multinational and multicultural seafarers, revealing the Trans-Atlantic and maritime dimensions of South American independence.

The Noose (also known as Pèlin-Tèt) focuses on the lives of two Haitian immigrants living in a grubby basement apartment in New York City in 1978. One, Polydor, is a middle-class intellectual and political refugee. The other, Pyram, is a lower-class laborer. For the sake of saving money, the two have been sharing the apartment for three years. While Pyram is away working, Polydor apparently does nothing but read books on political theory. His source of funds remains a mystery.

With recent productions in Canada and the United States, the publication of this play in English will provide a new generation of audiences access to this important text, accompanied by an introduction by translator Asselin Charles and an afterword by Jean Jonassaint, both preeminent scholars of Frankétienne’s literary output.

One message that comes along with ever-improving fertility treatments and increasing acceptance of single motherhood, older first-time mothers, and same-sex partnerships, is that almost any woman can and should become a mother. The media and many studies focus on infertile and involuntarily childless women who are seeking treatment. They characterize this group as anxious and willing to try anything, even elaborate and financially ruinous high-tech interventions, to achieve a successful pregnancy.

But the majority of women who struggle with fertility avoid treatment. The women whose interviews appear in Not Trying belong to this majority. Their attitudes vary and may change as their life circumstances evolve. Some support the prevailing cultural narrative that women are meant to be mothers and refuse to see themselves as childfree by choice. Most of these women, who come from a wider range of social backgrounds than most researchers have studied, experience deep ambivalence about motherhood and non-motherhood, never actually choosing either path. They prefer to let life unfold, an attitude that seems to reduce anxiety about not conforming to social expectations.

This is the origin story of Nashville’s surging contemporary art scene told by the ones who were there before anyone else. Not a story about commercial spaces or official institutions—this is the story of moldy warehouse studios and improvised galleries, happy-kegger after-parties and front lawn art sales, exhibitions in apartment living rooms and secret art displays hidden in plain sight.

Nowville is an oral history of the Nashville art scene beginning in the 1990s. Author Joe Nolan tracks down the city’s art punks, art monks, radical art students, and visionary pioneers to share what made their moments in Nashville so special. He also offers insights into how this homespun movement powered by DIY innovating came to be a thriving creative community and a cornerstone of the city’s contemporary allure.