front cover of Neurotechnology and the End of Finitude
Neurotechnology and the End of Finitude
Michael Haworth
University of Minnesota Press, 2018

A bold philosophical investigation into technology and the limits of the human

A daring, original work of philosophical speculation, Neurotechnology and the End of Finitude mounts a sustained investigation into the possibility that human beings may technologically overcome the transcendental limits of possible experience and envisages what such a transition would look like. Focusing on emergent neurotechnologies, which establish a direct channel of communication between brain and machine, Michael Haworth argues that such technologies intervene at the border between interiority and exteriority, offering the promise of immediacy and the possibility of the mind directly affecting the outside world or even other minds. 

Through detailed, targeted readings of Kant, Freud, Heidegger, Croce, Jung, and Derrida, Haworth explores the effect of this transformation on human creativity and our relationships with others. He pursues these questions across four distinct but interrelated spheres: the act of artistic creation and the potential for a technologically enabled coincidence of idea and object; the possibility of humanity achieving the infinite creativity that Kant attributed only to God; the relationship between the psyche and the external world in Freudian psychoanalysis and Jungian analytical psychology; and the viability and impact of techno-telepathic communication. 

Addressing readers interested in contemporary continental philosophy and philosophy of technology, media and communications, and science and technology studies, Neurotechnology and the End of Finitude critically envisions a plausible posthuman future.

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Nonhuman Witnessing
War, Data, and Ecology after the End of the World
Michael Richardson
Duke University Press, 2024
In Nonhuman Witnessing Michael Richardson argues that a radical rethinking of what counts as witnessing is central to building frameworks for justice in an era of endless war, ecological catastrophe, and technological capture. Dismantling the primacy and notion of traditional human-based forms of witnessing, Richardson shows how ecological, machinic, and algorithmic forms of witnessing can help us better understand contemporary crises. He examines the media-specificity of nonhuman witnessing across an array of sites, from nuclear testing on First Nations land and autonomous drone warfare to deepfakes, artificial intelligence, and algorithmic investigative tools. Throughout, he illuminates the ethical and political implications of witnessing in an age of profound instability. By challenging readers to rethink their understanding of witnessing, testimony, and trauma in the context of interconnected crises, Richardson reveals the complex entanglements between witnessing and violence and the human and the nonhuman.
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Nothingism
Poetry at the End of Print Culture
Jason Schneiderman
University of Michigan Press, 2025
What is the internet doing to poetry? Good question! In Nothingism, Jason Schneiderman grapples with the way that digital culture has begun to reshape America’s poetry landscape, examining this profound shift in the way that poetry is written, read, and taught. He dives into the history of the poetic line and how previous media (oral, manuscript, print) have shaped our understanding of exactly what a poem is. In considering the transformations of poetry in the digital age, he finds that the transition from print to digital culture mirrors the earlier transition from manuscript to print culture. 

In this collection, the essays range from blistering manifesto to deep historical dives to gentle classroom guidance to considerations of the poems of James Merrill and Agha Shahid Ali, moving between the theoretical and the practical. Nothingism is both deeply personal and highly erudite, providing an engaging and scholarly account of reading, writing, and teaching poetry as our world continues its unsupervised lurch toward digital culture.
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front cover of Nuclear Freeze in a Cold War
Nuclear Freeze in a Cold War
The Reagan Administration, Cultural Activism, and the End of the Arms Race
William M. Knoblauch
University of Massachusetts Press, 2017
The early 1980s were a tense time. The nuclear arms race was escalating, Reagan administration officials bragged about winning a nuclear war, and superpower diplomatic relations were at a new low. Nuclear war was a real possibility and antinuclear activism surged. By 1982 the Nuclear Freeze campaign had become the largest peace movement in American history. In support, celebrities, authors, publishers, and filmmakers saturated popular culture with critiques of Reagan's arms buildup, which threatened to turn public opinion against the president.

Alarmed, the Reagan administration worked to co-opt the rhetoric of the nuclear freeze and contain antinuclear activism. Recently declassified White House memoranda reveal a concerted campaign to defeat activists' efforts. In this book, William M. Knoblauch examines these new sources, as well as the influence of notable personalities like Carl Sagan and popular culture such as the film The Day After, to demonstrate how cultural activism ultimately influenced the administration's shift in rhetoric and, in time, its stance on the arms race.
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