front cover of The Neo-Indians
The Neo-Indians
A Religion for the Third Millenium
Jacques Galinier
University Press of Colorado, 2013
The Neo-Indians is a rich ethnographic study of the emergence of the neo-Indian movement—a new form of Indian identity based on largely reinvented pre-colonial cultures and comprising a diverse group of people attempting to re-create purified pre-colonial indigenous beliefs and ritual practices without the contaminating influences of modern society.

There is no full-time neo-Indian. Both indigenous and non-indigenous practitioners assume Indian identities only when deemed spiritually significant. In their daily lives, they are average members of modern society, dressing in Western clothing, working at middle-class jobs, and retaining their traditional religious identities. As a result of this part-time status the neo-Indians are often overlooked as a subject of study, making this book the first anthropological analysis of the movement.

Galinier and Molinié present and analyze four decades of ethnographic research focusing on Mexico and Peru, the two major areas of the movement’s genesis. They examine the use of public space, describe the neo-Indian ceremonies, provide analysis of the ceremonies’ symbolism, and explore the close relationship between the neo-Indian religion and tourism. The Neo-Indians will be of great interest to ethnographers, anthropologists, and scholars of Latin American history, religion, and cultural studies.

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front cover of The Noise Silence Makes
The Noise Silence Makes
Secularity and Ghana's Drum Wars
Mariam Goshadze
Duke University Press, 2025
For generations, the Ga community in Accra, Ghana, has enforced an annual citywide ban on noisemaking during an important religious festival. In the 1990s and 2000s, this “ban on drumming” became a point of conflict between the Ga people and the newly popular Pentecostal/Charismatic churches, which refused to subdue their loud worship during the ban. Although the Ghanaian state constitutionally and institutionally grants superior status to Christianity and Islam, it ruled in favor of the Ga community, which emphasized its “cultural” rather than religious rights. In The Noise Silence Makes, Mariam Goshadze traces the history of noise regulation in Accra, showing how the Ga people have adopted colonial mechanisms of noise control to counter Pentecostal/Charismatic dominance over Accra’s soundscape. Goshadze shows how the drumming ban represents a reversal of the top-down model of noise regulation and illuminates the reality of Ghanaian secularity, in which the state unofficially collaborates with indigenous religious authorities to control sound. In so doing, Goshadze counters the tendency to push African “traditional religions” to the margins, demonstrating that they are instrumental players in contemporary African urbanity.
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