front cover of The Philosopher's Toothache
The Philosopher's Toothache
Embodied Stoicism in Early Modern English Drama
Donovan Sherman
Northwestern University Press, 2022
The Philosopher’s Toothache proposes that early modern Stoicism constituted a radical mode of performance. Stoicism—with its focus on bodily sensation, imagined spectatorship, and daily mental and physical exercise—exists as what the philosopher Pierre Hadot calls a “way of life,” a set of habits and practices. To be a Stoic is not to espouse doctrine but to act.

Informed by work in both classical philosophy and performance studies, Donovan Sherman argues that Stoicism infused the complex theatrical culture of early modern England. Plays written and performed during this period gave life to Stoic exercises that instructed audiences to cultivate their virtue, self-awareness, and creativity. By foregrounding Stoicism’s embodied nature, Sherman recovers a vital dimension too often lost in reductive portrayals of the Stoics by early modern writers and contemporary scholars alike. The Philosopher’s Toothache features readings of dramatic works by William Shakespeare, Cyril Tourneur, and John Marston alongside considerations of early modern adaptations of classical Stoics (Seneca, Epictetus, and Marcus Aurelius) and Neo-Stoics such as Justus Lipsius. These plays model Stoic virtues like unpredictability, indifference, vulnerability, and dependence—attributes often framed as negative but that can also rekindle a sense of responsible public action.
 
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The Pleasant Nights
Giovan Straparola
Iter Press, 2015

In Giovan Francesco Straparola’s The Pleasant Nights, a group of men and women gather together in a villa on the Venetian island of Murano during Carnival to sing songs, tell tales, and solve riddles. A sixteenth-century bestseller, The Pleasant Nights is today a fundamental text for European folk and fairy tale studies, for alongside triumphal and tragic love stories, comical tales of practical jokes, and accounts of witty retorts, Straparola (1480? – 1557?) placed some of the first fairy tales printed in Europe. Straparola’s eloquent female narrators and the fairy tales they recount became a model for a generation of French women writers in Parisian salons, who used the fairy tale to interrogate the gender norms of their day. This book presents the first new and complete English translation of Straparola’s tales and riddles to be published since the nineteenth century.

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Pope Paul III and the Cultural Politics of Reform
1534-1549
Bryan Cussen
Amsterdam University Press, 2020
When Paul III was elected in 1534, hopes arose across Christendom that this pope would at last reform and reunite the Church. During his fifteen-year reign, though, Paul's engagement with reform was complex and contentious. A work of cultural history, this book explores how cultural narratives of honour and tradition, including how honour played out in politics, significantly constrained Pope Paul and his chosen reformers in framing strategies for change. Indeed, the reformers' programme would have undermined the culture of honour and weakened Rome's capacity to ward off current threats of invasion. The study makes a provocative case that Paul called the Council of Trent to contain reform rather than promote it. Nevertheless, Paul and the Council did sow seeds of reform that eventually became central to the Counter-Reformation. This book thus sheds new light on a pope whose relationship to reform has long been regarded as an enigma.
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front cover of Princesses Mary and Elizabeth Tudor and the Gift Book Exchange
Princesses Mary and Elizabeth Tudor and the Gift Book Exchange
Valerie Schutte
Arc Humanities Press, 2021
This is the first book to offer a comparison of these two famous Tudor queens as princesses, suggesting that their early lives need to be more closely examined together. It offers a detailed case study of the four extant dedications that Elizabeth Tudor wrote to accompany manuscript translations that she gave to Henry VIII, his then wife, Katherine Parr, and to Elizabeth's brother Edward (VI of England) as New Year’s gifts from 1545 to 1548. Additionally, it seeks to compare Elizabeth with her sister Mary, beginning with pre-accession dedications given to each of them, exploring two of Mary's own translations, moving to their typical patterns of New Year's gift giving, and ending on the textual transmission of their translations that were later published in 1548. It argues that Elizabeth’s dedications to her family, while participating in the tradition of giving books, were unique and in the dedications she intended not only to represent her loyalty but also to stabilize her position within the royal family.
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front cover of The Pulpit and the Press in Reformation Italy
The Pulpit and the Press in Reformation Italy
Emily Michelson
Harvard University Press, 2013

Italian preachers during the Reformation era found themselves in the trenches of a more desperate war than anything they had ever imagined. This war—the splintering of western Christendom into conflicting sects—was physically but also spiritually violent. In an era of tremendous religious convolution, fluidity, and danger, preachers of all kinds spoke from the pulpit daily, weekly, or seasonally to confront the hottest controversies of their time. Preachers also turned to the printing press in unprecedented numbers to spread their messages.

Emily Michelson challenges the stereotype that Protestants succeeded in converting Catholics through superior preaching and printing. Catholic preachers were not simply reactionary and uncreative mouthpieces of a monolithic church. Rather, they deftly and imaginatively grappled with the question of how to preserve the orthodoxy of their flock and maintain the authority of the Roman church while also confronting new, undeniable lay demands for inclusion and participation.

These sermons—almost unknown in English until now—tell a new story of the Reformation that credits preachers with keeping Italy Catholic when the region’s religious future seemed uncertain, and with fashioning the post-Reformation Catholicism that thrived into the modern era. By deploying the pulpit, pen, and printing press, preachers in Italy created a new religious culture that would survive in an unprecedented atmosphere of competition and religious choice.

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