Over 5,000 years ago, the history of humanity radically changed direction when writing was invented in Sumer, the southern part of present-day Iraq. For the next three millennia, kings, aristocrats, and slaves all made intensive use of cuneiform script to document everything from royal archives to family records.

In engaging style, Dominique Charpin shows how hundreds of thousands of clay tablets testify to the history of an ancient society that communicated broadly through letters to gods, insightful commentary, and sales receipts. He includes a number of passages, offered in translation, that allow readers an illuminating glimpse into the lives of Babylonians. Charpin’s insightful overview discusses the methods and institutions used to teach reading and writing, the process of apprenticeship, the role of archives and libraries, and various types of literature, including epistolary exchanges and legal and religious writing.

The only book of its kind, Reading and Writing in Babylon introduces Mesopotamia as the birthplace of civilization, culture, and literature while addressing the technical side of writing and arguing for a much wider spread of literacy than is generally assumed. Charpin combines an intimate knowledge of cuneiform with a certain breadth of vision that allows this book to transcend a small circle of scholars. Though it will engage a broad general audience, this book also fills a critical academic gap and is certain to become the standard reference on the topic.

Extensively studied and heavily debated, inclusive language is a hot topic. Despite decades of research and scholarship, findings on its importance slip into neglect. How do we convince speakers of the importance of inclusive language? Christiane Luck’s Rewriting Language provides one possible answer: read fiction.
 
By engaging readers with the issue, novels spread awareness and promote linguistic change. Novels have the power to paint the problems presented with accessibility and spark change. Analyzing five iconic literary texts, including Ursula K. Le Guin’s The Left Hand of Darkness, Verena Stefan’s Häutungen, Marge Piercy’s Woman on the Edge of Time, and June Arnold’s The Cook and the Carpenter, Luck dives into the possibilities and challenges of linguistic neutrality. Rewriting Language illustrates the link between language and imagination. As Luck concludes, novels are valuable tools to embolden inclusive language use.
 

The authors comprehensively analyze all the available information regarding the ritual practices of Slavic pre-Christian religion that can be found in written medieval texts. After investigating every kind of reference to such practices, they offer a reconstruction of Slavic pre-Christian religion on the basis of these medieval testimonies. In doing so, they overcome the challenges presented by the fact that all of these sources are indirect, since the Slavs did not acquire literacy until they became Christians. Thus the writers of these texts mostly professed a monotheistic religion, being Christians and in some cases Muslims. The picture that they offer is biased and determined by their own faith. The present analysis innovatively combines testimonies from every Slavic area (Eastern, Western, and Southern), showing their mutual correspondences and emphasizing the relationship between the Slavic pre-Christian religion and its Indo-European roots.