REMEX presents the first comprehensive examination of artistic responses and contributions to an era defined by the North American Free Trade Agreement (1994–2008). Marshaling over a decade’s worth of archival research, interviews, and participant observation in Mexico City and the Mexico–US borderlands, Amy Sara Carroll considers individual and collective art practices, recasting NAFTA as the most fantastical inter-American allegory of the turn of the millennium. Carroll organizes her interpretations of performance, installation, documentary film, built environment, and body, conceptual, and Internet art around three key coordinates—City, Woman, and Border. She links the rise of 1990s Mexico City art in the global market to the period’s consolidation of Mexico–US border art as a genre. She then interrupts this transnational art history with a sustained analysis of chilanga and Chicana artists’ remapping of the figure of Mexico as Woman.

A tour de force that depicts a feedback loop of art and public policy—what Carroll terms the “allegorical performative”—REMEX adds context to the long-term effects of the post-1968 intersection of D.F. performance and conceptualism, centralizes women artists’ embodied critiques of national and global master narratives, and tracks post-1984 border art’s “undocumentation” of racialized and sexualized reconfigurations of North American labor pools. The book’s featured artwork becomes the lens through which Carroll rereads a range of events and phenomenon from California’s Proposition 187 to Zapatismo, US immigration policy, 9/11 (1973/2001), femicide in Ciudad Juárez, and Mexico’s war on drugs.

While there is a long history of state violence toward immigrants in the United States, the essayists in this interdisciplinary collection tackle head-on the impacts of the Trump administration.

This volume provides a well-argued look at the Trump era. Insightful contributions delve into the impact of Donald Trump’s rhetoric and policies on migrants detained and returned, immigrant children separated from their parents and placed in detention centers, and migrant women subjected to sexual and reproductive abuses, among other timely topics. The chapter authors document a long list in what the book calls “Trump’s Reign of Terror.”

Organized thematically, the book has four sections: The first gathers histories about the Trump years’ roots in a longer history of anti-migration; the second includes essays on artistic and activist responses on the border during the Trump years; the third critiques the normalization of Trump’s rhetoric and actions in popular media and culture; and the fourth envisions the future.

Resistance and Abolition in the Borderlands is an essential reader for those wishing to understand the extent of the damage caused by the Trump era and its impact on Latinx people.

Contributors
Arturo J. Aldama
Rebecca Avalos
Cynthia Bejarano
Tria Blu Wakpa
Renata Carvalho Barreto
Karma R. Chávez
Leo R. Chavez
Jennifer Cullison
Jasmin Lilian Diab
Allison Glover
Jamila Hammami
Alexandria Herrera
Diana J. Lopez
Sergio A. Macías
Cinthya Martinez
Alexis N. Meza
Roberto A. Mónico
José Enrique Navarro
Jessica Ordaz
Eliseo Ortiz
Kiara Padilla
Leslie Quintanilla
J-M Rivera
Heidy Sarabia
Tina Shull
Nishant Upadhyay
Maria Vargas
Antonio Vásquez

Carlos G. Vélez-Ibáñez’s latest work, The Rise of Necro/Narco Citizenship investigates the intricate and often harrowing dynamics that define the borderlands between the United States, Mexico, and beyond. This groundbreaking book provides a comprehensive cultural, economic, social, and political-ecological analysis, illustrating how various forms of violence and militarization have reshaped the daily lives and identities of the region’s inhabitants. Through meticulous ethnographic fieldwork, extensive archival research, and rigorous statistical data, Vélez-Ibáñez exposes the deeply entrenched networks of exploitation and conflict that have emerged in response to global capitalism’s pressures.

Vélez-Ibáñez builds on theorization about necrocitizenship to introduce the concept of necro/narco citizenship, which argues that pervasive violence and socioeconomic disruptions create a unique form of existence on both sides of the border. The author examines the dislocation of thousands, the persistent threat of violence, and the ways in which these forces compel individuals to navigate a reality steeped in addiction, self-destruction, and civil deterioration. This book reveals the transnational networks and the morally compromised political economies that sustain them, offering readers an unflinching look at the cost of survival in this tumultuous region.

This essential volume is not only a critical addition to the field of anthropology but also an invaluable resource for those interested in the sociopolitical landscape of the U.S.-Mexico border. Vélez-Ibáñez’s insights will resonate with scholars, students, and policymakers alike. The Rise of Necro/Narco Citizenship challenges us to rethink the narratives of violence, militarization, and resistance that define our understanding of the Southwest North American Region.

Winner, William P. Clements Prize, Best Non-Fiction Book on Southwestern America, 2004

Not quite the United States and not quite Mexico, La Junta de los Rios straddles the border between Texas and Chihuahua, occupying the basin formed by the conjunction of the Rio Grande and the Rio Conchos. It is one of the oldest continuously inhabited settlements in the Chihuahuan Desert, ranking in age and dignity with the Anasazi pueblos of New Mexico.

In the first comprehensive history of the region, Jefferson Morgenthaler traces the history of La Junta de los Rios from the formation of the Mexico-Texas border in the mid-19th century to the 1997 ambush shooting of teenage goatherd Esquiel Hernandez by U.S. Marines performing drug interdiction in El Polvo, Texas. "Though it is scores of miles from a major highway, I found natives, soldiers, rebels, bandidos, heroes, scoundrels, drug lords, scalp hunters, medal winners, and mystics," writes Morgenthaler. "I found love, tragedy, struggle, and stories that have never been told." In telling the turbulent history of this remote valley oasis, he examines the consequences of a national border running through a community older than the invisible line that divides it.